Category Archives: Movie Reviews

Reviews of movies I have seen.

The Charge of the Light Brigade (1936)

The Charge of the Light Brigade
Directed by Michael Curtiz
Written by Michael Jacoby and Rowland Leigh inspired by the poem by Tennyson
1936/USA
Warner Bros.

First viewing

 

[box] When can their glory fade?/ O the wild charge they made!/ All the world wonder’d./ Honor the charge they made!/ Honor the Light Brigade,/ Noble six hundred! — Alfred Lord Tennyson “The Charge of the Light Brigade”[/box]

The war film is not a favorite genre of mine, but there is no question that this is an expertly made film of some power.  I don’t know if I could have watched it, however, if I had known ahead of time about the number of horses killed in filming the Charge.

This movie does not make any pretense of historical accuracy.  The regiment, characters, and incidents are all fictional.  The only thing that actually happened was the Charge itself, though not for the reasons or with the results claimed.

It is India, 1856.  As the movie begins, officials are telling war lord Surat Kahn that the stipend the British had been paying his father will cease.  Kahn nevertheless continues to entertain the party with a tiger hunt during which Major Geoffrey Vickers (Eroll Flynn) saves Kahn’s life.  We learn that the Russians would be only to glad to fill the gap left by the British.

Meanwhile, Geoffrey is engaged to his Colonel’s daughter Elsa Campbell (Olivia de Havilland).  Unfortunately, Elsa has fallen in love with Geoffrey’s brother Perry (Patric Knowles) while Geoffrey was away on duty.  When Perry tells Geoffrey about their love, he refuses to believe it.  For one reason or another, Geoffrey is always dragged elsewhere just as Elsa tries to talk to him.

Kahn waits until most of the men at the British garrison are away at manuevers and strikes the hopelessly undermanned fortress.  He offers surrender terms which the British are forced to accept and then massacres all the survivors of the initial attack except Elsa who is saved by Geoffrey.  Later, Geoffrey’s regiment is sent to the Crimea because it is there that they will find Kahn and, with luck, exact vengeance.   With David Niven as an officer, Donald Crisp as Elsa’s father, and just about every middle-aged British character actor in Hollywood at the time.

I liked this quite a bit.  All the acting was excellent and Michael Curtiz kept the action rolling along at a good pace.  The story picks up a lot when the focus shifts away from the love triangle to the fighting.  Unfortunately, Warner Bros. resorted to very cruel measures to get realistic battle footage.

Dozens of horses were killed during the making of this picture due to the use of trip wires in the Charge sequence.  This led to action by Congress to ensure the safety of animals in filmaking and the ASPCA to ban trip wires in its guidelines. Because of the public outcry about the scene, the film was never re-released by Warner Brothers.

After I read about this, I kept thinking about how awful it was to take an animal who had been trained to trust and obey its rider knowingly into harm’s way.  So sad.

Trailer

 

The Garden of Allah (1936)

The Garden of Allah
Directed by Richard Boleslawski
Written by W.P. Lipscomb, Lynn Riggs, and Willis Goldbeck
1936/USA
Selznick International Pictures

First viewing

 

[box] Count Anteoni: A man who refuses to acknowledge his god is unwise to set foot in the desert.[/box]

The Garden of Allah was the second film to be shot in three-strip Technicolor.  It is easily the most beautiful of the early color films I have seen, with almost magical lighting.  One only wishes that this beauty could have served a better film.

You know you are in trouble when any film begins with Marlene Dietrich visiting a convent. She plays Domini Enfelden, a devout heiress who seeks a cure for her loneliness after the death of her father.  Mother Superior advises her to go to the desert to search her soul.  In the meantime, Trappist monk Boris Androvsky (Charles Boyer), famed for the delicious liqueur he makes, suddenly flees the monastery, breaking his eternal vows.

Naturally, Domini and the gloomy Boris are thrown together on a train and set off to search their souls together.  On their journey, Domini has her fortune read by a Sand Diviner (John Carradine at his most over-the-top) who predicts great joy and great tragedy for her in the desert. The couple falls in love and, despite a warning to Domini by a priest (C. Aubrey Smith) they marry.  Life is blissful until the day a Foreign Legionaire recognizes Boris by the bottle of liqueur he is served.  With Joseph Schildkraut as an Arab servant and Basil Rathbone as an Italian count.

I wasn’t really looking forward to this but the beautiful visuals made it bearable.  Otherwise, I found it to be extremely melodramatic and almost campy.  Boyer is particularly bad with his gloomy stares and fraught delivery.  That said, this film established his reputation in the U.S.  The over-emotional score by Max Steiner doesn’t help.

W. Howard Green and Harold Rosson received an honorary Oscar for their color cinematography.  The film was also nominated for Academy Awards for Best Assistant Director and Best Score.

Clip (the color is not as good as on the DVD I saw)

Pigskin Parade (1936)

Pigskin Parade
Directed by David Butler
Written by Harry Tugent et al
1936/USA
Twentieth Century Fox Film Corporation

First viewing

 

[box] Slug Winters: If I only had a brain.[/box]

This collegiate musical is notable chiefly for being the first feature film of 14-year-old Judy Garland.

Yale is looking for a credible opponent it can beat at its homecoming game.  The board selects the University of Texas but, by mistake, the football team at Texas State in the tiny town of Prairie is invited.

Texas’s new coach Slug Winters (Jack Haley) is straight from coaching high school.  He and his wife Betty (Patsy Kelly) arrive to find a pathetic team.  Matters get worse when their “star” player breaks his leg while being coached by Betty.  But the couple discovers a natural talent in the boonies and bring him and his cousin Sairy to the university.  Laughs, singing, and dancing ensue.

Judy Garland’s singing was amazing right out of the box.  Otherwise, I find Patsy Kelly terribly annoying and the story is silly and forgettable.

Clip – Judy Garland singing “The Texas Tornado” – age 14

 

Winds of the Wasteland (1936)

Winds of the Wastelandwinds-of-the-wasteland poster
Directed by Mack V. Wright
Written by Joseph F. Poland
1936/USA
Republic Pictures

First viewing

 

[box]Larry Adams: Who ever heard of sending messages over a piece of wire?[/box]

This otherwise forgettable B Western again demonstrates John Wayne’s innate star power.

The pony express is shutting its doors and rider John Blair (Wayne) must find a new line of work.  He decides to start a stagecoach line.  Evil Cal Drake sells him a stagecoach and one of his lines – which goes to a ghost town, population 2.  Not to be deterred, Blair single-handedly resurrects the town and prepare to compete with Drake in a race to win a lucrative government mail contract.  The rest should be obvious.  Plenty of fist fights and gun battles and a little humor.  No winds; no wasteland.

Winds of the Wastland 1

Among  the many actors in this who appear to be reading their lines for the first time, Wayne is completely natural.  Although I never agreed with his politics, in later years I have had to admit that the Duke definitely had something.

Clip – stagecoach battle (colorized – I was able to watch in black and white)

 

Gold Diggers of 1937 (1936)

Gold Diggers of 1937Gold Diggers of 1937 poster
Directed by Lloyd Bacon; Musical numbers created and directed by Busby Berkeley
Written by Warren Duff et al
1936/USA
Warner Bros.

First viewing

 

[box] Genevieve Larkin: It’s so hard to be good under the capitalist system.[/box]

The Gold Digger series has been slowly transitioning from the back stage musical to the musical comedy.  The transition is almost complete in this entry, not necessarily to the benefit of the film.

Rosmer Peck (Dick Powell) is a struggling life insurance salesman who would rather be a Broadway star.  Norma Perry (Joan Blondell) is an out-of-work chorus girl who decides to get a regular paying job.  They meet cute on a train and Rosmer gets Norma a job with his company.  It is love at first sight but Rosmer is broke.

Norma’s friend Genevieve (Glenda Farrell) is still trying to make a career in show business and gets friendly with an assistant of Broadway producer J.J. Hobart (Victor Moore).  The assistant and his crony have misappropriated Hobart’s money.  Genevieve comes up with the idea of buying life insurance on hypochondriac Hobart with the thought that he will die soon (hilarious, I know).  Rosmer sells Hobart a million dollar policy, the commissions on which will allow him to marry Norma.  When Hobart passes the medical exam for the policy, he gets a new lease on life causing Genevieve and her friends to take action.

 

Gold-Diggers-1937 1

This is almost a straight musical comedy with most of the numbers sung by Dick Powell in the course of the plot.  There is one production number at the end as part of the obligatory “let’s put on a show” effort.  Neither the routines nor the comedy is good enough to make this a must see.  Dick Powell and Joan Blondell retain their enormous charm, however.

Dimples (1936)

Dimples
Directed by William A. Seiter
Written by Arthur Sheekman and Ned Perrin from an idea by Nunnally Johnson
1936/USA
Twentieth Century Fox Film Corporation

First viewing

 

[box] Prof. Eustace Appleby: I was quite a matinee idol in those days, you know. I still get letters from ladies in the towns where I played.

Dimples: Yes, landladies.[/box]

“Dimples” (Shirley Temple) is an urchin dancing on the streets of 1850 New York for pennies under the tutelage of her loveable con-artist/thief grandfather (Frank Morgan).  When she dances for a society party, the hostess Mrs. Drew (Helen Westley) falls in love with her and wants to adopt her.  But Dimples doesn’t really want to leave her grandfather. There is a subplot that involves Mrs. Drew’s nephew who wants to put on a production of “Uncle Tom’s Cabin”.  Dimples ends up playing Little Eva in that, among a cast of black-faced actors.  The whole thing ends in a minstrel show number.  With Stepin Fetchit as grandfather’s servant.

Shirley Temple with Frank Morgan

This is mediocre when it isn’t offensive.  Shirley has lost a lot of her uncalculated charm and the songs aren’t memorable.

Trailer

 

The Trail of the Lonesome Pine (1936)

The Trail of the Lonesome Pine
Directed by Henry Hathaway
Written by Grover Jones et al based on the novel by John Fox, Jr.
1936/USA
Walter Wanger Productions/Paramount Pictures

First viewing

 

[box] “There were tiny drops along the roots of her shining hair for the climb had been steep and now the shadow of disappointment darkened her eyes.” — John Fox, Jr. – The Trail of the Lonesome Pine[/box]

On tap today is a Sylvia Sidney double-bill.  The first one was the first Technicolor movie filmed on location.  It had more going for it than just the color gimmick.

The Falins and the Tollivers are uneducated backwoods people who have been engaged in a fatal feud for generation.  The story is told from the perspective of the Tollivers.  Judd Tolliver (Fred Stone), the patriarch, perpetuates the conflict while his wife Melissa (Beulah Bondi) bewails it.  They live with their daughter Judy (Sylvia Sidney), young son Buddy (Spanky McFarland) and nephew Dave (Henry Fonda).  All expect Judy to marry Dave, who loves her dearly, but Judy apparently has more sisterly feelings toward him.

Into the mountains comes Jack Hale (Fred MacMurray) who wants to buy up land from both families for transporting coal.  The families agree but soon enough “civilization”, is disrupting their lives, Jack is attracting Judy, and the scene of battle is shifting from the woods to the mining site.  A tragedy puts Judy’s choice between Jack and Dave into stark perspective.

Despite some moments of eye-rolling melodrama, I really enjoyed this. The conflict within the woman about her feelings for the two men felt very real.  All the performances are excellent and Henry Hathaway is wonderful with keeping the action moving.  Fred Stone surely did not make enough movies.  Although this has a modern-day setting and does not take place in the West, it is very Western in feeling.

Fuzzy Knight singing “A Melody from the Sky”, Best Song Academy Award nominee for 1936

The Great Ziegfeld (1936)

The Great Ziegfeldthe great ziegfeld poster
Directed by Robert Z. Leonard
Written by William Anthony McGuire
1936/USA
Metro-Goldwyn-Mayer

Repeat viewing

 

Fanny Brice: Tell Mr Ziegfeld, I’m not in and if I was in, I wouldn’t see him and if I did see him, tell him, I wouldn’t buy a thing.

This extravagant musical biopic won Oscars for Best Production, Best Actress (Louise Ranier), and Best Dance Direction (“A Pretty Girl Is Like a Melody”) and was nominated for four more.  While it is over-long and it’s luster has faded with time, it is worth seeing for a glimpse at the stage acts of Fannie Brice and Ray Bolger and for its cast.

Florenz Ziegfeld, Jr. (William Powell) is a young man with a dream.  Early on, he shows his genius by figuring out how to take business from friendly rival Billings’ (Frank Morgan) Little Egypt act at the Chicago World’s fair.  He then proceeds to steal French actress/singer Anna Held (Louise Ranier) from Billings although he has no money.  It helps that he steals Anna’s heart in the process and marries her.

Flo has a couple of signature vices:  he cannot resist a pretty woman and he spends money like water.  His picadillos end up in heartbreak for adoring Anna.  Still, Ziegfield goes from strength to strength on Broadway with his Follies and musical comedies.  Finally he finds contentment and stability in his marriage to Billie Burke (Myrna Loy).  Just as Ziegfeld has made his greatest triumph by having four hits on Broadway at once, he is felled by the crash of 1929 and ill health.

Great Ziegfeld 1

MGM evidently couldn’t decide whether to focus on the plot or the musical numbers so went for both – resulting in a movie that is almost three hours long.  The numbers are lavish, so much so that they now look a bit like camp.  (I was astounded at the closing “circus” routine where about 20 chorus girls dance their hearts out around 5 Russian Wolfhounds that stand stock still while legs kick inches from their faces.)  The costumes put a Vegas review to shame in magnificence and in ludicrousness.  Ziegfeld’s taste is repeatedly vaunted in the movie but I couldn’t see it myself.

I can remember being shown Louise Ranier’s telephone scene in drama class in high school as an example of good acting.  I thought her performance held up well.  The win for Best Actress was controversial as she appears only in the first half of the picture and probably would be considered a supporting actress today.  Ranier was the first thespian ever to win two back-to-back Oscars, receiving her next for her more substantial work in The Good Earth the following year.  Her star fell rapidly thereafter.

Powell and Loy are fun to watch as usual.

Trailer

Clip – “A Pretty Girl Is Like a Melody”

 

Conquest of the Air (1936)

Conquest of the Air
Directed by Alexander Esway, Zoltan Korda et al
Stories by Antoine de Saint-Exupéry, commentaries by Peter Bezencenet et al
1936/UK
London Films Productions
First viewing

Not to have an adequate air force in the present state of the world is to compromise the foundations of national freedom and independence. — Winston Churchill, House of Commons, 14 March 1933.

This documentary recounts the history of aviation from Icarus to the late 30’s.  It is pedestrian in style but offers fascinating glimpses of weird and wonderful early aircraft, passenger air travel (with sleeping berths on the flight from New York to Los Angeles!), etc. The story is told both through reenactments and film clips. Laurence Olivier, though prominently featured on all the promotional material, has a tiny role as a pre-flight Italian scientist.

An updated version of the film was released in 1940, with an epilogue on aircraft design and production for the British war effort.

Clip

Three on the Trail (1936)

Three on the Trail
Directed by Howard Bretherton
Written by Doris Schroeder and Vernon Smith
1936/USA
Harry Sherman Productions

First viewing

 

[box] Stagecoach Bandit: [Caught in the act by the man in black] That’s Cassidy! He’s bad medicine! Let’s get goin’![/box]

The second of the Westerns I watched was my very first Hopalong Cassidy movie. Although it was routine, I was pleasantly surprised at how appealing William Boyd was in the role.

Hoppy (William Boyd), Johnny Nelson (James Ellison) and Windy (Gabby Hayes) are fast friends and hands on the Bar-20 Ranch.  When an evil gang begins rustling cattle and sticking up stagecoaches, the three must ride to the rescue.  Along the way, Johnny falls for lovely schoolmarm Mary (Muriel Evans).

I’m not a big Western fan and the story was nothing special but I can understand why these films were a big draw in theaters in the 30’s and later on TV in the 50’s.  William Boyd is quite charming and the considerable joshing among the friends lightens the good guy v. bad guy action.

Hopalong Cassidy tribute