Aguirre, the Wrath of God (1972)

Aguirre, the Wrath of God (Aguirre, der Zorn Gottes)
Directed by Werner Herzog
Written by Werner Herzog
1972/West Germany
IMDb page
Repeat viewing/Amazon Prime (free for members)
One of 1001 Movies You Must See Before You Die

 

[on the dangers of filming Aguirre, der Zorn Gottes (1972) on location] You know, I’ve filmed in Black Africa, and during the shoot I was jailed five times in a row, I had malaria, we almost died – nothing scares me anymore, neither a jungle nor a Klaus Kinski, nor costumes, nor being with hundreds of Indians. There were in fact extraordinary difficulties, financial problems too. When you see the film, it looks as though it must have cost $2 million to make. But it cost maybe a tenth of that. — Werner Herzog, 1973

Who needs a budget when the dream, the vision, the obsession, and the scenery come free?

The year is 1560 and the setting is Peru.  Hundreds of Indians and Spaniards descend the Andes.  A rag tag team of explorers is deputized by conquistador Gonzalo Pizarro to make a voyage down the Amazon in search of the fabulous rumored treasures of El Dorado. Pizarro chooses Don Pedro de Ursua to command the expedition and Don Lope de Aguirre (Klaus Kinski) as his second-in-command.  The team is told it will be presumed lost if it does not return within a week.  For some reason Ursua elects to travel with his wife and Aguirre takes his 15-year-old daughter.  Within perhaps a day it becomes obvious that this particular stretch of the Peruvian Amazon is not survivable.  Ursua wants to return to Pizarro but the insane Aguirre insists on pressing forward.

So Aguirre stages a mutiny and proclaims the fat, lazy, aristocrat Don de Guzman as the Emperor of El Dorado.  Ursua is wounded and the entire troupe floats down the river, suffering the onslaught of hostile Indians, tropical heat, rapids, and disease toward glory or death.

From the opening scene of hundreds of Indians and Spaniards descending the Andes, this film is one indelible, incredible image after another.  It is is an epic emotional, visual, and sonic experience.  When man battles nature in Herzog’s universe, nature always wins.  And nature is a cruel mistress.  I think this movie is a masterpiece even if I cannot explain why.  A must-see in a year of must-sees.

I cannot even begin to imagine what it must have been like to make this film living on rafts on the edge of insanity.

 

Frenzy (1972)

Frenzy
Directed by Alfred Hitchcock
Written by Anthony Shaffer from a novel by Arthur La Bern
1972/UK
IMDb page
Repeat viewing/Amazon Prime rental
One of 1001 Movies You Must See Before You Die
One of 1000 Greatest Horror Films on theyshootzombies.com

Robert Rusk: I don’t know if you know it, Babs, but you’re my type of woman.

You know you’re in decline when your set pieces move from atop Mount Rushmore to the interior of a potato truck.  Still this is as good as late Hitchcock gets and is entertaining.

The film begins with beautiful vistas of the River Thames accompanied by appropriately majestic music.  But as the camera focuses in on the bank, we see a victim of the Necktie Strangler floating in the water wearing only a necktie.  The Strangler rapes his victims  before he murders them.

Richard Blaney (Jon Finch) has a hot temper and a giant chip on his shoulder and is now broke, having lost his job at a pub for sneaking a drink he claims he was going to pay for.  He is in a relationship with barmaid Babs Milligan (Anna Massey).  Richard’s friend Bob Rusk (Barry Foster) runs a stand at the Covent Garden market and is usually good for a few bob and a place to stay.

Following a night in a Salvation Army shelter, Richard decides to pay a visit on his ex-wife who is a marriage broker.  She evidently still has a soft spot for him, takes him to dinner, and slips him some cash.

This is not a mystery but a “wrong man” thriller.  So we know at all times that Bob Rusk is the Necktie Strangler.  He seems to have fun strangling ladies that Richard knows and Richard is always in the wrong place at the wrong time.  The suspense is will the police figure this out before Richard pays the price.

This represents both a departure for Hitchcock and a return to his roots.  Hitchcock entirely abandons restrictions of the past with a fair bit of nudity and extra-marital sex.  But at the same time this is a return to the wrong man theme and has more of a twinkle in its eye than in his prior two attempts at spy films.  The potato truck scene is exciting.  Actually my favorite part is the poor police inspector who has to endure the results of his wife’s passion for French gourmet cooking every night. Not essential except for completists.

Cabaret (1972)

Cabaret
Directed by Bob Fosse
Written by Jay Presson Allen from stories by Christopher Isherwood and the play by John Van Druten and musical book by Joe Masteroff
1972/US
IMDb page
Repeat viewing, Amazon Prime rental
One of 1001 Movies You Must See Before You Die

Sally: Does it really matter so long as you’re having fun?

Bob Fosse took a pretty good Broadway musical and elevated it to art that withstands the test of time.  Fifty years from now I bet this will still look interesting as well as be entertaining.

Sally Bowles (Liza Minnelli) is a cabaret singer in 1931 Weimar Berlin at a time when Hitler’s Nazi Party was positioning itself to take over the Government.  Sally, an American expat, thinks she is “divinely decadent” and maintains that persona but she is oblivious to what is going on around her and terribly naive when it comes to real decadence.

The Kit Kat Klub where Sally sings is a cesspool of real decadence.  Its girlie show is  vulgar and its Master of Ceremonies (Joel Grey) is positively devilish, growing increasingly crude and anti-Semitic as time goes on.  Into this milieu comes Brian Roberts (Michael York) who hopes to support himself by teaching English while he completes his German studies.  He is immediately befriended by Sally who makes it her mission to shock him at all times.  She says she doesn’t mind that he’s not attracted to women but they end up sleeping together any way.  Concurrently, Sally picks up a German playboy who ends up romancing both of them.

One of Michael’s students is wealthy and beautiful Jewess Natalia Landauer (Marisa Berenson).  There is a fairly extensive subplot about her extremely complicated courtship by Michael’s friend Fritz Wendel.

The various numbers in the cabaret show parallel the growing Nazification of Germany.  Sally and Michael are kind of innocents in hell.  Will they have the savvy to get out?

I’ve seen the Broadway musical on stage a couple of times over the years and its soundtrack was on rotation at my house for several years.  It’s good but the extensive rewrite and a brillliant production makes the film achieve a kind of perfection.  And that perfection is attributable to the genius of Bob Fosse and the excellence of the film’s cast. I can’t argue with any of the many Oscars it won.  Most highly recommended.

Cabaret won Oscars for Best Actress (Minnelli);  Best Supporting Actor (Grey); Best Director; Best Cinematography; Best Art Direction-Set Decoration; Best Sound; Best Film Editing; and Best Music, Scoring Original Song Score and/or Adaptation.  It was nominated in the categories of Best Picture and Best Writing, Screenplay Based on Material from Another Medium.  The film lost in those categories to The Godfather (1972). I’m looking forward to see how I feel about the Academy’s choices!.

Night of the Lepus (1972)

 

Night of the Lepus
Directed by William F. Claxton
Written by Don Holliday and Gene R. Kearney from the novel “The Year of the Angry Rabbit” by Russell Braddon
1972/USA
IMDb page
First viewing/Amazon Prime rental

 

Officer Lopez: Attention! Attention! Ladies and gentlemen, attention! There is a herd of killer rabbits headed this way and we desperately need your help!

This movie ticks every box that makes up bad movie gold.

The movie begins with shots of rabbit plagues in Australia and New Zealand with seemingly millions of bunnies eating everything in site.  We then move to Arizona, where a coyote extermination has led to a plague of rabbits.  Rancher Cole Hillman is reluctant to use poison fearing the effects on the environment.  So he calls in zoologist Roy Bennett (Stuart Whitman) for a more friendly solution.  Roy immediately begins genetically modifying domestic rabbits in hopes of producing less fertile animal, because how could that possibly go wrong?

Wife Gerry (Janet Leigh) and daughter Amanda tag along.  Amanda is an extremely annoying little kid with a love for bunnies.  Of course. she is allowed to go exploring and generally messing with things in the lab.  Amanda thinks it is funny to swap cages and rabbits.  That is how she gets a modified rabbit instead of a control rabbit when she asks for a pet.  Of course, she lets it escape.

That rabbit reproduces like a bunny and its progeny are highly fertile, carnivorous (possibly blood-sucking) creatures weighing 100 to 150 pounds.  (The size is repeatedly compared to the size of a wolf.)  The creatures travel in huge herds like stampeding cattle (complete with thundering paws), devouring cows, horses and humans in their way.  And now we leave it up to the lunkhead that created the problem to solve it.

There is no way to make a bunny rabbit look threatening no matter how much ketchup you smear on its quivering nose or how small the miniatures you put next to it.  This fact puts a ludicrous veneer on every single frame of the picture and makes already stupid dialogue that much more funny.  It could have been trimmed a bit but still is going on my non-existent Top-Ten Most Entertaining Bad Movies of All Time list. I wonder if the little cottontails that visit our back yard every day would like it?

Bonus:  Janet Leigh gets to work out her famous scream a lot.  Such a come-down.

Unused theme song – “The Hunter Gets Captured by the Game” written by Smokey Robinson

1776 (1972)

1776
Directed by Peter H. Hunt
Written by Peter Stone based on his play
1972/US
IMDb page
Repeat viewing/Amazon Instant

 

John Adams: Good God, consider yourselves fortunate that you have John Adams to abuse, for no sane man would tolerate it!

This is the perfect upbeat movie for the political season.

It is late June 1776 in Pennsylvania.  At the Continental Congress meeting to decide on and draft a Declaration of Independence, tempers flare as hot as temperatures in the non-air-conditioned meeting hall.  Hottest of heads on the faction for independence is John Adams (William Daniels) of Massachusetts.  His most prominent allies are Thomas Jefferson (Ken Howard) of Virginia and Ben Franklin (Howard Da Silva) of Pennsylvania. The Independence Faction is fought tooth and nail by conservatives from the South and mid-Atlantic states.

As the delegates continue to wrangle and complain, Jefferson is assigned to draft the Declaration but he can think of nothing but his new bride Martha (Blythe Danner), from whom he has been absent for six months.  His creative juices start flowing again when Martha comes for a visit and the rest is history.

I always enjoy watching this.  The tunes are catchy and the dialogue is witty.  The young Blythe Danner is so charming!  There is no dancing.  Kept me smiling all the way through.

Play It Again, Sam (1972)

Play It Again, Sam
Directed by Herbert Ross
Written by Woody Allen from his play
1972/USA
IMDb page
Repeat viewing/Amazon Prime rental

Dick: [On the phone] Let me tell you where you can reach me, George. I’ll be at 362-9296 for a while; then I’ll be at 648-0024 for about fifteen minutes; then I’ll be at 752-0420; and then I’ll be home, at 621-4598. Yeah, right George, bye-bye. (Dick needed a cell phone)

He didn’t direct it but he did create it and this film would pave the way for Annie Hall and other romcoms in Woody Allen’s future.

Allen Felix (Allen) is a film critic.  He is obsessed with Casablanca and Humphrey Bogart. His wife (Susan Anspach) is not feeling it and dumps him.  Best friends Dick (Tony Roberts) and Linda (Diane Keaton) try to set him up with new ladies.  But although in constant communication with Bogart (Jerry Lacey), Allen messes up every date and romantic advance.

What Allen doesn’t suspect for a while, is that Linda is feeling neglected by Dick and has a real soft spot for him.  Will this be a romance for the ages?

Well, it was a real treat to watch this again.  It’s plenty funny and sometimes farcical but also has a genuine heart to it.  Keaton probably had something to do with that.  The film stands up all these years later.  Recommended.

Marjoe (1970)

Marjoe
Directed by Howard Smith and Sarah Kernochan
1972/US
IMDb link
Repeat viewing/Amazon Prime rental

 

Marjoe: Can God deliver a religion addict?

In the years before tele-evangelism, preachers like Marjoe Gortner raked in the cash doing revivals.  This documentary exposes the hypocrisy of the business and illustrates its raw power over believers.

Marjoe Gortner was “called by the Lord” to his ministry at age 4 1/2.  His father, also an evangelical preacher, may have assisted the Lord.  At any rate, Marjoe was a gifted no-holds-barred charismatic preacher from a tiny child.  He was performing marriages, to the consternation of orthodox religion, at the age of eight.  He was adept at faith healing and speaking in tongues.

He apparently took a break at some point and came back to the circuit as a young man with rock-star-level gifts to make a crowd break out its change, bills, and check books.  But Marjoe never, even as a child, had the slightest bit of religious faith.  By making this movie Marjoe hoped to break with his old life and perhaps pave the way to a lucrative new one.

This documentary is a nice blend of a lot of things.  We get soul-baring sessions between Marjoe and the crew that provide insights into his life and personality and into evangelist show business.  But it is the actual footage of the revival shows that is really compelling.  Gortner struts around with the posing and attitude of a Mick Jagger and can really work the crowd into a frenzy.  Plus we’ve got a lot of riveting gospel singing to enjoy.  If the subject matter is intriguing, I can recommend.

Marjoe won the Oscar for Best Documentary, Feature.

 

 

 

 

 

Sleuth (1972)

Sleuth
Directed by Joseph L. Mankiewicz
Written by Anthony Shaffer from his play
1972/UK
IMDb page
Repeat viewing/My DVD collection
One of 1001 Movies You Must See Before You Die

Andrew Wyke: You said everything was in plain view!
Milo Tindle: Well aren’t I the shifty old sly boots, then.

Imagine a movie where two very different but great actors try to upstage each other for the entire running time.  Now imagine they are given a brilliantly literate screenplay and one of the best directors of Hollywood’s Golden Age.  That is Sleuth.

It would be criminal to give away any of the plot so I will but set the stage.  Andrew Wyke (Lawrence Olivier) writes old-fashioned crime fiction replete with a brilliant aristocratic private detective and dense police inspectors.  He lives in a palatial estate in the English country side. Every inch of the house and grounds is stuffed with playthings.  Anywhere you look there is a puzzle, or a mechanical toy, or other kind of oddity,  Despite his proclivity for “fun”, Andrew is in all respects a very conservative, class-conscious lord of the manor.  He has a sharp tongue and a keen wit.

Milo Tendle (Michael Caine) is a much-younger half-Italian hairdresser from Soho.  He has been having an affair with Andrew’s wife and wants to marry her.  Andrew has invited Milo to his place to discuss the matter.  What Milo lacks in breeding he makes up for in street smarts and cunning. Let the games begin!

I saw this on stage and then this film on original release.  Fortunately, I forgot some of the plot twists!  At any rate, there is so much to look at and absorb that I can’t imagine this movie ever getting old. Such fun to watch Olivier and Caine do their thing!  Highly recommended.

Both Caine and Olivier were nominated for the Best Actor Oscar rejected by Marlon Brando.  Both of them were as good and had more screen time than Brando but, of course, The Godfather has “important” written all over it.  Mankiewicz got a nod for Best Director and John Addison was nominated for his Originial Score

This was Mankiewicz’s last theatrical film.  Nice to see him go out on a high.

 

1972

 

Apache Indian Sacheen Littlefeather declined Marlon Brando’s Best Actor Oscar for The Godfather on his behalf as a protest against government Indian policies.

The X-rated Deep Throat was the second hard-core pornography feature film widely released in the US. It came after the feature length X-rated Behind the Green Door by the Mitchell Brothers. Both films contributed to the explosion of the porn industry and ‘porn chic’ by being exhibited in many mainstream film theatres. Deep Throat was one of the most financially successful films ever made (grossing over $1,000,000, but costing only $24,000 to make). However, it was ruled obscene by a New York court in 1973 and prints of the film were seized when it was subsequently banned in 23 states, and the film’s exhibitors (and actor Harry Reems) were found guilty of promoting obscenity and fined. The publicity only fueled the worldwide box-office gross of the film.  It seems like a lifetime ago when I actually saw Deep Throat in the theater on original release as some kind of dare with office colleagues!For the first time in 20 years, 82 year-old silent comedian/director/producer Charlie Chaplin returned from exile and set foot on US soil. Two decades earlier, he was denied a re-entry visa amid questions about his leftist politics and moral character.   Chaplin accepted an honorary Academy Award “For the incalculable effect he has had in making motion The pictures the art form of this century”. His standing ovation lasted a record 12 minutes.

The world lost Maurice Chevalier, Brian Donleavy, George Sanders, Bruce Cabot, Margaret Rutherford, Brandon DeWilde, Oscar Levant, Akim Tamaroff, Miriam Hopkins, Edgar G. Ulmer, Leo G. Caroll, and William Dieterle.  Ned Beatty, Jody Foster, Bob Hoskins, Isabelle Huppert, Samuel L. Jackson, Ben Kingsley, Steve Martin, and Nick Nolte made their film debuts.

Richard M. Nixon won re-election by a landslide.  The Watergate Scandal broke.  Terrorists attacked the Munich Olympics killing eleven Israeli athletes.  Roberta Flack’s “The First Time Ever I Saw Your Face” spent six weeks atop the Billboard Charts and was the number one single of the year.  The Pulitzer Prize for Literature was awarded to Wallace Stegner for Angle of Repose.  No prize was awarded for Drama.  Richard M. Nixon and Henry Kissinger were named Time Magazine’s Men of the Year.

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I’m enjoying cherry-picking these later years.  Here is the list I will pick from.

Photo Montage of Oscar winners

Photo Montage of Major Oscar Nominees

1971 Recap and Favorites List

I have now watched 38 films from 1971.  Some of those I did not rewatch for this exercise.   I ended at six weeks on October 21 and feel perfectly satisfied with the streamlined schedule.  A list can be found here.  Here’s the list of my 10 favorites in no particular order:

The Last Picture Show – Directed by Peter Bogdanovich

Duel – Directed by Stephen Spielberg

The Emigrants – Directed by Jan Troell

Willy Wonka & the Chocolate Factory – Directed by Mel Stuart

Directed by John Ford (1971) – Directed by Peter Bogdanovich

McCabe & Mrs. Miller – Directed by Robert Altman

Harold and Maude – Directed by Hal Ashby

A New Leaf – Directed by Elaine May

 

Walkabout – Directed by NIcholas Roeg

10  Rillington Place – Directed by Richard Fleischer