I, Jane Doe (1948)

I, Jane Doe
Directed by John H. Auer
Written by Lawrence Kimball
1948/US
Republic Pictures
IMDb page
First viewing/Amazon Prime rental

Bigamy, n. A mistake in taste for which the wisdom of the future will adjudge a punishment called trigamy. — Ambrose Bierce.

Kind of fun to see a courtroom drama with an all female defense team.

Jane Doe (Vera Ralson) shot and killed Eve Meredith Curtis’s (Ruth Hussey) husband Stephen (John Carroll). She has refused to reveal her name or talk about the crime in any way. She is swiftly convicted and given the death sentence. She gets a brief reprieve to give birth to a baby.

Eve, a successful attorney, takes an interest in her and gets the full story. Stephen met Annette Du Bois in France during WWII after his plane crashed. She sheltered him and he married her even though he was already married to Eve.  We learn that he is a serial philanderer.

Eve manages to get her a new trial and the story continues to play out through the testimony and flashbacks. With Gene Lockhart as the bombastic prosecutor.

I don’t know that I have seen Vera Ralston before. She is an appealing actress with a delicate beauty. Ruth Hussey was also quite good. John Carroll is the weak link.  It’s an entertaining movie but nothing I would go out of my way to see again.

Cast a Dark Shadow (1955)

Cast a Dark Shadow
Directed by Lewis Gilbert
Written by Janet Green from a play by Green and John Creswell
1955/UK
Lewis Gilbert Productions/Angel Productions
IMDb page
First viewing/Amazon Prime Cohen Channel

Freda Jeffries: You may not be much of a catch, but, so help me, l love you.

It makes me so happy when I find a new film to love!

Dirk Bogarde is excellent, as usual, as Edward (‘Teddy’) Bare, an amoral fortune-hunting playboy who makes his living, or hopes to, by marrying wealthy women. Their age matters not to him. When an unknown will spoils his plans with regard to his elderly first wife Monica (Mona Washbourne), he must continue his quest.

This takes him to the seaside where he meets Freda Jeffries (Margaret Lockwood), who is not interested in being married for her money. But Teddy is also a facile liar and wedding bells are soon ringing. Unfortunately for him, Freda is in the relationship “pound for pound” and insists on keeping her money separate. The third woman he tries to catch in his web is Charlotte Young (Kay Walsh). It wouldn’t be fair to reveal more of the story.

This is a beautifully photographed late noir and the cast and script are both fantastic. Bogarde’s face is so wonderful. It is extremely expressive but also does the empty dead-eyed gaze of pure evil amazingly well. Recommended.

Restoration trailer

Lured (1947)

Lured
Directed by Douglas Sirk
Written by Leo Rosten from a story by Jacques Companez et al
1947/US
Hunt Stromberg Productions
IMDb page
First viewing/Amazon Prime Cohen Channel

Inspector Harley Temple: Miss Carpenter there will be danger… great danger. Are you afraid?
Sandra Carpenter: No, not yet!

Douglas Sirk and company turned out a very enjoyable film noir.

Girls are turning up missing and murdered all over London. Scotland Yard has tied the disappearances to personal ads and cryptic, creepy poems sent to the police. Taxi dancer Lucy Bernard (Tanis Chandler) is one of the victims. Her American colleague and friend Sandra Carpenter (Lucille Ball) is recruited by Inspector Harley Temple (Charles Coburn) to act as bait.

Suspects include crazy artist Charles Van Druten (Boris Karloff), suave nightclub owner Robert Fleming (George Sanders), and his secretary Julian Wilde (Cedric Hardwicke). Sandra is fearless in her pursuit knowing that guardian angel Officer H. R. Barrett (George Zucco) is never far away.


I really enjoyed this one. The acting is excellent and Ball is fantastic and looks beautiful in a dramatic role. Her gowns by Elois Jenssen are to die for. The film was recently restored by the Cohen Collection to reveal the stunning low-key cinematography by William H. Daniels.

Conflict (1945)

Conflict
Directed by Curtis Bernhardt
Written by Arthur B. Horman and Dwight Taylor from a story by Robert Siodmak and Alfred Neumann
1945/US
Warner Bros.
IMDb page
First viewing/Amazon Prime rental

Kathryn Mason: [to Richard] It’s funny how virtuous a man can be when he’s helpless.

This movie’s preposterous plot is lifted by Humphrey Bogart’s fine performance.

Engineer Richard Mason (Bogart) is in love with his wife Kathryn’s (Rose Hobart) younger sister Evelyn (Alexis Smith). The wife knows this, denies him a divorce, and makes his life miserable. So Bogart cooks up a plan to get rid of his wife and marry the sister. Unfortunately for him, Dr. Mark Hamilton (Sydney Greenstreet), a psychiatrist and close friend of the family, decides to play amateur detective. It would be criminal to reveal any more of the plot.

Bogart is very good in this picture, which he did not want to make. We would not see him this angry and haunted until “In a Lonely Place” (1950). He also becomes increasingly paranoid as the story progresses. Greenstreet always plays Greenstreet and he is extremely good at it. The plot relies on increasingly improbable and contrived elements that drag the film down. It is not a who done it but a what happened. There is some nice noir cinematography courtesy of Merritt B. Gerstad.

The Gay Deception (1935)

The Gay Deception
Directed by William Wyler
Written by Stephen Morehouse Avery and Don Hartman
1935/US
Fox Film Corporation

IMDb page
First viewing/Amazon Prime rental

Sandro: All right, I’ll tell you what we’ll do. I promise to change everything about myself, if you’ll promise to stay exactly as you are.

William Wyler directs a frothy romantic comedy.  He really could do anything.

Mirabel (Frances Dee), a humble clerk, wins $5,000 in the lottery. Instead of taking the sound financial advice cautioning her to make her money last, Mirabel decides to splurge on a luxurious month in New York City. Sandro (Francis Lederer) is a bellboy at the fancy hotel where she is staying. He keeps hanging around making suggestions on improving her taste in hats and food. She resents this mightily.

Mirabe; rapidly finds out that her wealth does not impress the snobs in the society crowd she aspires to join. She buys tickets to a grand charity ball and then is roundly snubbed by the organizers. It is Sandro to the rescue. He steals the proper clothes and poses as a prince. I won’t go farther. With Alan Mowbray and Benita Hume as snobs and Akim Tamiroff as a kind of shady government official.

This is a well-made romcom. It’s leads are charming. Oh, how, I envy Francis Dee. She is beautiful, funny, and had the good fortune to be married to my heartthrob Joel McCrea for 57 years.

Toni (1935)

Toni
Directed by Jean Renoir
Written by Jean Renoir from material compiled by Jacques Levert
1935/France
Les Films Marcel Pagnol
IMDb page
First viewing/Criterion Channel

Narrator: (First lines)The action takes place in the south of France, a Latin region where, destroying the spirit of Babel, nature knows full well how to achieve the fusion of the races.

This is a well-made and acted film but I expected something more from Renoir.

As the film begins we see immigrants from many European nations arriving in France to seek work. Our hero is Antonio “Toni” Canova an Italian. He seeks lodging at a boarding house and soon is having an affair with its French proprietress Marie. He gets work in the local rock quarry. Time passes and Toni tires of the extremely jealous and possessive Marie. He has fallen in love with Josefa who lives with her Spanish peasant father and her scheming cousin. Finally, Toni decides to ask Josefa to marry him. Her father approves. But Toni’s horrible foreman gets in first. The father thinks a marriage with Albert will be financially advantageous. But as time passes it becomes clear that the only advantage will be to Albert. None of this is going to end well. As the film ends, another large group of foreigners enters France looking for work.

Wow, I had not expected anything so tragic! Everything about the film making and cinematography is great. I thought it would be another exploration of the brotherhood of workers. Given the number of truly evil people in this I came out only with the message that life sucks. It was one Renoir that I had never seen before and for that alone it was worth watching.

Clip – Spoiler

Romance in Manhattan (1935)

Romance in Manhattan
Directed by Stephen Roberts
Written by Jane Murfin and Edward Kaufman from a story by Norman Krasna and Don Hartman
1935/US
RKO Radio Pictures
IMDb page
First viewing/Amazon Prime rental

Karel Novak: Everybody looks so happy here. They all smile and look so rich and busy.
Sylvia Dennis: We all try look rich and busy whether we are or not.

I enjoyed this cute, if slight, romantic comedy.

Karel Novak (Francis Lederer) has saved for years in his native Czechlosavakia for the steamship fare and $50 in cash necessary to immigrate to the United States. When he arrives he finds out that the ready cash requirement has increased to $200 and he is deported. He jumps ship as it is leaving port and goes out to find work. Eventually he becomes a taxi driver. He meets and falls in love with Ginger Rogers, a chorus girl who is taking care of her younger brother.

Can their love withstand a taxi strike, Ginger’s unemployment, threats to take the brother to an orphanage, and threats to deport Francis? You only get one guess.

I have nothing more to say than that this an entertaining comedy with very appealing leads.

 

Drunken Master (1978)

Drunken Master (Zui quan)
Directed by Woo-Ping Yuen
Written by Lung Hsiao and See-Yuen Ng
1978/Hong Kong
IMDb page
First viewing/Amazon Prime rental

Jim Ti-Sam: I’ll break every bone in your body… and send you to hell.

I gave this Jackie Chan kung-fu movie a chance and regretted it.

I’ll be brief.  Jackie Chan plays the skilled and hot-headed son of a master in kung fu.  He gets in a fight with the wrong person and his father punishes him by putting him under the harsh tulelage of a master in drunken kung-fu.  I stopped paying attention about half-way in.

I put this on because I thought it might be amusing given its 7.4/10 IMDb rating.  This is a crass slapstick comedy where pratfalls are substituted with cartoonish martial arts face-offs.  The fights are almost non-stop and although the moves are meant to be funny as well as impressive, they are also over-the-top violent.  Life is really too short.

 

Death on the Nile (1978)

Death on the Nile
Directed by John Guillermin
Written by Anthony Shaffer from a novel by Agatha Christie
1978/UK
IMDb page
First viewing/YouTube rental

Jim Ferguson: You damn froggy eavesdropper.
Hercule Poirot: Belgian! Belgian eavesdropper!

All-star cast plays second fiddle to fabulous cinematography and art and costume design in this fun murder mystery.

As the movie begins, Jaqueline De Bellefort (Mia Farrow) visits her friend heiress Linette Ridgeway (Lois Chiles) and asks her to give Jackie’s fiance Simon Doyle (Simon MacCorkindale) a job on her estate. Linnet agrees to interview Simon. The next thing we see is Linett and Simon emerging from a chapel and setting off on a luxurious honeymoon in Egypt. Jackie stalks them throughout. It would be criminal to reveal any more about the plot though it is a given that everyone is a suspect. Instead look at this supporting cast! Jane Birkin, Bette Davis, Jon Finch, Olivia Hussey, George Kennedy, Angela Lansbury, David Niven, Maggie Smith and Jack Warden all have juicy parts.

For me, neither the plot nor the actors are the high spots of the movie. It is the sumptuous  reconstruction of 1920’s dress and furnishings and the gorgeous color photography by Jack Cardiff that carried me away. To add to my enjoyment, the locations brought back memories of a cruise my husband and I took down the Nile many years ago.

Death on the Nile won the Academy Award for Best Costume Design.

Piccadilly Jim (1936)

Piccadilly Jim
Directed by Robert Z. Leonard
Written by Charles Brackett and Edwin K. Knopf from a novel by P.G. Wodehouse
1936/US
Metro-Goldwyn-Mayer
IMDb page
First viewing/Amazon Prime rental

James Crocker, Jr.: Have you, by any chance, formed the wrong impression of me?
Ann Chester: I think not. You’re a typical American – European model.
James Crocker, Jr.: A romantic figure, I trust?
Ann Chester: Oh, very. I think the technical term is a bar fly.

The source material and the stars make this movie a lot of fun.

Robert Montgomery plays the title character, James Crocker, Jr., an American artist known as Piccadilly Jim who draws caricatures of London celebrities. He is accompanied everywhere by his faithful valet Bayliss (Eric Blore). One day he spots rich and beautiful Ann Chester (Madge Evans), who is engaged and won’t give him a tumble. Despondent, Jim shifts from caricature work to drawing a comic strip that parodies, unbeknownst to him, Ann’s own batty family. Will Jim get the girl? With Frank Morgan as Jim’s ham actor father.

The first thing I noticed about this film was its sparkling dialogue. The film is based on a P.G. Wodehouse novel and I imagine they lifted pages worth of the great man’s dialogue. It’s kind of a preposterous plot but surely that should be expected.