Monthly Archives: July 2017

Something Wild
Directed by Jack Garfein
Written by Jack Garfein and Alex Karmel from a novel by Karmel
1961/USA
Prometheus Enterprises Inc.
First viewing/Netflix rental

[box] Mary Ann Robinson: What’s happened has happened, Mother.[/box]

I would have enjoyed this indie story of a rape victim’s struggles even more if not for the last five minutes.

Mary Ann Robinson (Carroll Baker) is coming home from college when she is dragged into some bushes and raped.  She tells no one, not even her mother (Mildred Dunnock), takes a hot bath and attempts to go on with her life.  She finds she cannot stand to be around people, including her mother, and tries to disappear by getting a job as a clerk at a five and dime and renting a cheap room.  This doesn’t work so well at damping her pain and eventually she becomes suicidal.

Mechanic Mike (Ralph Meeker) stops her from jumping off a bridge.  He talks her into going back to his apartment until she calms down.  Her troubles continue when the lonely Mike refuses to let her leave.

Carroll Baker is silent for most of this unique little film.  She does not need words to perfectly convey her misery and hate.  Ralph Meeker is not the world’s greatest actor but he does well too.  I was basically loving the film until the ending which made me pretty mad.  Worth seeing any way.

Trailer

Murder She Said
Directed by George Pollock
Written by David Pursall and Jack Seddon; adapted by David D. Osborn from the novel 4:50 from Paddington by Agatha Christie
1961/UK
George H. Brown Productions/Metro-Goldwyn Mayer
First viewing/Amazon Instant

[box] Ackenthorpe: There is one thing I cannot tolerate, and that is impertinence.

Miss Marple: Well, we should get on admirably. Neither can I! [/box]

Margaret Rutherford could not be more different from the bird-like, dainty Miss Marple of Christie’s mysteries.  She is none the less absolutely perfect for the part!

Miss Marple (Rutherford) is traveling home by train when she happens to witness a murder in a train traveling in the other direction.  She alerts the authorities who conclude she is a dotty old maid when no trace of a body can be found.  Naturally, she launches her own investigation.

This leads her to an estate where she gets a job as a maid so she can snoop around.  This proves to be a treasure-trove of suspects, mainly consisting of the sons avidly waiting for their old man to die to get the inheritance.  It takes a couple of other murders before Miss Marple has her man.  With Arthur Kennedy as the ailing patriarch’s doctor.

There have been a few changes from the novel, mainly to make Miss Marple the center of attention.  (In the novel, she talks a friend into taking the job as a maid.)  Nonetheless, the story is clearly recognizable.  I will watch Margaret Rutherford in anything.  Her very appearance on screen starts me smiling.  I’m glad I have another three of these light, fun films in my future.

https://www.youtube.com/watch?v=Uv34UJPcJoo

Trailer

Mysterious Island
Directed by Cy Endfield
Written by John Prebble, Daniel Ullman and Craig Wilbur from a novel by Jules Verne
1961/UK/USA
Ameran Films
First viewing/Netflix rental

[box] Gideon Spilitt: That’s the best crab I ever cooked. Captain Cyrus Harding: We’d be more impressed, Mr. Spilitt, if you’d put it in the pot by yourself.[/box]

Jules Verne adaptations were a continuing trend during the late fifties and early sixties. This one throws in another craze of the era – giant creatures.

The story is set during the American Civil War.  A group of Union soldiers escape in a rebel hot air observation balloon.  After they are airborne, they find they have a Confederate stow-away and a war correspondent (Gary Merrill) with them.  The Confederate is the only one with a clue on how to actually operate the contraction.  His help is sorely needed when the balloon goes adrift in a massive storm.

The men finally set down on a mysterious Pacific Island with almost no supplies or weapons. They are a resourceful lot though and make themselves comfortable as best they can seeing they are constantly under threat by giant creatures.  In fact, it is odd the way they miraculous escape every scrape they get into.  Eventually, the men are joined by a countess (Joan Greenwood) and her companion.  Toward the end Captain Nemo introduces himself and fills in some missing details.

This is an OK adventure but did not particularly grab me.  My favorite aspects were hearing Joan Greenwood’s velvet purr again and Herbert Lom as Nemo.  Unfortunately, Lom does not make an appearance until perhaps the final fifteen minutes of the movie.

https://www.youtube.com/watch?v=yvJKF5IdS4o

Trailer

Blast of Silence 
Directed by Allen Baron
Written by Allen Baron and Waldo Salt
1961/USA
Magla Productions
First viewing/Netflix rental

[box] Narrator: You get a feeling this is how it was meant to be. Like you are Troiano’s fate. Like you’re God.[/box]

This unique indie film noir was right up my street.

The story is told through liberal use of a second-person narrator who describes  the protagonist’s own thoughts, sensations, and past.  It is Christmastime in New York City where hit man Frankie Bono (played by the director) has been hired to assassinate a syndicate boss.  He spends lots of time wandering city streets killing time and tailing his target.

Frankie is a complete loner who was brought up in an orphanage.  Contact with others represents his danger zone.  His interaction with the hoodlum who arranges for his gun does not bode well.  The contract really goes to hell in a hand basket when he meets a childhood friend and renews his acquaintance with the friend’s sister.

Baron made great use of what was clearly a limited budget.  If nothing else, this would be a lovingly shot portrait of a New York City which is no more. In addition, the narration is gripping and tautly written, drawing you into the psyche of a ruthless but lonely criminal. The story is gritty and surprising.  Warmly recommended.

https://www.youtube.com/watch?v=c6PbJbaDAyk

Trailer

Trailers from Hell

Gidget Goes Hawaiian
Directed by Paul Wendkos
Written by Ruth Brooks Flippen and Frederick Kohner
1961/USA
Jerry Bresler Films
First viewing/Netflix rental

[box] “Umica ka hanu/ HOLD THE BREATH/ Be patient; don’t give up.” ― Toni Polancy, Hawaii in Love[/box]

Exactly what you are looking for in a movie with this title.

Gidget (Deborah Walley) has troubles a girl can only dream of.  She gets pinned by the love of her life, Jeff AKA Moondoggie (James Darren), who is visiting California for the summer.  Immediately thereafter, her parents announce a surprise Hawaiian vacation.  She cannot bear to be separated from her beloved and is heartbroken.  He encourages her to go, she blows up, and they break up.

Gidget continues to be despondent in Hawaii despite the fact every male within range is dying to be with her.  She finally gets over this and starts flirting when Jeff arrives, expenses paid by papa, in Hawaii.  Many misunderstandings and unseemingly innuendos about Gidget’s virginity ensue.

You don’t go to these things for surprises but for nostalgia.  These films play exactly like early sixties sitcoms, which indeed they spawned.  It’s a somewhat entertaining capsule from a much more innocent time.  Lots of fake surfing to be had.

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