Daily Archives: July 18, 2017

Harakiri (1962)

Harakiri (Seppuku)
Directed by Misaki Kobayashi
Written by Shinobu Hashimoto and Yasuhiku Takiguchi from Takiguchi’s novel
1962/Japan
Shochiku Eiga
Repeat viewing/Filmstruck

Hanshiro Tsugumo: Who can fathom the depths of another man’s heart?

Few films have moved me as did this perfectly beautiful masterpiece.

It is best to come into the film knowing as little as possible about the story.  The plot develops like peeling layers off an onion to reach its core.  So I’ll be fairly brief.

It is 1630, a time of peace in Japan.  Hanshiro Tsugumo’s master was disgraced and his house disbanded, leaving Tsugumo a masterless ronin.  Many thousands of other samurai were without work leaving it almost impossible to find a job.  Tsugumo has been destitute for the last eight or nine years.  He approaches the Lyi clan and requests permission to die an honorable death by harikiri in their courtyard.  An official attempts to dissuade him by telling the story of Motomo Chijiwa, the last ronin to make such a request.

Tsugumo is not to be dissuaded and permission is finally granted.  The courtyard is set up for the ritual suicide.  Tsugumo is calm and ready.  But first he wants to tell the assembled audience a true story …

This film asks the question “What is real honor?” Certainly it is not rigid adherence to a traditional code.  Kobayashi condemns all those who put pride above people.  He does this in a way that goes straight to the heart,

The first time I saw this film I knew I would love it within the first two minutes.  The images are simply exquisite.  We get a lot of formal compositions that could come straight out of a 16th century painting flowing by Kobayashi’s moving camera.  He is also great with composing people in the courtyard and with samurai action.  Nakadai is fabulous – he manages to look completely different in each of his roles.

There is a scene of harakiri in this film and of a particularly disturbing sort.  It lasts less than five minutes and is discretely shot.  The final thirty minutes of the film are packed with intense swordplay.  My highest recommendation.

Clip

This Is Not a Test (1962)

This Is Not a Test
Directed by Fredric Gadette
Written by Peter Abenheim, Betty Laskey and Fredric Gadette
1962/USA
GPA Productions
First viewing/YouTube

 

[box] Cheryl Hudson: Wake up, Joe. I think our luck just ran out.[/box]

A truly annoying cop gets his in this apocalyptic tale.  That’s by far the best thing about it.

A deputy sheriff gets instructions to set up a road block in the hills close to a major city. He is looking for a murderer that’s on the loose in the area.  We meet him but he’s not the main attraction.  Shortly thereafter, the radio announces “Condition Yellow” and the deputy’s job changes to maintaining law and order during evacuation of the city.  The handful of people he stopped are already “evacuated” of course.  The deputy comes up with a brilliant plan requiring these folks to empty a container truck where they will shelter for two weeks after the H-bomb hits.  Most of his helpers aren’t buying it.  We get some mini-romances along the way.

It’s not easy to make a dull movie about impending nuclear disaster but the filmmakers succeeded in sucking every vestige of suspense out of the story.