
Directed by Robert Altman
Written by Leigh Brackett from a novel by Raymond Chandler
1973/US
IMDb page
Repeat viewing/Amazon Prime rental
One of 1001 Movies You Must See Before You Die
Marty Augustine: It’s a minor crime, to kill your wife. The major crime is that he stole my money. Your friend stole my money, and the penalty for that is capital punishment.
Altman’s reimagination of Philip Marlowe for sunny 70’s California works better than might be expected.
Elliott Gould plays Philip Marlowe as a straight-arrow smart-ass. He is stuck in the 40’s , wears a suit at all times and maintains a strictly platonic relationship with the dope-smoking topless blondes dancing on the opposing balcony. As the movie opens, Marlowe’s greatest challenge is to find the correct brand of cat food for his finicky cat in the middle of the night.
But later that night, Marlowe’s friend Terry Lennox drops in. He says the police are unjustly pursuing him for the murder of his wife. He asks Marlowe to take him to Mexico. Marlowe is convinced Terry is innocent and complies.

Upon his return, he finds a group of thugs (including an uncredited Arnold Schwarzenegger) in his house. They are sure Terry murdered his wife but they are more concerned about the $350,000 Terry owes them.
Marlowe returns to Mexico. The police tell him Terry has committed suicide. Marlowe does not believe this either and looks up Terry’s friends Roger (Sterling Hayden) and Eileen (Nina van Pallandt) Wade. Roger is drying out at a sanitorium run by Dr. Verringer (Henry Gibson). Marlowe frees Roger, who is a real character. The plot has numerous twists and turns and I will stop here.

This is neo-noir played out mostly in the bright sunshine of the Pacific Coast. Altman uses the contrast between the old-timey Marlowe and the thoroughly corrupt rest of the cast to great effect. It’s more light-hearted than most noirs and Gould is snappy with the one-liners. John Williams created an evocative score using variations on the first two lines of the theme song. Recommended.


For me this is Number Two in the great Philip Marlowe films and after McCabe and Mrs. Miller my favorite Altman film. That amazing ending where Marlowe commits “murder” must put Raymond Chandler fans in a rage. I love it! For me the Number One great Philip Marlowe is, hands down, The Big Sleep 1944/1946. Bogart and Hawks, how can it not be.
Do you think Marlowe would have gotten away with it?
Oh yeah, The Big Sleep! I’ve seen it so many times! And I’ve read the book two or three times as well.
Certainly. He is one smart P.I. and after all he lost his cat.
I’ve seen The Long Goodbye a couple of times, and I liked it a lot better the second time. Still … the book is so damned good!
I think this may be the last Chandler novel I have left to read. Better get busy!
This is the only Robert Altman movie I like. It does work surprisingly well. I was ready to hate Elliott Gould as Marlowe but I found myself enjoying his performance.
The other great 70s Philip Marlowe movie is FAREWELL, MY LOVELY with Robert Mitchum. Also a slightly unconventional Marlowe – this is an old world-weary Marlowe. THE LONG GOODBYE is the more radical reinterpretation of Marlowe but they’re both films that work for me.
I am really looking forward to “Farewell, My Lovely”. I love the craggy Robert Mitchum. Actually I love him at every age.
Don’t see the Michael Winner’s remake of The Big Sleep. A sad waste of several fine actors.
Well, there’s a movie that didn’t need a remake! I’ll keep in mind to skip it.
You won’t regret it. Like all Michael Winner films, it’s atrocious!
It may be blasphemy for me to say this, but maybe Mitchum is the greatest Marlowe ever.
I just wish he those films in the mid-1950s.
Haven’t seen the Mitchum version yet, but I also have a real fondness for Dick Powells’s Marlowe.
Dick Powell is good, but for me a little bland.
I agree. Mitchum would have been perfect as Marlowe at any time in his career from the late 1940s to the early 60s.
And Mitchum did star in the greatest film noir/private eye movie ever made, OUT OF THE PAST. After that movie it’s bizarre that no-one thought of casting him as Marlowe until the 1970s.
Agree completely with every word you said, especially re Out of the Past!
FAREWELL, MY LOVELY is a movie that a lot of people didn’t like. They thought Mitchum was too old but for me that’s what makes it so interesting. Plus I thought Charlotte Rampling made a great femme fatale.
You got quite a discussion on this one, Bea. It does deserve it, its a worthy movie.
I like your comment that Marlowe is a character stuck in the forties. This is exactly how he worked me, going around wondering what happened to the world.
It really is a good movie. Worked just as well on this viewing as on original release which is sometimes hard for a seventies film to accomplish.