Directed by Fritz Lang
Written by Charles Hoffmann; story by Vera Caspery
1953/USA
Blue Gardenia Productions
First viewing/Netflix rental
Sally Ellis: I didn’t like Prebble when he was alive. But now that he’s been murdered,that always makes a man so romantic.
This certainly doesn’t measure up to Lang’s other noir for 1953, The Big Heat. It’s not bad though.
Norah (Anne Baxter) works as a telephone operator and lives with a couple of her co-workers. She is engaged to a fellow who is away fighting in Korea and plans to celebrate her birthday at home alone. Then she gets a Dear Jane letter and falls to pieces. Almost immediately the phone rings and it is Harry Prebble (Raymond Burr) trying to ask out one of her roommates. Norah, who is now in no mood to be alone, stands in for the roommate who is out on a date. Prebble doesn’t mind the switch and sets about getting Norah very drunk on cocktails at the Chinese restaurant he takes her too. Then he takes her home to his bachelor pad. She is so drunk she can barely stay conscious.
The next morning she wakes up back home with a terrible hangover. That’s when she reads about Harry’s murder. Every clue points directly to her. She can’t remember a thing. She is so sure she will be apprehended that she decides to entrust her fate to a newspaper man (Richard Conte), who is out for an exclusive on the case. With Ann Southern as one of the roommates.
This doesn’t have brilliant pacing and is fairly predictable. It’s entirely watchable, though. Burr is great as always. Evidently he was one of the nicest guys in Hollywood but during this period he was just brilliant at playing a creep (as here) or a very scary heavy.
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You’re absolutely right about everything that’s not quite right about this movie. But I love it! I watched it a year or two ago on TCM. And then six months ago or so, it was on TCM again and I knew it was OK but not great but I watched it anyway because of the performers!
Richard Conte, Raymond Burr, Ann Sothern! All so great!
And I love Anne Baxter, but she doesn’t have a filmography packed with classics like Bette Davis or Barbara Stanwyck or Myrna Loy, so you have to take her when you can find her.
Anyway, it’s not Anne Baxter’s fault that The Blue Gardenia isn’t quite Double Indemnity or Deception or Mildred Pierce.
I adore Ann Southern. She’s a lot of fun here.
I was on an Ann Sothern kick a year or so ago. I knew who she was but I hadn’t seen a lot of her movies and TCM showed a bunch. Cry ‘Havoc’ and Maisie and Congo Maisie (if you’ve never seen a Maisie movie, see Congo Maisie. It is absolutely bonkers) and The Whales of August.
The one that really blew me away was A Letter to Three Wives. Ann Sothern was great in that! I wish that character had a TV show.
Also – Lady in a Cage! That movie is MESSED UP! I saw it on TV when I was about ten and I felt like my childhood was over.
Looks like I have quite a few Ann Southern movies to catch up with! I just love her in A Letter to Three Wives.