Tag Archives: 1952

Angel Face (1952)

Angel Face
Directed by Otto Preminger
1952/USA
RKO Radio Pictures

First viewing
#244 of 1001 Movies You Must See Before You Die

 

[box]Frank Jessup:  I’d say your story was as phony as a three dollar bill.[/box]

This is another great noir I’m catching up on late.  Not only does the female lead put the “fatal” in femme fatale, but it has a fascinating production history.

Diane Tremayne (Jean Simmons) is a confused rich girl.  She idealizes her father (Herbert Marshall) and hates her wealthy stepmother (Barbara O’Neill).  Frank Jessup (Robert Mitchum) is a working stiff who can’t win.  His troubles begin when the ambulance he drives is called to the Tremayne house because of a gas leak in Mrs. Tremayne’s bedroom.  Frank consoles the weeping Diane and when she follows him to a coffee shop he steps out on his girlfriend Mary with her.  So begins the cycle that lands Frank on trial for a murder rap and married to pathologically lovelorn Diane.

I enjoyed this very much.  It features uniformly good acting, wonderful cinematography by Harry Stradling Jr., a nice pace, lush Dimitri Tiomkin score, and an awesome ending.

I love my DVD commentaries and this one contained the very juicy back story to the film.  Jean Simmons left England to be with beau Stewart Granger.  Howard Hughes was smitten with her, so RKO bought up her seven-year contract with the Rank organization.  Hughes was interested in more than a professional relationship and creeped Simmons out so much that she sued RKO to get out of the deal.  The case settled with Simmons agreeing to make three movies for the studio.  Since Hughes was famous for dragging out productions indefinitely, the settlement specified that the three movies had to be made within three years.  Eighteen days were left on the settlement when production on Angel Face began.

Hughes borrowed Preminger from Fox because he was known for being able to work fast. Preminger brought the equally speedy Stradling with him.  Before shooting started, Hughes attempted to change Simmons hair style so many times that she cut her hair short and wore wigs throughout the filming.  There is a scene where Mitchum slaps Simmons to snap her out of hysterics.  Preminger made the actors do the scene over and over until Mitchum hauled off and slapped Preminger.  Preminger rode Simmons so hard that Mitchum finally had to threaten to walk off the project.  The commentator opined that this conflict probably got a more engaged performance out of Mitchum.  Simmons, who was only 23, gave a wonderful performance despite her travails.

Every commentary I hear about Hughes’ years at RKO makes me like him less.

http://www.youtube.com/watch?v=rBo5WvyBBl4

Trailer

Kansas City Confidential (1952)

Kansas City Confidential 
Directed by Phil Karlson
1952/USA
Associated Players and Producers

First viewing

 

[box] Tim Foster: What makes a two-bit heel like you think a heater would give him an edge over me?[/box]

Tough-as-nails heist noir about a “perfect” armored-car robbery.  A man meticulously plans the robbery and ensures that his team is always masked and do not know each other’s identity.  The heist involves a mock florist’s van and the innocent driver of the real van, a small-time ex-con, is hauled in and given the third degree.  The driver (John Payne) makes it his mission to round up the true criminals.  His quest takes him to a resort in Mexico.  With Jack Elam, Lee Van Cleef, and Neville Brand as robbers, Preston Foster as an ex-Police Chief, and Coleen Gray as the chief’s law-student daughter.

Although this is far from the “perfect” noir, I enjoyed it very much.  If some of the dialogue and acting is a bit over-earnest, the story is clever.  Karlson has a distinctive style reminiscent of Sam Fuller’s but a little bit more orthodox.  Very nice to meet up with a woman studying for the Bar Examination in a 1952 movie!

Clip – job interview sequence

 

The Narrow Margin (1952)

The Narrow Margin
Directed by Richard Fleischer
1952/USA
RKO Radio Pictures

Repeat viewing

 

[box] Det. Sgt. Gus Forbes: What about this dame, Mr. Crystal Ball?

Walter Brown: A dish.

Det. Sgt. Gus Forbes: What kind of a dish?

Walter Brown: Sixty-cent special. Cheap, flashy. Strictly poison under the gravy. [/box]

Two L.A. detectives are assigned to escort a gangster’s widow on a train trip from Chicago to Los Angeles, where she is to testify before a grand jury in a corruption investigation.  The crime syndicate will stop at nothing to stop the testimony and retrieve the payoff list.  Unfortunately they do not know what the widow looks like.  With Charles McGraw as a detective, Marie Windsor as the woman he is guarding and Jacqueline Ward as a mother on the train.

This nifty little “B” noir was filmed in only 13 days.  Marie Windsor, “Queen of the B’s”, is fantastic as the sexy thorn in Charles McGraw’s side. The dialogue is priceless. This is 71 minutes of pure fun.

http://www.youtube.com/watch?v=RKQKm-S3cmY

Trailer