Tag Archives: 1949

The Big Steal (1949)

The Big Steal
Directed by Don Siegel
1949/USA
RKO Radio Pictures

First viewing

 

 

[box] Lt. Duke Halliday: [to Joan] I’m the kind of guy who doesn’t like to turn around, Chiquita. Besides that there’s a guy behind me with a gun. Remember?[/box]

In the build up for my repeat viewing of Out of the Past, I thought I’d take a look at Robert Mitchum and Jane Greer’s other pairing.  While this one is pleasant enough, it doesn’t hold a candle to the 1947 classic and barely earns a noir classification in my book.

Mitchum plays Lt. Duke Halliday.  Duke is being framed by Jim Fiske (Patrick Knowles) for robbing a $300,000 Army payroll.  He chases Fiske to Mexico.  En route he runs into Army detective Capt. Blake (William Bendix) and steals his credentials.  When Duke catches up to Fiske he meets Joan Graham (Greer), to whom Fiske owes money.  Most of the movie is taken up Duke and Joan chasing Fiske with Blake in close pursuit.  With Ramon Navarro as a Mexican police official and John Qualen as a fence.

This is a cross between a romantic comedy and a caper action film.  Most of it takes place outdoors in the bright Mexican sunshine.  There is no femme fatale and no doomed protagonist.  There is a bit of noir photography toward the end and plenty of subterfuge.  It fits my broad definition of film noir as it is included in the Keaney Film Noir Guide.  It’s OK for a Saturday afternoon entertainment but nothing very memorable.  Jane Greer somehow has lost the luminous beauty she has in Out of the Past.  Part of it is undoubtedly the lighting.  She also is not flattered by dark lipstick.

The production history set forth in the commentary is pretty interesting.  Howard Hughes bought RKO the same year this was made.  Robert Mitchum, the studio’s biggest star, was arrested for possession of marijuana shortly before this was to go into production. Hughes decided to bet on Mitchum’s continued popularity and left him in the film. However, Lizbeth Scott, who was slated to play the Greer role, did not want her name linked with Mitchum’s and pulled out.  Several other actresses then refused the role.

Greer had previously been Hughes’ girlfriend but was now married.  Hughes had called her into his office and told her she would sit out her contract and not work again for the studio. He was forced to eat his words to get his movie made.  The movie started production and then Mitchum was sentenced to 60 days jail time.  Some of the contortions forced on the filmmakers undoubtedly affected the outcome of the finished film.  For example, Bendix and Mitchum share almost no screen time and there are less action scenes than had been planned.

Clip

Criss Cross (1949)

Criss Cross
Directed by Robert Siodmak
1949/US
Universal International Pictures

First viewing

 

[box] Steve Thompson: She’s all right, she’s just young.

Mrs. Thompson: Huh! Some ways, she knows more than Einstein.[/box]

This goes back to the roots of the classic film noir story line with its tortured leading man and femme fatale.  With Burt Lancaster and Dan Duryea in the cast I had high hopes going in and got the added benefit of an excellent performance by a young and lovely Yvonne DeCarlo.

Lancaster plays Steve Thompson, a young man who has travelled the country seeking to get over his divorce from wife Anna (De Carlo).  The fickle finger of fate has no mercy, however, and when Steve returns to town Anna makes a point of looking him up.  Steve is rehired for his old job at an armored car company and they see each other for a while.  Suddenly, Anna tires of being warned off Steve by all his friends (who think she is bad, bad news) and decides to marry gangster Slim Dundee (Duryea), again breaking Steve’s heart.

But some people can’t learn and when Anna tires of the abusive Slim, Steve is ready to take her in his arms.  When the two are caught together, Steve concocts a story that he actually was trying to get in touch with Slim about an armored car hold up.  This being noir things do not end well.  The interest is in seeing how events unfold.

I enjoyed this very much although it didn’t meet the expectations I had for more of a heist movie based on the trailer.  Most of the film is occupied with the on again, off again romance.  Lancaster is always good and De Carlo was a revelation.  I don’t know if I’ve seen her before except as Lily Munster.

There is also the thrill of recognizing an uncredited Tony Curtis as De Carlo’s dance partner in an early scene!

Trailer

The Set-Up (1949)

The Set-UpThe Set-Up Poster
Directed by Robert Wise
1949/USA
RKO Radio Pictures

Repeat viewing

 

[box] Stoker Thompson: Everybody makes book on something.[/box]

This superbly acted and utterly grim boxing film is a noir classic of the genre.  The movie is one of the few to be told in real time.  The action encompasses the 73 minutes it takes to tell the tale.

Stoker Thompson (Robert Ryan) is a washed-up fighter taking matches at the bottom of bills in regional clubs.  His manager has so little faith in him that he takes a bribe for Stoker to throw a fight without bothering to tell his man.  Stoker’s wife Julie (Audrey Totter) pleads with Stoker to give up the game and refuses to attend this night’s fight because she doesn’t want to see him beat up.  Her absence eats away at Stoker and makes him more determined than ever to win his bout.  Most of the last two-thirds of the film takes place either in the ring or in the dressing-room.

The Set-Up 1

I think Robert Ryan is one of the great actors of the 40’s, 50’s and 60’s and he is phenomenal in this movie.  He tells more with his eyes in a single close up than most actors can with pages of dialogue.  Audrey Totter did not have a big career but is also excellent as are the supporting players.  Both these actors may be better known for playing heavies but handle these sympathetic roles well.

The great noir cinematography is by Milton Krasner who won an award for his work here at Cannes.  Robert Wise keeps everything flowing brilliantly.  I especially liked the use of the bloodthirsty fans in the crowd, who are almost like a Greek chorus.  Not an uplifting experience but highly recommended.

Clip – Robert Ryan and Audrey Totter