Category Archives: Movie Reviews

Reviews of movies I have seen.

The Hunchback of Notre Dame (1939)

The Hunchback of Notre Dame
Directed by William Dieterle
Written by Sonya Levien and Bruno Frank from the novel by Victor Hugo
1939/USA
RKO Radio Pictures

Repeat viewing/Netflix rental

 

[box] Quasimodo, the bell-ringer: [to one of the stone gargoyles] Why was I not made of stone – like thee?[/box]

Despite its many excellences, I find this film such a downer that it is hard for me to watch.

In 15th Century France, Quasimodo (Charles Laughton) is a hideously deformed bell-ringer at Notre Dame cathedral, who has also been deafened by the sound of the bells. Quasimodo was rescued as a baby by the evil Inquisitor Frollo (Cedric Hardwicke).  Frollo becomes madly infatuated by Gypsy dancer Esmeralda (Maureen O’Hara) and believes she has bewitched him.

Esmeralda is quite a beauty, but a saintly one,  and similarly attracts poet Gringore (Edmond O’Brien).  She herself is in love with dashing Phoebus but marries Gringore to save him from hanging.  Quasimodo also is enchanted with Esmeralda and tries unsuccessfully to carry her off.  The next day, while he is being cruelly punished for doing so she offers him a glass of water. He is now devoted to her beyond all measure and comes to the rescue after she is found guilty in a trial for witchcraft and murder.

This should be seen for Charles Laughton’s performance alone.  I find him most effective in the earlier scenes in which he does not speak.  The other performances and the production are of a very high standard.  Maureen O’Hara was probably never more radiantly beautiful than she was here, in her debut.  I have a hard time with cruelty in movies though and this story is jam-packed with it.  I probably will not re-visit this film.

I have not seen the Disney cartoon but have always wondered how the story could possibly have been made suitable for children.

The Hunchback of Notre Dame was nominated for Academy Awards for its Sound Recording and Original Score.  How Laughton missed being nominated is beyond me.

Clip – Quasimodo rescues Esmerelda

 

Bachelor Mother (1939)

Bachelor Mother
Directed by Garson Kanin
Written by Norman Krasna and Felix Jackson
1939/USA
RKO Radio Pictures

First viewing/Warner Archives DVD

 

[box] David Merlin: Of course he talks! Why, he can recite the first line of Gunga Din![/box]

Despite its preposterous plot, this is an enjoyable romantic comedy helped along by the charm of its two leads.

Polly Parrish (Ginger Rogers) is about to be laid off from her holiday job as a department store clerk.  As she returns to the store from her lunch break, she sees an old lady abandon a baby on the steps of a foundling home.  Concerned, she picks up the child and takes it inside. The staff refuse to believe it is not her own baby.  They find out where she works and visit David Merlin (David Niven), the son of the owner (Charles Coburn). They convince Merlin to give Polly a permanent job and return the baby to her later that day.

Polly, who has a date to compete in a jitterbug contest, decides to dump the baby at David’s house.  After David catches up with her and makes clear that she will be fired unless she takes the baby, Polly relents.  It doesn’t take a genius to figure out what happens next.

This is quite OK.  The writers manage to get in quite a few double entendres and things move right along.  I could watch Ginger Rogers in just about anything.

Bachelor Mother was nominated for an Oscar for Best Original Story.

Trailer

 

The Roaring Twenties (1939)

The Roaring Twenties
Directed by Raul Walsh
Written by Jerry Wald, Richard Macauley, and Richard Rossen from an original story by Mark Hellinger
1939/USA
Warner Bros.

First viewing/Netflix rental

 

[box]Panama Smith: This is Eddie Bartlett.

Cop: Well, how’re you hooked up with him?

Panama Smith: I could never figure it out.

Cop: What was his business?

Panama Smith: He used to be a big shot.

[/box]

This is a first-class gangster film with dynamic performances by two great stars.

The movie tells the story of the “rise” of Eddie Bartlett (James Cagney) from a doughboy in World War I to a powerful bootlegger and his “fall” due to his love of the wrong woman. Eddie is a likeable sort of every man all along the road. His path crosses early on with ruthless fellow bootlegger (George Halley) and good-guy lawyer Lloyd Hart (Jeffrey Lynn). He falls hard for singer Jean (Priscilla Lane).  Saloonkeeper Panama carries a torch for Eddie but is unable to win him or make him see that he and Jean are from different worlds.

 

Any movie with Cagney and Bogart is guaranteed to be entertaining and this one does not disappoint.  Director Raul Walsh gives it a special class with taut action scenes, an iconic death on church steps, and some beautiful camera work. Cinematographer Ernest Haller provided the deep shadows that make the black and white shine.  Recommended.

Trailer – note reference to “today’s headlines” … and Priscilla Lane! – worst costume since poor Anne Dvorak’s in G Men

The Lion Has Wings (1939)

The Lion Has Wings
Directed by Adrian Brunel, Brian Desmond Hurst and Michael Powell
Written by Adrian Brunel, Ian Dalrymple, and E.V.H. Emmett
1939/UK
London Film Productions

First viewing/Streaming on Hulu Plus

 

[box] We shall defend our island, whatever the cost may be, we shall fight on the beaches, we shall fight on the landing grounds, we shall fight in the fields and in the streets, we shall fight in the hills; we shall never surrender. — Winston Churchill [/box]

It’s not always great filmmaking but I have a special place in my heart for all Allied WWII propaganda.  This, made at the very start of the war, served as a kind of template for later British propaganda with its cameos by British stars.

The film begins with a cinematographic essay on the blessings of British life after the last war and how “one man” (Hitler) has set out to destroy these.  An emphasis is placed on the morality of the British side, including its determination to destroy only military targets. This is followed by the main sequence that shows how prepared the RAF is to defend the homeland.  We get reenactments of various bombing runs to Germany and anti-aircraft maneuvers at home.  The movie is peppered with a slight story showing the domestic life of a British couple (Ralph Richardson and Merle Oberon).  She is a nurse and he is an RAF officer.  Out of nowhere, we also get a clip from Fire Over England showing Flora Robson as Queen Elizabeth giving her “I have the heart of a king, and a King of England too” speech.

I find this stuff fascinating.  It’s not bad for something that was apparently dashed out in the first days of the war.  If you are looking for accomplished filmmaking or subtlety, it’s probably wise to look elsewhere.

Clip – Merle Oberon – not particularly representative of whole

 

Ninotchka (1939)

Ninotchka
Directed by Ernst Lubitsch
Written by Billy Wilder, Charles Brackett, and Walter Reisch based on a story by Melchior Lengyel
1938/USA
Metro-Goldwyn-Mayer

Repeat viewing/ Netflix rental
#136 of 1001 Movies You Must See Before You Die

[box] Ninotchka: Why should you carry other people’s bags?

Porter: Well, that’s my business.

Madame. Ninotchka: That’s no business. That’s social injustice.

Porter: That depends on the tip.[/box]

As might be expected from its pedigree, this is a movie filled with great one-liners and the Lubitsch touch.

Three bumbling Soviet Trade Commission officials are in Paris seeking to sell the fabulous diamond jewelry confiscated from Countess Swana.  They can hardly wait to check themselves into the Royal Suite of the fanciest hotel in town and start living the high life.   Swana, who now lives in Paris, finds out about their mission and sends Leon (Melvyn Douglas) to try to recover the jewels or sue if he cannot.

When little progress is made in selling the jewels, the Soviets send no-nonsense Ninotchka (Greta Garbo) to check up on the boys.  At first she seems ideally suited for the job.  Then she meets Leon and all bets are off.

I really enjoyed this.  I’ve always liked the guys that could make me laugh so I understand Ninotchka completely.  I’m still not completely sold on Garbo as an actress or a comedienne but the banter is so good that it didn’t matter much.

Ninotchka received four Academy Award nominations, those for Best Picture, Best Actress in a Leading Role, Best Original Story, and Best Screenplay.

Trailer

 

2013 in Review

One of the best things I did in 2013 was to start this blog which has brought me new on-line friends and an outlet for my love of cinema.  It also spurred me on to watch 432 total movies during the year, almost surely a lifetime record.  I joined the 1001 Movies You Must See Before You Die Club too and racked up 94 films from The Book.  I’m still enthusiastic about my chronological journey through cinema, though possibly my favorite exercise was Noir Month.  I’ll probably break away for another theme month sometime during 2014.

The very best films I watched during the year were old favorites.  These are already on a lot of lists so I thought I would single out ten films I saw and loved for the first time in 2013. The list could certainly be much, much longer and is in no particular order.

1.  Raw Deal (1948, directed by Anthony Mann)  This was my “find” from Noir Month.  An unsung little film with an unusual female narrator, this features some outstanding chiaroscuro cinematography from legendary film noir D.P. John Alton and a creepy villainous performance from Raymond Burr.

raw-deal-1948

2.  Les Misérables (1934, directed by Raymond Bernard)  In my mind, this lavish and comprehensive two-parter is the best adaptation of the Victor Hugo classic.  Harry Bauer makes a perfect Jean Valjean.

les miserables 4-tx

3.  Design for Living (1933, directed by Ernst Lubitsch)  This is not in The Book but I had been looking forward to seeing it for a long time and certainly was glad I saw it in 2013 while I had a lot of life left in me.

design-for-living

4.  Japanese Girls at the Harbor (1933, directed by Hiroshi Shimizu)  I will let this stand in also for the other two films – Mr. Thank You (1936) and The Masseurs and a Woman (1938) – that introduced me to the exquisite little gems by this formerly unexplored Japanese master in 2013.

japanese-girls-at-the-harbor-screenshot

5.  Make Way for Tomorrow (1937, directed by Leo McCarey) – an absolute classic finally brought to me courtesy of 1001 Movies You Must See Before You Die and the Criterion Collection.

make_way_for_tomorrow_6

6.  Captains Courageous (1937, directed by Victor Fleming) – so glad I finally caught up to this wonderful performance by Spencer Tracy this year!!

Capitanes intrepidos 17.  Of Human Bondage (1934, directed by John Cromwell) … and that I now know how and why Bette Davis became a star

Of Human Bondage

8.  Cat People (1942, directed by Jacques Tourneur) – Noir Month finally brought me this long-awaited collaboration by Tourneur and cinematographer Nicholas Musuraca

Cat People Signoret9.  César (1936, directed by Marcel Pagnol)  Although I didn’t know it, it would take me until 2013 before I really completed this fantastic trilogy.

cesar_1936_portrait_w85810.  The Wedding Night (1935, directed by King Vidor)  This one stands in for all the films I had never heard of before researching films to watch for my chronological exercise that turned out to delight and inspire me.

Wedding Night

Monsoon Wedding (2001)

Monsoon Wedding 
Directed by Mira Nair
Written by Sabrina Dhawan
2001/India/USA/Italy/Germany/France
IFC Productions; Mirabai Films; Keyfilms Roma; Paradis Films

First viewing/Netflix rental
#993 of 1001 Movies You Must See Before You Die
IMDb users say 7.3/10; I say 8.5/10

[box] Pimmi Verma: This wedding is driving me nuts.[/box]

I’m a sucker for romances and domestic dramas and this delivers in a big way on both counts.

Devoted but irascible family man Lalit Verma is preparing for the big Punjabi wedding of his daughter Aditi at his home in New Delhi.  On hand is goofy, quasi-hip wedding planner P.K. Dubey.  Aditi’s marriage is semi-arranged and she has not yet broken off her affair with her married boss.  Lalit’s niece Rai is not pleased to see her uncle at the wedding or his attentions to one of the little girls.  Meanwhile, various flirtations and small conflicts go on within the large extended family.

While Aditi is deciding what to do with her life, P.K. becomes infatuated with the beautiful family domestic Alice.  It is not giving away too much to say that the whole thing ends with at least one glorious wedding in the rain.

A Punjabi wedding looks like so much fun, I was wondering how I could get invited to one! The film is a very interesting mash-up of traditional and Western influences   Many of the guests and the bridegroom are home from abroad for the wedding.  But the primary impulse is a celebration of “Indian-ness”.

The film could be faulted for one too many love at first sight sub-plots but not by me.  The subtitles I used translated the Punjabi and Hindi dialogue but not the English.  Since I could not quite catch a lot of the extensive English due to the accents, possibly I was missing out.  However, between the visuals and what I did understand the film played on my heart like a violin.  Recommended.

Trailer

 

And on to 1939 …

1939 was a very bad year for humanity but a great year for Hollywood movies.

Some of the most beloved films ever made were released in 1939, including Gone With the WindThe Hunchback of Notre DameMr. Smith Goes to WashingtonNinotchkaStagecoachThe Wizard of Oz and Wuthering Heights. In France, both Marcel Carné’s Daybreak (aka Le Jour Se Lève) and Jean Renoir’s The Rules of the Game were released. Other major classic films in 1939 included Beau GesteDark VictoryDestry Rides AgainLove AffairOnly Angels Have WingsGunga DinMidnightOf Mice and MenThe WomenYoung Mr. Lincoln, and many more.

In other entertainment news, television was formally introduced at the New York World’s Fair in Queens where The Radio Corporation of America (RCA) unveiled a display of its first TV sets for sale to the American public and CBS began broadcasting.  After his momentous radio adaptation of H.G. Wells’ The War of the Worlds on Halloween night 1938, Orson signed an unprecedented contract with RKO Pictures in 1939. It was a two-year, two-picture contract as producer-director-writer-actor, in which Welles reserved complete control over all aspects of two productions of his own choosing, including “final cut,” as long as he remained within the studio-approved schedule and budget.

In U.S. news, African-American singer Marian Anderson performed before 75,000 people at the Lincoln Memorial in Washington, D.C., after having been denied the use both of Constitution Hall by the Daughters of the American Revolution, and of a public high school by the federally controlled District of Columbia.  On September 5, President Roosevelt declared U.S. neutrality in World War II.  Albert Einstein wrote to the President about developing the atomic bomb using uranium. This leads to the creation of the Manhattan Project.

Lou Gehrig gave his last public speech, following a diagnosis of amyotrophic lateral sclerosis (ALS). In it, he says, “Today, I consider myself the luckiest man on the face of the earth.”  This would be memorably re-enacted in The Pride of the Yankees (1942).   Nylon stockings went on sale for the first time anywhere in Wilmington, Delaware.

The Spanish Civil War ended when Francisco Franco assumed power in March.  On August 23, the Molotov-Ribbentrop Pact was signed between Germany and the Soviet Union, a neutrality treaty that also agreed to division of spheres of influence (Finland, Estonia, Latvia, eastern Poland and Bessarabia (today Moldova), north-east province of Romania to the Soviet Union; Lithuania and western Poland to Germany).

World War II began when Germany and the Soviet Union attacked Poland and Britain, France, India, Australia and new Zealand declared war on Germany on September 3rd.   On November 30, Soviet forces attacked Finland and reached the Mannerheim Line, starting the Winter War.

 

Montage of stills from Oscar-Winning films of 1939

Montage of stills from all 1939 films nominated for Oscars

 

Room Service (1938)

Room Service
Directed by William A. Seiter
Written by Morry Ryskind from the play by John Murray and Allen Boretz
1938/USA
RKO Radio Pictures
First viewing/Warner Archives DVD

[box] Hilda Manny: If I don’t come back you’ll know it’s good news. Gordon Miller: And if you do come back bring four bottles of poison.[/box]

It’s pretty bad when the producers feel compelled to add another comedian to a Marx Brothers movie and this is a pretty bad movie.

Gordon Miller (Groucho Marx) is trying to put on a Broadway show together with his sidekicks Binelli (Chico) and Faker (Harpo).  His entourage and the entire company are seriously behind on the rent at a New York hotel.  They struggle to elude both starvation and the hotel manager (Donald MacBride).  With Lucille Ball and Ann Miller.

There is entirely too much talking in this picture.  In the Marx Brothers defense, they are funnier than Donald MacBride with his repeated “Jumping Butterballs!” schtick.  I wonder if that’s where they got the name for the turkey …

Clip

And on that note, I conclude my 1938 viewing.

Rage of Paris (1938)

Rage of Paris
Directed by Henry Koster
Written by Bruce Manning and Felix Jackson
1938/USA
Universal Pictures

First viewing/Streaming on Internet Archive

 

[box] The trouble with Douglas Fairbanks, Jr. is that he likes everything he sees – and he sees everything. — Clemence Dane[/box]

This is a pleasant enough romantic comedy.

Nicole (Danielle Darrieux) is down on her luck and can’t find work.  Her friend Gloria (Helen Broderick) tells her the thing for her to do is marry a rich man.  Gloria gets her pal head waiter Mike (Mischa Auer) to finance a swanky hotel room and clothes and Nicole pretends to be from high Parisian society.  Nicole sets her cap for wealthy Bill Duncan (Louis Hayward), but his friend Jim Trevor (Douglas Fairbanks Jr.) sees through her and tries to stop the match.

This is not bad and has the distinction of being one of Danielle Darrieux’s very few performances in a Hollywood movie.  The 21-year-old actress is absolutely charming and handles the dialogue well.

Photo montage with stills of Danielle Darrieux set to Darrieux singing “Premier rendez-vous” (“First Date”)