Category Archives: Movie Reviews

Lifeboat
Directed by Alfred Hitchcock
By John Steinbeck, Screenplay by Jo Swerling
1944/USA
Twentieth Century Fox Film Corporation
Repeat viewing/Netflix rental

[box] Gus Smith: A guy can’t help being a German if he’s born a German, can he?

John Kovac: [referring to Willie] Neither can a snake help being a rattlesnake if he’s born a rattlesnake! That don’t make him a nightingale! Get him out of here![/box]

Hitchcock made other one-set movies but none as restrictive as this story of nine people floating at sea on a lifeboat.  No one could have done more to keep the action moving but this lacks enough scope to be counted among the Master’s greatest works.

After their freighter is torpedoed a motley cross-section of humanity is stranded on a lifeboat.  The people range from an industrial tycoon (Henry Hull) and a Connie, a ritzy journalist (Tallulah Bankhead) through several crew members (William Bendix, Hume Cronyn, Canada Lee, and John Hodiak) to a nurse and a young mother carrying a dead baby.  Into this volatile mix comes Willy (Walter Slezak), a German survivor of the sinking of the submarine that torpedoed the ship.  The German clearly has a more advanced knowledge of navigation and the others squabble over whether he can be trusted or should even be fed from their scant supplies.  Connie, already unpopular due to her snooty ways, is the only member of the Allied group that can communicate with Willy in his own language.  The situation goes from bad to worse as food and water begin to run out.

I like but don’t love Lifeboat.  The acting is the big plus.  Talullah Bankhead, despite her notorious picadillos on the set, is excellent.  I believe this is the only movie I have seen her in.  I like Slezak more and more each time I see him.  He makes a nasty but affable Nazi. The problem I have is that it’s impossible believe that Connie could have presented herself perfectly groomed and toting a well-stocked handbag and a typewriter into this situation.  Hitchcock had to resort to other lapses of logic to keep his story moving. There’s a bit more propaganda than might have been called for as well.

Lifeboat was nominated for Academy Awards in the following categories:  Best Director; Best Writing, Original Story; and Best Cinematography, Black-and-White (Glen MacWilliams).  I’m surprised it didn’t get a nod for its special effects.

Clip – “The Lord is my Shepard”

Hail the Conquering Hero
Written and directed by Preston Sturges
1944/USA
Paramount Pictures
Repeat viewing/Netflix rental

[box] Woodrow Lafayette Pershing Truesmith: I knew the Marines could do almost anything, but I never knew they could do anything like this.

Bugsy: You got no idea! [/box]

Eddie Bracken manages to salvage a shred of his dignity in another madcap wartime comedy from writer-director Sturges.

Woodrow Lafayette Pershing Truesmith (Bracken) comes from a long line of Marines including a father who died in battle shortly after he was born.  So Woodrow was devastated when he was discharged from the Marines after only one month for chronic hayfever.  He went to work in a shipyard to hide his shame from his mother.  Woodrow is drowning his sorrows in a bar when six marines drop in, having lost all their money gambling.  He treats them to a round of drinks and tells his sad story.   Sgt. Heppelfinger (William Demerest) gets a brilliant idea to call Woodrow’s mother and tell her he has been discharged for injuries suffered on Guadalcanal.

Woodrow reluctantly returns to his small town with the Marines in tow.  Nobody counted on a mother’s pride and Woodrow is appalled with his huge reception at the station.  All the big wigs have come out to make speeches, three different bands are playing, often at the same time, and Woodrow’s ex-girlfriend Libby (Ella Raines) is there to greet him with a kiss.  The Marines are delighted with this and keep building up Woody’s achievements, over his strenous objections, to the point where he is drafted as the reform candidate for mayor.

It was perhaps a mistake to watch this and The Miracle of Morgan’s Creek back-to-back. Hail the Conquering Hero is funny with some pointed satire of American politics but does not quite reach the heights of hilarity of the other film for me.  Maybe it is the comparative lack of slapstick or the very slightly more serious theme.  Bracken does quite well without a stutter and with a little more oomph than he had as Norval Jones.  (I just notice the man has no forehead or chin!)  I liked the orphan soldier who was so solicitous of Woodrow’s mother’s feelings.   Raines was quite OK but plays her character as a conventional ingenue.

Preston Sturges was nominated for an Academy Award for Best Writing, Original Screenplay for Hail the Conquering Hero, making two nominations in the same category for Sturges in 1944.  The other was for the screenplay of The Miracle on Morgan’s Creek.

Clip

The Miracle of Morgan’s Creek
Written and Directed by Preston Sturges
1944/USA
Paramount Pictures
Repeat viewing/Amazon Instant Video

[box] Norval Jones: Ignatz Ra-ra-ratzkywatzky. That – that fits alright.

Trudy Kockenlocker: Oh, phooey! [/box]

Preston Sturges, how do I love thee?  Let me count the ways …

Dippy teenager Trudy Kockenlocker (Betty Hutton) is the peppiest girl in town with a weakness for servicemen.  She lives with her widower father Edmund (William Demerest), the Town Constable, and younger sister Emmy (Diana Lynn), a practical sort who is handy with the wisecracks.  Norval Jones (Eddie Bracken) has been in love with Trudy since grade school.  His greatest regret is that he has been declared 4-F by every branch of the military for high blood pressure.  When Norval gets excited or nervous he sees “spots.”

When her father refuses to let her go to a dance for servicemen about to go overseas, Trudy cons Norval into “taking her to the movies”.  She asks him to wait and then departs in his car to the dance.  She doesn’t return until 8 a.m.  By then she has had a few too many “lemonades”.  When Norval takes her home, her father assumes the worst.

Trudy has only hazy memories of her evening.  Gradually, she dimly remembers getting married to someone with a funny name, something like “Radzkiwadzki”.  She used a false name at the ceremony and has no proof of anything.  Later, a positive pregnancy test gives her all the proof she needs.

Norval may be the answer to her prayers.  But, after he proposes, she can’t go through with it and develops a true affection for him.  Despite everything, Norman is true blue and the two cook up a ridiculous scheme to get a marriage certificate in the names of Trudy Kockenlocker and Ignatz Radzkiwadzki so they can divorce and remarry under their right names.  Needless to say, the course of true love never did run smooth.  Sturges ties the whole thing up with a happy ending that must be seen to be believed.   With Brian Donlevy and Akim Tamiroff reprising their roles as The Governor and The Boss from The Great McGintey in the framing sequences and a host of Sturges regulars.

This movie is one gag after another.  If you didn’t like the last pratfall, wait 10 seconds and you will get a brilliant one-liner.  The performances are superb.  I especially like Eddie Bracken and I’m not big on comic stutterers.  Diana Lynn is a calm of deadpan humor in the hurricane of hysteria that surrounds her.  Sturges might have made better pictures but he never made a funnier one.  Highly recommended.

Preston Sturges was nominated for an Academy Award for Best Writing, Original Screenplay.

Trailer

Hollywood continued to operate under war-time restrictions but movie attendance was never higher.  Film noir became well and truly entrenched in 1944, although nobody thought it was anything special at the time.    The so-called “Havilland decision,” ruled that that Warner Bros. had to release actress Olivia de Havilland after her seven-year contract term expired and could not add time to the term for periods the actress was on suspension.  The ruling proved to be of great benefit to the many actors who took a break from their film work to serve in the Armed Forces.  Barry Fitzgerald became the first – and only – actor to receive two Academy Award nominations, Best Actor and Best Supporting Actor, for the same role in the same year – as St. Dominic’s stubborn, yet loveable old priest Father Fitzgibbon in Going My Way (1944). Swimmer Esther Williams starred in her first Technicolor aqua-musical in the MGM production of Bathing Beauty (1944).

The war dominated U.S. news in 1944 while the home fires burned.  The people decided not to change horses in the middle of the stream and Franklin D. Roosevelt was reelected to a fourth term in November.  On December 18, 1944, the Supreme Court of the United States unanimously declared that loyal citizens of the United States, regardless of cultural descent, could not be detained without cause, paving the way for the release of all internees in January 1945. Tennessee Williams’ play The Glass Menagerie debuted.  Bing Crosby’s “Swinging on a Star” was the number one hit single of the year and went on to win the Academy Award for Best Original Song.  The novel that won the Pulitzer Prize was Journey in the Dark by Martin Flavin.  Smokey the Bear started advising Americans that “Only You Can Prevent Forest Fires.”

Hard fighting lay ahead but the news from the front was mostly good. The Allies invaded France on D-Day, June 6, 1944, in the largest amphibious operation in history, and had liberated Paris by August 25.  General Douglas McArthur made good his promise to return to the Philippines when he waded ashore at Leyte on October 20.

 My working list of films for possible viewing can be found here.  I reviewed several of the 1944 films noir as part of Noir Months 2013 and 2014. They were:  ; ; ; ; and .

Montage of stills from films that won Academy Awards

Montage of stills from all films nominated for Academy Awards

I like to save some of the best for last..  Here again are the Academy Award Nominees for Best Short Feature, Cartoon, for 1943.  Enjoy!

Yankee Doodle Mouse – The winner!
Director: Joseph Barbera and William Hanna
Metro-Goldwyn Mayer

Tom and Jerry do battle with ordinary household items like lightbulbs, eggs, a cheese grater, … and dynamite!

The Dizzy Acrobat 
Walter Lantz Productions

Woody Woodpecker creates havoc at a circus.

Can be seen here (dubbed into Portuguese but give it a try, it’s mostly sight gags):

The 500 Hats of Bartholomew Cubbins
Directed by George Pal
Paramount Pictures

The Dr. Seuss story told with Puppetoons.

Greetings Bait
Directed by Friz Freleng
Warner Bros.

This looks like it would be pretty good but I can’t find a full-lenghth version.  I don’t get the connection with a draft notice.

Clip

Imagination
Directed by Bob Wickersham
Columbia Pictures Corporation/Screen Gems

A little girl’s ragdolls defeat a roly-poly masher in her imagination.

Reason and Emotion
Walt Disney Studios

Disney explains that, in war time, we all need to get our emotions under control.  An example is made of Nazi Germany where Hitler played on the people’s emotions.

Cartoon follows introduction by Leonard Maltin

Holy Matrimony
Directed by John M. Stahl
Written by Nunnally Johnson from a play by Arnold Bennett
1943/USA
Twentieth Century Fox Film Corporation
First viewing/20th Century Fox Film Archives DVD

[box] Single women have a dreadful propensity for being poor. Which is one very strong argument in favor of matrimony. — Jane Austen [/box]

I enjoyed this oft-made story about a reclusive artist who finds love when he poses as his own valet. I preferred His Double Life (1933), starring Roland Young and Lillian Gish, however.

Priam Farll (Monty Woolley) is a world-renowned artist who, scorning publicity, has lived in the most remote parts of the world with his faithful valet Henry Leek (Eric Blore) for 25 years.  He reluctantly returns to London to receive a knighthood.  Shortly after he arrives, Leek contracts pneumonia and dies.  The doctor assumes the man he treated was the painter and Farll does not disabuse him of that notion.  Farll plays along and even watches “his” funeral followed by a burial in Westminster Abbey from the organ loft.

Leek had been corresponding through a matrimonial bureau with Alice Chalice (Gracie Fields).  She locates the false Leek and they fall in love and marry.  Farll continues to paint for his own pleasure.  The jig could be up when Alice surreptitiously starts selling the paintings for a song.   With Laird Cregar as an art dealer, Una O’Connor as Leek’s estranged wife, and Franklin Pangborn as Farll’s cousin.

This film is amusing, if not laugh out loud funny, with some good performances.  I thought Monty Woolly was miscast.  The part requires someone that is reticent with people. Woolly’s painter likes nothing better than to boss them around.  Roland Young was perfect.  I can also imagine Charles Laughton in the part.

Holy Matrimony was nominated for an Academy Award for Best Writing, Adapted Screenplay

Trailer