Category Archives: Movie Reviews

Reviews of movies I have seen.

The Student Prince in Old Heidelberg (1927)

The Student Prince in Old Heidelberg
Directed by Ernst Lubitsch and John M. Stahl
Written by Marian Angle and Ruth Cummings from the book by Karl Heinrich
1927/US
Metro-Goldwyn-Mayer
IMDb Page
First viewing/YouTube

Dr. Jüttner: Boy, do you know what it means to go to Heidelberg?

I had never seen an Ernst Lubitsch silent movie before and now I want to see all of them.

The story is basically a fairy tale.  Prince Karl Heinrich is the nephew and heir to the throne of the King of Karlsburg.  A nanny has raised him until maybe age 8 and then he is shipped off to the court where he is kept behind palace walls until he graduates from secondary school and grows up to be Ramon Navarro.  Uncle is cold and very formal as are all of his retainers.  Karl’s loneliness is relieved by the arrival of Dr. Juttner (Jean Hersholt), possibly the most lovable and warm tutor ever.  It is feared that he will return to his lonely existence when he passes his exams.  Instead, it is decided he will go to university in Heidelberg accompanied by Dr. Juttner.

Upon arrival, Karl decides to live in a simple inn after first glimpsing the owner’s lovely, charming daughter Kathi (Norma Shearer).  He is accepted immediately into the company of his school comrades and falls deeply in love with Kathi. He is able to live a normal life at last. He vows never to leave Kathi. What will happen when he is called back to the palace to take over from the dying king?

The best word to describe this film is “delightful”.  It is loaded with the Lubitsch touch and full of subtle innuendo.  I don’t think I have ever seen Norma Shearer this feminine and enchanting.  I always like Jean Herscholt and this was no exception.  Ramon Navarro was perfect.   The production values were pure MGM and the print on YouTube is stellar.  I was engaged enough to be yelling at my screen during the last ten minutes.  Warmly recommended.

None of the clips was in a print worth watching so here is a tribute to Ramon Navarro

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I’m going to Costa Rica tomorrow to look at birds.  Hope to be back March 12.  I think I’m on a movie watching roll.

Happy 2024!

Wishing one and all joy in the New Year!

Have Yourselves a Merry Little Christmas

Happy Thanksgiving

Still in movie limbo as I am in my new house minus a TV.  I remain thankful for each and every one of you.

Home Again, Home Again

I’m home again after two wonderful weeks with Reino’s family in Finland and Sweden.  My next distraction and project will be buying a house.

While I was gone, I was able to see several contemporary movies.  Here are a few mini reviews.

A Separation (2011)
Directed by Ashgabat Farhadi
One of 1001 Movies You Must See Before You Die

I had a long flight, did not take the headphones, then felt like a movie. The perfect one turned out to be Asghar Farhadi’s “A Separation” (2011). I had seen it before and enjoyed it all over again reading the subtitles. This is an outstanding film in which a Westernized couple split when they both get visas to leave Iran and the husband feels obligated to stay and care for his senile elderly father. After the divorce the wife wants is denied the intricate plot has many twists and turns. Highly recommended.

Tar (2022)
Directed by Todd Field

This features Cate Blanchett as a renowned but extremely narcissistic and spiteful conductor who ruins her life and that of those around her. It’s one of those movies that hides the ball from the audience constantly. Got several Oscar nominations. It was not for me though.

Fallen Leaves (2023)
Directed by Aki Kaurismaki

I saw  Aki Kaurismaki’s latest film, “Fallen Leaves” (2023) on the big screen. As usual it’s a story about underdogs living on the margins of society. A man and a woman gradually and very tentatively get together to the blare of a radio announcing atrocities in Ukraine, rock music, and old Finnish songs. The director manages to make clean Helsinki look like a vast post-industrial wasteland. But these images are always exquisitely framed and punctuated by spots of saturated colors. The humor is wry and very deadpan. I laughed a lot. The film won the Jury Prize at Cannes. Recommended.

Bohemian Rhapsody (2018)
Directed by Bryan Singer

I picked this biopic about Freddy Mercury for my return trip. I love Freddy Mercury and all I could think about how I would have been happier to watch Mercury perform the songs.  I have to admit I wasn’t paying 100% attention.

On the Road Again

Off to Finland to see my husband”s family.   All this was a just a short walk away from our apartment when we lived in Helsinki.  I’ll be back in a couple of weeks.

It Always Rains on Sunday (1947)

It Always Rains on Sunday
Directed by Robert Hamer
Written by Angus McPhail, Robert Hamer and Henry Cornelius

1947/US
IMDb page
First viewing/Criterion Channel

George Sandigate: Always ruddy well rains on Sunday.

Ealing Studios made some nifty films noir before it got into the comedy business.

Rosie Sandicott (Googie Withers) is married to a family man 15 years her senior and helps take care of his three children. One day, she sees a headline stating ex-lover Tommy Swann (John McCallum), whom she broke up with many years ago, has escaped from prison.

Sure enough, he shows up asking for shelter. She is unable to refuse him. They survive a number of close calls. Finally, the escapee bolts and an exciting chase in a railroad yard concludes the movie. With Jack Warner as a police inspector.

I enjoyed the film which has some good acting and noir high-key cinematography. I feel it could have been tightened up by omitting some extraneous romances and the fates of three thieves.

Withers and McCallum met during the production. They wed and were married for the next 62 years.

BFI discussion

Somewhere in Time (1980)

Somewhere in Time
Directed by Jeanot Szwarc
Written by Richard Matheson
1980/US

IMDb page
First viewing/Amazon Prime rental

Elise McKenna: There is so much to say… I cannot find the words. Except for these: ‘I love you.’

This time travel romance didn’t really grab me.

Christopher Reeve is a modern-day playwright. While he is at an old turn of the 19th century grand hotel, he becomes infatuated with a portrait of actress Jane Seymour. Infatuation becomes obsession and he struggles to find a way to go back to 1912 to reunite with her.

He succeeds but finds she is under the thumb of manager W.F. Robinson (Christopher Plummer).

This was OK and very romantic but I found the pacing slow and didn’t care much what happened to the characters.

The film earned an Academy Award nomination for Best Costume design.

 

My Bodyguard (1980)

My Bodyguard
Directed by Tony Bill
Written by Alan Ormsby
1980/US
IMDb page
Repeat viewing/YouTube

Clifford Peache: Will you be my bodyguard? I’ll pay you fifty cents every day. I’ll do your homework for you. I’m pretty smart.

The other day I revisited Tony Bill’s “My Bodyguard” (1980) which I remembered fondly from its original release. It did not disappoint.

Clifford (Chris Makepeace) is a vertically challenged kid who lives with his father (Martin Mull) and crazy grandmother (Ruth Gordon) in the ritzy hotel dad manages. From his first day of high school he and other weaker boys are bedeviled by a bunch of bullies led by Mooney (Matt Dillon).

Clifford hires a big intimidating loner named Lindermsn( Adam Baldwin) to be his bodyguard. In the process, he learns how to be a friend and stand up for himself.

I liked this in the movie theater and remembered so much about it all these years later. Dillon was so  gorgeous in this film even if he was a bad guy!  Joan Cusak made her film debut as one of the few female characters in the movie.

Missing Theme Song

In a Year with 13 Moons(In einem Jahr mit 13 Monden) (1978)

In a Year with 13 Moons (In Eminem Jahr mit 13 Monden) (1978)
Directed by Rainer Werner Fassbinder
Written by Rainer Werner Fassbinder
1978/West Germany

IMDb page
First viewing/Criterion Channel

What I would like is to make Hollywood movies, that is, movies as wonderful and universal, but at the same time not as hypocritical, as Hollywood. — R. W. Fassbinder

Volker Spengler gives a heartfelt performance in another beautifully made film from this exceptionally prolific director.

Spengler plays Elvira Weishaupt, a transgender woman. The former Ernst went to Casablanca for sex change surgery when his lover said he would like him better if he were a woman.

But the sex change has led to only loneliness and abuse for poor Elvira. She now has let herself go and struggles to make a connection with anyone.

I love Fassbinder and I liked this film. It moved a bit slow in comparison to my favorites of his films.