Category Archives: 1970

Catch-22
Directed by Mike Nichols
Written by Buck Henry based on a novel by Joseph Heller
1970/USA
IMDb page
Repeat viewing/Amazon Prime

Yossarian: Ok, let me see if I’ve got this straight. In order to be grounded, I’ve got to be crazy. And I must be crazy to keep flying. But if I ask to be grounded, that means I’m not crazy anymore, and I have to keep flying.
Dr. ‘Doc’ Daneeka: You got it, that’s Catch-22.
Yossarian: Whoo… That’s some catch, that Catch-22.
Dr. ‘Doc’ Daneeka: It’s the best there is.

A good movie for when the whole world seems crazy.  Also features an unbeatable ensemble cast.

The setting is a U.S. Army Air Force base on an island in WWII Italy.  Capt. Yossarian (Alan Arkin) is a bombadier.  He flies nightly bombing missions to the mainland.  But his commander Col. Cathcart (Martin Balsam) keeps raising the number of missions that must be completed before crew rotate out.  The one thing Yossarian knows for certain is that people are trying to kill him.  His outrageous antics bring him no closer to his rescue.  He has many nightmares, frightening fantasies, and real life encounters  involving the death of airmen.

In the meantime, Lt. Milo Minderbinder (Jon Voight) has vast plans to build an empire through trading army supplies for gourmet foodstuffs etc.   He enlists Col. Cathcart in this enterprise and the gap between the men profiting from the violence and the men dying from it continues to grow.  This is a very superficial plot summary.  There are many zany characters in the story.  They are played by Richard Benjamin, Art Garfunkel, Jack Gilford, Anthony Perkins, Buck Henry, Bob Newhart, Paula Prentiss, Martin Sheen, Orson Welles, Bob Balaban, Norman Fell, and Charles Groden.

I saw this on original release.  Nichols really let loose on this one as did his cast. Sometimes it’s a bit over-the-top but all in all it’s enjoyable as both comedy and morality tale.  I’m glad I gave it another chance.

Valerie and Her Week of Wonders (Valerie a týden divu)
Directed by Jaromil Jires
Written by Jaromil Jires, Ester Krumbachova, and Jiri Musil from a novel by Viteslav Nezval
1970/Czechoslovakia
IMDb page
First viewing/Amazon Prime rental
They Shoot Zombies Don’t They – 1000 Greatest Horror Films

“Who in the world am I? Ah, that’s the great puzzle.”  — Lewis Carroll, Alice in Wonderland

Once upon a time in the Czech countryside a thirteen-year-old girl named Valerie (the gorgeous Jaroslava Schallerova) is standing on the brink of womanhood.  In slumber, her pubescent dreams and nightmares work through her anxieties and hopes.

And so we get kind of a stew of scenes of sex and death; pain and pleasure; magic and religion; innocence and evil and on and on. These are all painted by some of the most beautiful camerawork you ever will see.

I probably would have gotten way more out of the story of this film if I were more familiar with Czechoslovak folklore.  But this movie does not so much tell a story as it creates a complete detailed fantasy world. There are images drawn from horror stories and macabre art throughout but don’t come in looking to be scared. It’s all much too beautiful for that. Recommended.

Beyond the Valley of the Dolls
Directed by Russ Meyer
Written by Roger Ebert; story by Ebert and Russ Meyer
1970/US
IMDb page
First viewing/Amazon Prime rental

Ronnie (Z-Man) Barzell: You will drink the black sperm of my vengeance.

I couldn’t resist seeing this Roger Ebert-Russ Meyer collaboration.  It met my low expectations.

The plot such as it is involves an all-female rock band that seeks fame and fortune in Los Angeles. The girls rapidly are drawn into the free-love fest pot parties hosted by the ambiguously gendered “Z-man.” This slight framework is hung on copious amounts of female nudity and a fair amount of mild soft-core porn. Edy Williams, then-wife of Russ Meyer, plays a nymphomaniac porn star. The house band is played by The Strawberry Alarm Clock.

Despite its title, this film has nothing whatsoever to do with the Jaqueline Susann novel or its film adaptation.  Its screenplay is arch but not particularly witty.  The movie left me feeling slightly icky.  Apparently Russ Meyer would have included even more sex and nudity had he known in advance that this film would receive an X-rating!  There’s plenty as it is.

https://www.youtube.com/watch?v=_9qo8XWz4co

Bed and Board (Domicile conjugal)
Directed by Francois Truffaut
Written by Francois Truffaut, Claude de Givray, and Bernard Revon
1970/France
IMDb page
Repeat viewing/Criterion Channel

Christine Doinel: Do what you have to do, but let me be. I’m not proud and never have been, so I can tell you: I still love you. But I’d rather not see you anymore.

In the penultimate film of the “Antoine Doinel” cycle, our hero becomes a husband and father.  But will he ever grow up?

Antoine Doinel (Jean-Pierre Leaud) has married Christine, (Claude Jade) his girlfriend from Stolen Kisses (1968).  He works dyeing carnations crazy colors.  She gives violin lessons at home.  Domesticity suits them both and eventually they have a baby boy

Antoine can resist anything except temptation and it arrives in the form of the Japanese wife of a client who sets about seducing him.  This isn’t difficult.  The culture gap gets old fast.  Can Christine ever forgive him?

Antoine continues to be frustratingly cbarming.  He can’t even dye flowers properly!  Jean-Pierre Leaud knows just exactly how to make us fall in love with him.  Claude Jade is adorable and wise at the same time.  This is light as a feather and so fun to watch during Lockdown.

The Wild Child (L’enfant sauvage)
Directed by Francois Truffaut
Written by Francois Truffaut and Jean Gruault from a memoir and report by Jean Itard
1970/France
IMDb page
First viewing/Amazon Instant

Le Dr Jean Itard: Canton of St. Sernin. A boy, 11 or 12 years old, naked and apparently deaf and dumb while searching for acorns and roots to eat was caught in the Caune woods by three hunters as he was about to climb a tree to escape from them. Taken to a nearby hamlet, I could examine him and establish the degree of intelligence and the nature of ideas in an adolescent deprived since childhood of all education because he had lived apart from his species.

It is 1794, villagers find a naked boy in the woods. He cannot communicate or walk. They decide he has been raised by wild animals and turn him over to Dr. Jean Itard (played by Truffaut). The doctor and his housekeeper set about civilizing the boy. They determine that he can make sounds and hear but does not know a language.

Progress is slow. But patience pays off.

I had been wanting to see this and was sort of underwhelmed. It’s not bad just not what I was expecting.

The Confession (L’aveu)
Directed by Costa-Gavras
Written by Jorge Samprus from a book by Lise and Artur London
1970/France/Italy
IMDb page
First viewing/Amazon Instant

Lise: But why should he confess, a man like him?

Well-made and well-acted political thriller.  But did I really want to watch Yves Montand get tortured for two hours?

The film is based on the true story of a Jewish Czechoslovakian  government official who was purged by the Party in 1953.  Gerard (Yves Montand) has great credentials as a Communist having served in the International Brigade during the Spanish Civil War and in the French Resistance.  He lives a comfortable life with his wife Lise (Simone Signoret) and children.

But the political climate swiftly changes and Gerard is rounded up with other members of the International Brigade, many of whom happen to be Jewish.  Gerard is taken to a prison where he is ordered repeatedly to confess.  Gerard lives for months in a small stinking cell where he is ordered to walk endlessly and is deprived of food and sleep.  Gerard’s confession is complicated by the fact that he has no idea where he has gone wrong.

The psychological torture is ramped up to include staged false executions and some plain physical brutality.  The torture culminates in a show trial.

I love Yves Montand and he is superb here in a role that requires him to be on screen most of the time.  I didn’t want to watch poor Yves get tortured though.

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