Category Archives: 1965

Monster a-Go Go

[box] Narrator: What you are about to see may not even be possible, within the narrow limits of human understanding.[/box]

Well at least the poster colors match Christmas!  Unfortunately, not recommended at Christmas or any other time.

A space capsule lands on earth but its astronaut is missing.  There are no signs of his body but a highly radioactive field in the area.  At the same time, a ten foot mutant monster roams the streets wreaking havoc.  Is he the missing astronaut or is it all just a coincidence?

The monster barely shows up at all and when he does could not outrun a small child.  The rest of the movie tries and fails to be hip.  90-minutes that just drag out interminably.  Watched the MST3K version after the original and the badness is only intensified.

Clips

The Collector

[box] Freddie Clegg: There’d be a blooming lot more of this sort of thing, if more people had the time and the money.[/box]

Mild-mannered bank teller and butterfly collector Freddie Clegg (Terence Stamp) wins the National Lottery and is now financially able to start the next phase of his avocation –collecting pretty young women. He begins stalking art student Miranda Grey (Samantha Eggar) and captures her with – natch – chloroform.

The deranged Freddie tells Miranda he loves her and knows that she will learn to love him. But Miranda repeated desperate escape attempts take their relationship to a very dark place.

For all practical purposes, this is a two-person cast and both actors do excellent work under the capable hands of Wyler.  The man could knock it out of the park in any genre. Truly a creepy thriller.  Recommended.

The Collector was nominated for Academy Awards in the categories of Best Actress, Best Director, and Best Writing, Screenplay Based on Material from Another Medium.

[box] I’ve had few dull moments [in my life] and not too many sad and defeated ones. In saying this, I am by no means overlooking the rough and rocky years I’ve lived through. But I was not brought up thinking life would be easy. I always expected to work hard for my money and to get nothing I did not earn. And the bad years, it seems to me, were so few that only a dyed-in-the-wool grouch who enjoys feeling sorry for himself would complain. – Buster Keaton[/box]

This is a charming dialogue-free short promoting rail travel in Canada.  Buster Keaton crosses the nation from ocean to ocean in a “speeder” motor car.  The scenery is beautiful but there is no way you can take your eyes off Buster!

Buster Keaton Rides Again
Directed by John Spotton
Written by Donald Brittain
1965/Canada
National Film Board of Canada
First viewing/Netflix rental

Fantastic “making-of” documentary for The Railrodder (1965) ended up being twice the length of that short.  Affectionate look at Keaton’s creative process and the artist in quiet moments.  Loved this.  Highly recommended.

Both films are currently available on YouTube.  No trailer or clips so here’s an analysis of Buster’s gags.

Von Ryan’s Express

[box] Maj. Eric Fincham: You’ll get your Iron Cross now, “Von” Ryan![/box]

OK action adventure.

American Colonel Joseph Ryan (Frank Sinatra)  arrives at an Italian POW camp and becomes ranking officer.  Most of the men are British prisoners closely aligned with Major Eric Fincham (Trevor Howard).  The major has a tunnel readied for a mass escape.  Ryan knows that the war in Italy is nearly over and betrays the escape plans.  By this time both the Italians and the British are sure Ryan is a Nazi agent.  When the Italians surrender, the prisoners are placed on a fast train to Berlin.  This requires something more than a tunnel! Plenty of action ensues.

If you want something to get your blood pumping, this might be just the ticket.  I tend to be a giant fan of these kind of movies but something about this one didn’t grab me.  Part of it was you just have to know from minute one that Sinatra is a hero, removing some suspense and question marks from the story.

[box] Here they come again, mmmm-mm-mm/ Catch us if you can, mmmm-mm-mm/ Time to get a move on, mmmm-mm-mm/ We will yell with all of our might/ Catch us if you can – “Catch Us If You Can”, lyrics by Dave Clark and Lenny Davidson [/box]

Mostly fails both as an A Hard Day’s Night rip-off and as a romantic drama.  Still, the boys are cute and some of the songs are catchy.

Dinah (Barbara Ferris) is the “Meat” girl, starring in a massive ad campaign aimed at carnivores.  While shooting a TV commercial, she and Steve (Dave Clark), one of the stunt men, run off together. Their disappearance becomes part of the ad campaign.  In the mean time the entire band cavorts together in a very Lester-esque manner.

Worth seeing if you were there, are a completist, and have a lazy afternoon on your hands.

Darling

[box] Diana Scott: My friends seemed to get on very well with your friends.

Robert Gold: Because your friends are so pretty.

Diana Scott: And your’s so intelligent.[/box]

Now why in the hell is this fantastic film not on The List?  Goes immediately on my Favorite New-to-Me Movies of 2018 List.

Diana Scott (Julie Christie) has been told since infancy that she is just darling.  She’s got it all – beauty, sex appeal, charm, and social skills.  But there’s an emptiness where empathy and conscience ought to be.  Obviously, such a person is cut out to be a fashion model or celebrity – maybe both.

The story follows Diana’s highly successful career and the fate of the men -a journalist (Dirk Bogarde) and producer (Laurence Harvey) – she spends time with on the way up.

Darling would make a great triple bill with La Dolce Vita and Blow-Up as another dark critique of the Swinging Sixties and popular culture.  Christie is simply fantastic.  She has to play quite a range and her expressive face tells us what she is feeling (or not).  The men are her equals.  Loved all the irony.  Adored the ending!  Highly recommended.

Darling won Academy Awards in the categories of Best Actress; Best Writing, Story and Screenplay – Written Directly for the Screen; and Best Art Direction-Set Direction, Black-and-White.  It was nominated in the categories of Best Picture and Best Director.