Category Archives: 1959

Pickpocket (1959)

Pickpocket
Directed by Robert Bresson
Written by Robert Bresson
1959/France
Compagnie Cinematographique de France
Repeat viewing/Netflix rental
#357 of 1001 Movies You Must See Before You Die

[box] Jeanne: I don’t know. Perhaps everything has a reason.

Michel: Jeanne, are you that naïve?[/box]

This is a thoughtful and beautiful film but keeps me at a distance.

Michel has a lot in common with Crime and Punishment‘s Raskolnikov.  Like Dostoevsky’s anti-hero he believes that many things are allowed to superior men.  Unlike Raskolnikov, he confines his criminal exploits to theft.  Much of the film is devoted to watching Michel’s increasingly audacious and skillful crimes, both with accomplices and without.

Despite his earnings, Michel lives in an austere life.  He seems to have only one friend, the moralist Jacques.  Michel’s mother is seriously ill. Her beautiful and virtuous young neighbor, Jeanne, encourages Michel to visit her, with little success.  Michel’s life of crime continues until its inevitable collapse and a redemption of sorts …

Many great directors have had a horror of emotive “acting”.  Bresson takes this to extremes and Martin LaSalle, the unknown who plays Michel, manages to betray zero emotion throughout this film.  This is despite a voice-over narrative that indicates that the character experiences ecstasy, sorrow, fear and more.  The result for me is that I do not care what happens to him.

The movie became a rather hollow academic philosophy exercise  The search for meaning is probably what Bresson wanted from his audience but is far too cold for me.  There are some very beautiful formal compositions to enjoy, however.

 

Anatomy of a Murder (1959)

Anatomy of a Murder
Directed by Otto Preminger
Written by Wendell Mayes from a novel by John D. Voelker
1959/USA
Carlyle Productions
Repeat viewing/Netflix rental
One of 1001 Movies You Must See Before You Die

Lt. Frederick Manion: How can a jury disregard what it’s already heard?

Paul Biegler: [shaking head] They can’t, lieutenant. They can’t.

An anatomy of a lawyer’s mind.  I love this movie.

Since Paul Biegler (James Stewart) was defeated for his office as District Attorney in the Upper Peninsula of Michigan, he has turned to private practice, with few clients thus far, and fishing.  He is lucky to have a devoted secretary, Maida (Eve Arden) and loyal friend Parnell Emmett McCarthy (Arthur O’Connell), a boozer who has either been disbarred or simply abandoned the practice of law.

Things start looking up when a murder case comes Paul’s way.  Laura Manion (Lee Remick) calls to ask him to defend her husband Frederick (Ben Gazarra) who shot Barney Quill, a saloon owner who raped her.  Frederick is under the impression that there is an “unwritten law” on his side but Paul disabuses him of the idea and together client and attorney come up with a defense that just might work.

Mrs. Manion is one hot cookie and enjoys toying with men. The trial eventually becomes more about whether or not there was a rape than whether her husband should be found guilty of murder.  Despite never having worked as a criminal defense attorney, Paul proves to be an extremely crafty advocate.  So much so that the man that defeated Paul in the election brings in Claude Dancer (George C. Scott), a famed prosecutor from the Attorney General’s office, for assistance.  A fascinating battle  of wits ensued.  With Joseph N. Welch, the attorney that defended the Army in the Army-McCarthy hearings {“have you no sense of decency?), as the judge.

I was a trial attorney in a previous incarnation.  I can’t stand many courtroom dramas but I adore this one.  Both the law and the strategies of both sides are absolutely spot on.

There are many, many moments that bring a smile to my face.  I also love the ambiguity of the thing.  Almost every actor that was not James Stewart could have with justice been nominated for a Supporting Actor Oscar.  Lee Remick is absolutely perfect.  The film does not show the American justice system at its best but it does show how it really works at times.  Very highly recommended.

Anatomy of a Murder was nominated for Academy Awards in the categories of: Best Picture; Best Actor (Stewart); Best Supporting Actor (O’Connell); Best Supporting Actor (Scott); Best Writing, Screenplay Based on Material from Another Medium; Best Cinematography, Black-and-White; and Best Film Editing.  Lee Remick was robbed.

Le Chant du Styrene (1959)

Le Chant du Styrene 
Directed by Alain Resnais
Written by Raymond Queneau
1959/France
Les Films de la Pleiade/Pechiney
First viewing/FilmStruck

Mr. McGuire: I just want to say one word to you. Just one word.
Benjamin: Yes, sir.
Mr. McGuire: Are you listening?
Benjamin: Yes, I am.
Mr. McGuire: Plastics. – The Graduate

Resnais brings poetry to a documentary short about the production of plastics.

This follows the production process for polystyrene and a number of articles made from the material.  Part of the process is observed in reverse order.

Resnais makes the quotidian beautiful.  The narrative is fairly straight-forward this time, lacking the resonance of his documentary shorts Night and Fog and Toute la memoire du monde.

https://www.youtube.com/watch?v=fNzs6sn2QW0

Images from the film set to music from Blade Runner

All the Boys Are Called Patrick (1959)

All the Boys Are Called Patrick (Charlotte et Véronique, ou Tous les garçons s’appellent Patrick)
Directed by Jean-Luc Godard
Written by Eric Rohmer
1959/France
Les Films de Peliade
First viewing/FilmStruck

[box] Charlotte: We went to that cafe by the bus stop. I gave him a hard time. You have to be mean to men. Keeps ’em on their toes.[/box]

Screenwriter Erich Rohmer brings his characteristic charm to this early Godard short.

Close friends Charlotte and Veronique plan to meet at the park between two and three in the afternoon. Veronique arrives after Charlotte leaves.  Thus both are available to be chatted up by a persistent young ladies’ man, Patrick (Jean-Claude Brialy).  When the women finally meet up, each sings her man’s praises to the other.

This is slight and sweet.  I’m not a huge Godard fan but I do love Rohmer and his take on relationships.  There are some nice early New Wave images as well.

The complete 21-minute film is currently available on YouTube.

 

The Giant Behemoth (1959)

The Giant Behemoth (AKA Behemoth the Sea Monster)
Directed by Douglas Hickox and Eugene Lourie
Written by Eugene Lourie and Daniel James; story by Robert Abel and Allen Adler
1959/UK/USA
Artistes Alliance Ltd./Diamond Pictures Corp.
First viewing/Amazon Instant

[box] Dr. Sampson, the Paleontologist: Oh, it’s heading for the Thames. They always made for the freshwater rivers to die. [/box]

Neither good enough nor bad enough to float my boat.  Meh.

Marine biologist Steve Karnes (Gene Evans) has discovered that the fallout from atomic testing in the Pacific results in unequal distribution of radioactivity.  In particular, the intensity of the radioactivity increases as it travels up the food chain.  In the way of these things, the top of the food chain turns out to be a prehistoric sea dinosaur.  To make matters worse, the monster is also electric, like an eel.  And it’s on its way to devour London.

It takes a long time for this film to get to the monster action and when it does it is nothing really special, despite Willis O’Brien’s handiwork.

Trailer

Teenagers from Outer Space (1959)

Teenagers from Outer Space
Directed by Tom Graeff
Written by Tom Graeff
1959/USA
Tom Graeff Productions

First viewing/Amazon Prime

[box] Derek: Betty, when you learn where I’m from, well… you will not understand but, I hope it will not make any difference between us because…[/box]

The acting and dialogue bring this B baddie into Robot Monster territory.  That’s not a complaint!

A UFO lands in the desert.  It is occupied by a small cohort of young men on a mission to see whether the Gargon, an enormous crustacean that is their planet’s food source, can survive on Earth.  If the experiment is successful, millions of the creatures will be introduced and will quickly devour all living beings on Earth.

The aliens are heartless, revealed by their casual slaughter of the dog Sparky.  One of them, Derek, however, begins to soften as soon as he meets Betty Morgan.  He rents a room with Betty and her kindly grandpa and quickly discovers the benefits of family relations and the American Way.  He determines to stay on earth and to foil the UFO mission.  Alas, he is actually the son of the planet’s Leader and nothing will be easy for him.

I have not been able to find the words to describe the charmingly clunky effect conveyed by the witless dialogue and its delivery.  This made me smile and it’s going on my list of cult classics.

Trailer

Trailers from Hell

The 400 Blows (1959)

The 400 Blows (Les quatre cents coups)
Directed by Francois Truffaut
Written by Francois Truffaut and Marcel Moussy
1959/France
Les Films de Carrosse/Sedif Productions
Repeat viewing/Netflix rental
#356 of 1001 Movies You Must See Before You Die

Truffaut captures the giddy freedom of adolescence along with its worries and sadness.

The story is loosely based on Truffaut’s own past as a neglected youth whose juvenile rebellion gets him in nothing but trouble.  Antoine Doinel (Jean-Pierre Leaud), Truffaut’s surrogate, is a thirteen-year-old Parisian.  He lives in a cramped apartment with his mother and her husband, whom we gradually learn is not the boy’s father.  Between their work, the mother’s extramarital affair, and simple selfishness, they have little time for their son.  For Antoine’s part, he steals from them when he can to get money for the days when he plays hooky from school.  These days are filled with movies, a visit to an amusement park, and exploration in the streets of Paris.

Antoine’s extracurricular activities necessitate many lies to both his parents and school authorities.  He is always found out.  Finally, the boy’s misconduct prompts his parents to agree to send him to an “observation camp”, which looks suspiciously like juvenile detention.

The film tells a relatively sad story but it is the pranks of the various boys that stick out in my memory.  Truffaut has an instinctive understanding of children.  Scenes where boys peel off in groups during an escort’s march through the city and rapt young children at a puppet show are particularly memorable.  Truffaut was blessed to have discovered the perfect Antoine, a child actor that is deeply sympathetic without exhibiting a trace of “cuteness.”

The cinematography is glorious.  I like the way the shooting combines improvisation with stunning formal shots.  One in which Antoine is surrounded by no less than three different mirrors is pretty jaw-dropping.  The music is fine as well.  Highly recommended,

The 400 Blows was nominated for the Academy Award for Best Writing, Story and Screenplay – Material Written Directly for the Screen.

Journey to the Center of the Earth (1959)

Journey to the Center of the Earth
Directed by Henry Levin
Written by Walter Reisch and Charles Brackett from the novel by Jules Verne
1959/USA
Twentieth Century Fox Film Corporation/Cooga Mooga/Joseph M. Schenk Enterprises
First viewing/Netflix rental

[box] Sir Oliver Lindenbrook: Do you realize we know less about the earth we live on than about the stars and the galaxies of outer space? The greatest mystery is right here, right under our feet![/box]

I thought this was fairly dull for what is supposed to be a fabulous adventure yarn.  James Mason stars, though, and that is never a bad thing.

Sir Oliver Lindenbrook (Mason) has just received a knighthood.  He is also a professor of geology at the University of Edinburgh.  A student, Alec McEwan (Pat Boone), is in love with Lindenbrook’s ward (?) Jenny (Diane Baker).  Alec gives Lindenbrook a piece of volcanic rock which turns out to have evidence that an Icelandic scientist found a route to the center of the earth.  Lindenbrook is now determined to explore himself.  He takes Alec with him.

They set out for Iceland.  There he finds that all the equipment necessary for his mission has been scooped up by a rival scientist.  That scientist has been murdered and Lindenbrook gets the equipment only on the condition that he, a confirmed misogynist, take the widow Carla (Arlene Dahl) along.  The party is rounded out by a husky young Icelander and his pet duck Gertrude (who won a PATSY award for animal acting).

Eventually, the party makes it deep underground where they are hounded by the evil son of the Icelander who came before them.  There are a number of fantastic happenings in the surprisingly well-lit earth’s core, including encounters with giagantic beasts (played by large lizards), discovery of the lost continent of Atlantis, etc.

As the plot description might indicate, this movie takes awhile to get going.  By the time it did, I was pretty distracted.  I just never felt these people were at any risk or believed they were at the center of the earth.  There is some witty repartee, however, and the movie was a big hit so it must have got a lot of people’s juices flowing at the time.

Crooner Pat Boone actually has top billing and sings a couple of tunes which do not enhance the period vibe of the picture.

Journey to the Center of the Earth was nominated for Academy Awards in the categories of Best Art Direction-Set Decoration, Color; Best Sound; and Best Effects, Special Effects.

https://www.youtube.com/watch?v=WF8Bf1d_crk

Trailer

The Wasp Woman (1959)

The Wasp Woman
Directed by Roger Corman
Written by Leo Gordon; story by Kinta Zertuche
1959/USA
Film Group Feature/Santa Cruz Productions Inc
First viewing/Amazon Prime

[box] Arthur Cooper: I’d stay away from wasps if i were you, Mrs. Starlin. Socially the queen wasp is on the level with a Black Widow spider. They’re both carnivorous, they paralyze their victims and then take their time devouring them alive. And they kill their mates in the same way, too. Strictly a one-sided romance.[/box]

Kindly, but whacky, old scientist Eric Zinthrop is employed to collect royal jelly from bee hives for use in the cosmetics industry.  Instead, he researches his own theory about uses for royal jelly from wasps and treats the tiny creatures like prized pets.When he is inevitably fired from his beekeeper job, he offers his ideas about wasp royal jelly as a rejuvinating agent to Starlin Cosmetics.

Starlin has been losing market share since it started using new model.  Formerly owner Janice Starlin was the best advertisement for her own products but she has now aged too much to be attractive (indicated by her glasses).Thus Starlin gives Zinthrop carte blanche to do his research and offers herself up as the first human subject.  At first the modest amount of serum Zinthrop injects work wonders.  Then Starlin decides things are going too slowly and surrepticiously ups the dosage and frequency.  I think we can all see where this is going …

Had there been more Wasp Woman and had she resembled the poster, this would have been awesome!  As it is, Corman gets in some digs at the youth culture and it’s an entertaining watch.  Available in several complete versions on YouTube.

https://www.youtube.com/watch?v=-t_B1DcdNQg

 

The Bat (1959)

The Bat
Directed by Crane Wilbur
Written by Crane Wilbur from a play by Mary Roberts Rinehart and Avery Hopwood
1959/USA
Liberty Pictures

First viewing/Amazon Prime

[box] Cornelia van Gorder: [locking their door] Nothing should get us now, I think, this door seems good and solid.

Lizzie Allen: Like the door to a tomb.[/box]

It was fun to watch Vincent Price and Agnes Moorehead combine forces in this “old dark house” mystery story.

The story is a remake of The Bat (1926) and The Bat Whispers (1930) and harkens back to a simpler time.  Mystery writer Cornelia van Gorder (Moorehead) and her maid/companion Lizzie Lane have rented a country mansion for the season.  All her other servants are on the verge of quitting because of rumors that 1) a murderer known as “The Bat” is once again on the loose and 2) The Bat has released rabid real bats in the area.  This fazes Cornelia not at all.

Concurrently, $350,000 in negotiable securities have gone missing from a private vault in the bank.  Later investigation reveals that $1 million has disappeared from the books.  The likely suspect is bank’s president who is also the house’s owner.  The smart money is betting that the cash is hidden somewhere in the house.  The Bat is clearly after that money.  But who is he among the many suspicious characters?  With Price as a local physician and rabies researcher.

Both Price and Moorehead are at their slightly hammy best and this is a short and entertaining ride.  It is about on the quality level of good late 50’s TV.  Multiple complete versions are currently available on YouTube.