The Flying Carpet (Starik Khottabych) Directed by Gannadiy Kazanskiy Writtten by Lazar Lagin from his novel 1957/USSR Lenfilm Studio
First viewing/YouTube
[box] “Fairy tales do not tell children the dragons exist. Children already know that dragons exist. Fairy tales tell children the dragons can be killed.” ― G.K. Chesterton[/box]
Young Pioneer Volka opens an ancient bottle with a 3,000+ year old genie in it. The genie, Old Man Khottabych, is so grateful he essentially becomes the boy’s slave. It is not necessary for him to wish for anything. This creates problems as the genie is completely out of touch with modern times and messes up a lot. Volka and his friends also do some traveling courtesy of the flying carpet.
This is a moderately amusing children’s film. For me the most interesting parts were bits of relatively unobtrusive Soviet propaganda as with the boy’s distaste for owning anything. Everything is bright, shiny, and new in the USSR in this fairy tale.
The Monster That Challenged the World Directed by Arnold Laven Written by Pat Fielder; Story by David Duncan 1957/USA Gramercy Pictures
First viewing/Amazon Instant
[box] Dr. Jess Rogers: From the instant they’re born, they’re hungry.[/box]
Perhaps the greatest giant mollusk movie ever made.
Lt. Comdr. John Twiliger (Tim Holt) is the new guy at the U.S. Navy base on the Salton Sea. He is a by-the-book type who does not seem to be making a big hit with his men. A couple of Navy divers are mysteriously killed and Twiliger and some divers go out to recover one of the bodies. While doing so, the men encounter a gigantic object which later proves to be an egg. The boat is then attacked by mother.
Twiliger takes the egg back to the base’s research center. Dr. Jess Rogers (Hans Conreid) informs him that they are dealing with an ancestor of the modern sea mollusk. He foolishly keeps the egg alive. At the research center, Twiliger’s crusty exterior is pierced by Rogers’ comely secretary (Audrey Dalton) and her little girl. Most of the movie is spent battling the mollusk and its progeny.
For these things to work the monster must be either scary or absolutely ludicrous. In this case, we have a creepy monster and its disgusting slime. The movie was not going to win any awards but is a better than average example of its genre.
A King in New York Directed by Charles Chaplin Written by Charles Chaplin 1957/UK Attica Film Company
Repeat viewing/Netflix rental
[box] Rupert Macabee: I’m so sick and tired of people asking me if I’m this, if I’m that![/box]
The country that made Charlie Chaplin a mega-star treated him pretty despicably in the end. He got his revenge with this film. In more ways than one.
King Shahdov (Chaplin) has fallen victim to a revolution due to his opposition to nuclear weapons. He takes refuge in New York where he finds his Prime Minister has embezzled his large personal fortune. He is tricked into appearing in a candid camera type TV show in the guise of a dinner party. Soon he is the media darling and is getting large offers for commercial endorsements. He resists at first but poverty later changes his mind.
As one of his official duties he visits a progressive school. There he meets Rupert (Chaplin’s son Michael) who is a philosophy protege. Rupert’s parents were Communists and are being hauled before HUAC. Shahdov gives Rupert shelter after he runs away from school. Shadhov is then called before the committee where he gives an impassioned speech.
Just the plot summary should give perceptive readers an idea of why I hate this movie. It tries too hard, and fails, to be funny and contains many dreary rants, most of which Charlie shamelessly put into the mouth of his untalented son. Chaplin never should have started talking.
Time Limit Directed by Karl Malden Written by Henry Denker from a play by Denker and Ralph Berkey 1957/USA Heath Productions
First viewing/Netflix rental
[box] Maj. Harry Cargill: You can’t ask a man to be a hero forever. There ought to be a time limit. [/box]
This solid legal drama raises some interesting moral issues.
A JAG lawyer, Col. William Edwards (Richard Widmark), is trying to decide whether Maj. Harry Cargill (Richard Basehart) should be court-martialed for treason for collaborating with the enemy in a North Korean POW camp. On the surface it seems obvious. Cargill made a broadcast and signed a statement falsely accusing the US of using germ warfare and became the indoctrination officer for the men at the camp. He also admits everything and refuses to defend himself. But Edwards will not rest or make a decision until he finds out why Cargill turned. Cargill isn’t talking and the other soldiers in the camp have no explanation. Something about the consistency of their stories makes Edwards even more suspicious.
Complicating Edwards’ job is the fact that his supervising General’s son died in the same camp. Neither the general nor Edwards’ staff sergeant (Martin Balsam) can understand why the case can’t go to trial immediately. The rest of the movie follows Edwards’ continuing search for the truth. With June Lockhart as Cargill’s wife. The commie foreign baddies are the same as the ones in The Manchurian Candidate!
This film is basically a filmed stage play with forays into the camp in flashback. The drama is compelling enough to carry it. The movie asks the question “Can there be an excuse for treason?” In the end, it doesn’t really answer it, which only makes the story more interesting. These actors are always good and Karl Malden did a workmanlike job.
Pal Joey Directed by George Sidney Written by Dorothy Kingsley from the musical play book by John O’Hara 1957/USA Essex Productions/George Sidney Productions
Repeat viewing/Netflix rental
[box] Couldn’t sleep/ And wouldn’t sleep/ Until I could sleep where I shouldn’t sleep/ Bewitched, bothered and bewildered am I – “Bewitched, Bothered and Bewildered”, lyrics by Lorenz Hart[/box]
We get Rita Hayworth’s last film appearance, some great standards from
Sinatra, and Kim Novak at her most luscious all in one movie. What’s not to like?
Joey Evans (Sinatra) is a total louse and great womanizer. He is run out of one town for romancing the mayor’s daughter. The train lets him off in San Francisco, a town that looks great in this movie. He cons his way into a job as MC and singer in a mostly burlesque club in the Barbary Coast. There he gets into the pants of most of the girls on the line, save Linda English (Novak), a good girl who wants to be a singer. Joey ends up living next door to her and they become friends.
Joey is distracted from Linda’s charms when he sings at a gig in the home of the fabulously wealthy widow Vera Prentice-Simpson (Hayworth), who was a stripper before her marriage to the late Mr. Simpson. Joey sets out to seduce Vera with his philosophy of women – treat a lady like a tramp and a tramp like a lady. He misjudges Vera as the tramp type. When he figures out she is a lady, he is much more successful. Classic love triangle developments ensue.
Sinatra sings “There’s a Small Hotel”, “The Lady Is a Tramp” and “I Didn’t Know What Time It Was”, among other tunes, as only Sinatra can. Plus we get “Bewitched, Bothered and Bewildered” and “My Funny Valentine” from the singers dubbing Hayworth and Novak, respectively. This alone would have ensured I enjoyed the movie. I also enjoyed the acting and the story. This isn’t as highly rated by some but I am sticking to my guns.
Pal Joey was nominated for Academy Awards in the categories of Best Art Direction-Set Decoration; Best Costume Design; Best Sound, Recording; and Best Film Editing.
The Curse of Frankenstein Directed by Terence Fisher Written by Jimmy Stangster based on the classic story by Mary Shelley 1957/UK Warner Bros./Hammer Films
First viewing/Netflix rental
[box] Baron Frankenstein: Let’s let our friend here rest in peace… while he can.[/box]
The first color Frankenstein movie delivers an evil doctor and a different kind of monster.
As the movie begins, Victor Frankenstein is a spoiled and imperious young kid who has already inherited the title of Baron from his deceased father. We see him help out his destitute cousin Elizabeth and her mother. He then hires tutor Paul Kempe.
Years pass and Paul becomes more a friend and associate than a teacher. The two start working on experiments to restore life, with the aim of reviving surgery patients. When this is successful, Victor (Peter Cushing) snaps and becomes obsessed with the idea of creating life. He starts robbing gallows and bribing mortuary attendants to get parts.
Elizabeth (Hazel Court) arrives to marry Victor, to whom she had been promised as a child. Paul falls in love with her but Elizabeth is resolutely loyal to her intended. Paul eventually becomes frightened and appalled by the lengths Victor will go to to obtain parts and pulls out of the experiment. He stays in the house for Elizabeth’s sake.
Victor eventually brings his creature (Christopher Lee) to life with the predictable consequences.
This is a very different version of the Frankenstein story from the Universal 1931 film. Here the doctor is a cold-hearted S.O.B. who is tramples on anyone in his way and is aware of the danger his creature presents. The creature bears no resemblance to the Karloff monster. (Actually, Universal was threatening suit the whole time if any elements of its franchise were borrowed by the movie). The lab setting is really creepy and cool. I wouldn’t rank this one as highly as James Whale’s film but it’s way up there. Recommended to fans of the genre.
The Academy of Motion Pictures Arts and Sciences’ bylaws denied eligibility for Oscar nominations or consideration to artists who were blacklisted. This practice was abandoned in early 1959. The Caribbean romance film Island in the Sun was noted as groundbreaking for its two inter-racial romances and first Hollywood inter-racial screen kiss.
RKO Radio Pictures which had suffered hard times for years under the ownership of millionaire Howard Hughes ceased production of feature films altogether in 1957. Humphrey Bogart died at the age of 57 of cancer. Horror film director James Whale died at the age of 67 due to suicide by drowning in his own swimming pool. US comic actor Oliver Hardy, the more corpulent half of the Laurel and Hardy team, died at the age of 65 from the effects of strokes.
Governor Orval Faubus of Arkansas called out the National Guard of the United States to prevent African-American students from enrolling in Little Rock Central High School. Thereafter, President Dwight D. Eisenhower sent federal troops to Arkansas to provide safe passage into the school for the “Little Rock Nine”.
The Ford Motor Company introduced the notoriously unpopular Edsel on what the company proclaimed as “E Day”. Wham-O Company first produced the considerably more popular Frisbee.
Time Magazine’s Man of the Year was Nikita Kruschev. Eugene O’Neill received the Pulitzer Prize for Drama for A Long Days Journey into Night. No prize was awarded for literature. Elvis Presley dominated the Billboard Charts, with “All Shook Up” spending eight weeks at number one.
Laika, the Space Dog
The Soviet Union launched Sputnik 1, the first artificial satellite to orbit the earth. It followed up with Sputnik 2, with the first animal to orbit the Earth (a dog named Laika) on board. There was no technology available to return poor Laika home, a fact that greatly troubled the child protagonist of the 1985 Swedish film My Life As a Dog. The first U.S. attempt to launch a satellite failed when its Vanguard rocket blew up on the launch pad.
The Treaty of Rome (Patto di Roma) established the European Economic Community (EEC; predecessor of the European Union) between Italy, France, West Germany, Belgium, the Netherlands and Luxembourg.
In Indonesia, Sukarno announced the nationalization of 246 Dutch businesses and expelled all 326,000 Dutch nationals. Mao Zedong admitted that 800,000 “class enemies” had been executed in China between 1949 and 1954. Ghana became the first sub-saharan African nation to declare independence from European colonization.
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I have previously reviewed ; ; ; Throne of Blood; ; and on this site. The list of 1957 releases I will choose from is here.
Sweet Smell of Success Directed by Alexander Mackendrick Written by Clifford Odets and Ernest Lehman from a novella by Ernest Lehman 1957/USA Norma-Curtleigh Productions/Hill-Hecht-Lancaster Productions
Repeat viewing/Netflix rental
#341 of 1001 Movies You Must See Before You Die
Sidney Falco: If I’m gonna go out on a limb for you, I gotta know what’s involved!
J.J. Hunsecker: My right hand hasn’t seen my left hand in thirty years.
This is in the top 50 of my non-existent 100 Greatest Films list. It has everything – a brilliant screenplay, unforgettable performances, and exquisite cinematography of the shiny night streets of New York City.
Sidney Falco (Tony Curtis) is a press agent who lives to get items about his clients into J.J. Hunsecker’s (Burt Lancaster) gossip column. He is a dynamo of ambition who will lie, cheat, steal, and humiliate himself to achieve his goals. Sidney even goes so low as to pimp his date (Barbara Nichols) to get what he wants.
As the story starts, J. J. is punishing Sidney for failing to break up a romance between his sister Susan (Susan Harrison) and the squarest jazz guitarist on the face of the earth, Steve Dallas (Martin Milner). J.J.’s possessiveness of his sister is of epic proportions, bordering on the sexual. When Sidney discovers that Susan has agreed to marry the musician, J.S. gives him a second chance to do his dirty work. With Sam Levene as Dallas’s agent and Emile Meyer as a crooked cop.
Often I find Odets’s screenplays to be stagy or preachy but this one works perfectly. It might just be the most quotable movie ever made. The film is savage in its indictment of the press run amok and ruthless ambition but so enjoyable on so many levels that the medicine goes down painlessly. The performances are spot-on. Curtis was never better and Lancaster shows previously unexplored talents in slinging barbs. New York is a dark and glittering jewel in James Wong Howe’s capable hands and Elmer Bernstein’s jazz score adds to the atmosphere. Must-see viewing.
Astoundingly, Sweet Smell of Success did poorly at the box office and was totally snubbed by the Academy.
Trailer – cinematography by James Wong Howe
John Landis on Sweet Smell of Success – Trailers from Hell
I’ve been a classic movie fan for many years. My original mission was to see as many movies as I could get my hands on for every year from 1929 to 1970. I have completed that mission.
I then carried on with my chronological journey and and stopped midway through 1978. You can find my reviews of 1934-1978 films and “Top 10” lists for the 1929-1936 and 1944-77 films I saw here. For the past several months I have circled back to view the pre-Code films that were never reviewed here.
I’m a retired Foreign Service Officer living in Indio, California. When I’m not watching movies, I’m probably traveling, watching birds, knitting, or reading.
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