Category Archives: 1948

The Red Shoes (1948)

The Red Shoes
Directed by Michael Powell and Emeric Pressburger
Written by Michael Powell and Emeric Pressburger from a story by Hans Christian Andersen
1948/UK
The Archers/Independent Producers
Repeat viewing/Netflix rental
#222 of 1001 Movies You Must See Before You Die

[box] Boris Lermontov: Why do you want to dance?

[Vicky thinks for a short while] Victoria Page: Why do you want to live?[/box]

This movie is very beautiful but very sad.

Boris Lermantov (Anton Walbrook) runs a leading ballet company in London.  It is his life. Dancing is Victoria Page’s life.  She has already danced principal parts elsewhere in the city.  They meet courtesy of Victoria’s wealthy aunt and he brings her in as a kind of lady-in-waiting to the corps de ballet.  At around the same time, he meets a young composer named Julian Coster (Marius Goering) when he comes in to complain that his music teacher lifted material from Coster’s own work for his ballet score.  Lermantov is an astute judge of talent and hires him as an orchestra coach.

When Lermantov finally sees Vicky dance he is enchanted.  She is selected to go to Paris with the troupe.  Then Lermanov’s  prima ballerina decides to get married.  Lermantov does not believe that women can concentrate on more than one thing at once and fires her.  When the troupe arrives in Monte Carlo, Lermantov is inspired to build a brand new ballet, “The Red Shoes”, around Vicky.  He engages Julian to write the score.  Because Lermantov apparently does not understand people too well, he decides the best thing for Vicky would be to have every meal in Lermantov’s office while Julian plays the score for her.

The ballet is a great triumph and Vicky is a rising star.  Predictably, during all that dining, Julian and Vicky have fallen in love.  For Lermantov, this is a major betrayal.  He fires Julian.  Vicky refuses to stay without Julian, so she is let go as well.  The two young people marry.  None of this changes the fact that Vicky was born to dance.  While Julian is preparing his latest composition for performance in London, Lermantov seduces Vicky back into is grip with an offer to dance “The Red Shoes”, which had been retired from the repertoire upon her departure.

Julian ditches the premiere of his concert to beg Vicky to come back to him on the night of her first performance of the ballet.  The two selfish men in her life decide to force her decide between her career as a dancer and her future as a woman.  This results in tragedy for everyone, particularly Vicky.

This movie is absolutely exquisite in every respect, particularly during the ballet sequences. The color cinematography may never have been surpassed and the art direction is endless in its invention.  It also explores the process of creation in a really profound way.  The film is a jewel and should be seen by every film lover and every fan of the performing arts.

Somebody on the commentary says that Michael Powell saw the moral of the story as “Art is worth dying for.” While that may or may not be the case, I find this troublesome in the context of the story of The Red Shoes.  It just seems unbearably tragic and unfair that a woman should be limited to either her art or her love life.  Surely a man was never expected to make that trade-off.  I hope those days are gone for good.

The Red Shoes won Academy Awards in the categories of Best Art Direction-Set Decoration, Color and Best Music, Scoring of a Dramatic or Comedy Picture.  It was nominated in the categories of Best Picture; Best Writing, Motion Picture Story (Pressburger); and Best Film Editing.

Trailer

 

I Remember Mama (1948)

I Remember Mamai remember mama poster
Directed by George Stevens
Written by De Witt Bodeen from the play by John Van Druten based on the novel “Mama’s Bank Account” by Kathryn Forbes
1948/USA
RKO Radio Pictures
First viewing/Netflix Rental

 

Katrin Hanson: [reading the novel that she’s just finished] “For long as I could remember, the house on the Larkin Street Hill had been home. Papa and Mama had both born in Norway but they came to San Francisco because Mama’s sisters were here, all of us were born here. Nels, the oldest and the only boy, my sister Christine and the littlest sister Dagmar but first and foremost I remember Mama”.

Now this is the kind of sentimentality that brings a tear to my eye.

The story begins as Katrin Hansen (Barbara Bel Geddes) looks back at her life in a Norwegian immigrant family living in San Francisco around 1910.  The family’s heart is practical Mama Martha (Irene Dunne) who manages the family’s finances in such a way that they never have to break into the account at the bank.

mama 1

The story is richly humorous with stories involving the rather scary, blustery Uncle Chris (Oscar Homolka), timid bride-to-be Aunt Trina (Ellen Corby), and perennial boarder Mr. Hyde (Sir Cedric Hardwicke), who entertains the family every night by reading from his vast collection of English literature.  Our hearts are tugged when little Dagmar must go to the hospital – Rudy Vallee has a nice bit as her doctor – and when, in his turn, Uncle Chris gets ill.

mama 2

The supporting performances in this one are especially good.  Homolka chews the scenery but is so endearing in his ferociousness that we don’t mind.  Irene Dunne can’t help but be good but her accent (she is the only one in the film with such a pronounced one) is spotty, lapsing off into an Irish brogue at points.  This might not be for everyone but I liked it a lot.  Recommended.

I Remember Mama received Academy Award nominations in the following categories:  Best Actress (Dunne); Best Supporting Actor (Homolka); Best Supporting Actress (Bel Geddes); Best Supporting Actress (Corby) and Best Cinematography, Black-and-White (Nicholas Musuraca).

Trailer

 

The Treasure of the Sierra Madre (1948)

The Treasure of the Sierra MadreTreasure of Sierra Madre
Directed by John Huston
Written by John Huston based on the novel by B. Traven
1948/USA
Warner Bros.
Repeat viewing/Warner Bros. DVD
#223 of 1001 Movies You Must See Before You Die

 

[box] Fred C. Dobbs: This is the country where the nuggets of gold are just crying out for you to take them out of the ground and make ’em shine in coins on the fingers and necks of swell dames.[/box]

John Huston’s tale of gold lust will never grow old.

Fred C. Dobbs (Humphrey Bogart) is a vagabond who has been reduced to soliciting hand-outs on the streets of Tampico, Mexico.  He gets three windfalls in one day from the same American (memorably played by John Huston) and his luck appears to be changing.  So much so that he takes a chance on purchasing 1/20 of a lottery ticket from a street urchin.

Eventually, Dobbs meets up with fellow-American Curtin (Tim Holt) and they get work as laborers.  But their boss disappears with their wages and they end up sleeping in a flop house with old-time prospector Howard (Walter Huston).  Howard tells them a cautionary tale about the effects of gold on men.  When they finally recoup their money from the boss in a fight, they remember what the old man said and go to find him.  Between their wages and the money Dobbs wins on his forgotten lottery ticket, they have the stake to go prospecting.  They take Howard along for his expertise, figuring they will eventually have to carry him.

humphrey bogart the treasure of the sierra madre 6

It turns out that Howard is in the best shape of all of them and the two younger men are unprepared for the long journey.  Then they find a rich vein of gold and find they are in for months of back-breaking labor to mine it.  As the gold piles up, Dobbs get increasingly paranoid about losing it.  Early on, he demands that the men divide it equally at the end of each day.

The men are constantly in danger from rival prospectors and bandits.  After they start back to civilization with their loot, however, it appears that the greatest danger is from each other.  With Barton McLane as the crooked boss and Robert Blake as a street urchin.

Humprey Bogart Sombrero Hat Tesoro Treasure Sierra madre 05

This has to rank with the best screenplays ever written.  The moral is clear early on but the psychology behind the greed is masterfully done.  I love the way Dobbs starts referring to himself in the third person more and more as he slips into madness.  This is the role Bogart should have won his Oscar for.  It’s incredible he was not even nominated.  Walter Huston is fantastic.  He is unrecognizable without his teeth and even his distinctive voice is not much in evidence.  A true classic.  Very highly recommended.

The Treasure of the Sierra Madre won Academy Awards in the categories of Best Supporting Actor (Huston), Best Director, and Best Writing, Screenplay.  It was nominated for Best Picture.

Trailer

Drunken Angel (1947)

Drunken Angel (Yoidore tenshi)
Directed by Akira Kurosawa
Written by Keinosuke Uekusa and Akira Kurosawa
1947/Japan
Toho Company
Repeat viewing/Hulu Plus

 

[box] Dr. Sanada: Your filthy minds always imagine that angels come looking like dance hall girls but they’re like me.[/box]

Kurosawa really starts to show what he could do in his first collaboration with actor Toshiro Mifune and long-time composer Fumio Hayasaka.

Dr. Sanada (Takashi Shimura) practices medicine out of his hovel which borders on a stagnant sewage outfall in the poor side of town.  He is a hot-tempered alcoholic.  One day, gangster/yakusa Matsunaga (Mifune) comes into have his hand repaired after being nicked by a stray bullet.  Needless to say, Matsunaga is even more volatile than the doctor. Matsunaga happens to mention his cough and Sanada quickly diagnoses TB, although this needs to be confirmed by an X-Ray.  Although he assaults Sanada for his trouble, the doctor sees a glimmer of something worth saving in his patient and refuses to stop hounding and berating him until he takes his health seriously.

In the meantime, Sanada has been sheltering a young woman who was formerly the girlfriend of crime boss Okada, who gave her syphillis.   Okada is expected to be released from prison any day.  When he comes out, he expects to take over the turf he previously ruled which had been Matsunaga’s in the interim.  The yasuka are organized in a kind of feudal hierarchy and Matsunaga is extremely loyal and subservient to his boss.  He finds that, once he starts coughing up blood, loyalty does not run in both directions.

This is a really moving story about two deeply flawed human beings with sensitive souls. Mifune gives a bravura performance ranging from explosive to pathetic and Shimura is every bit his match.  There are some brilliant directorial touches.  I particularly liked a fight reflected in mirrors and taken into some paint cans and a Bergman-esque dream sequence.  After seeing several older Kurasawa films, I can now really appreciate how big a difference Hayasaka’s score makes.  HIghly recommended.

Clip

https://www.youtube.com/watch?v=UfCPkMDAe_E

Just for fun, here is a montage of clips set to Lucinda Williams singing “Drunken Angel”.  I like this quite a bit.

And on to 1948

In 1948 movie news, a Supreme Court decision forced studios to divest themselves of their theater chains. Block booking, the system by which an exhibitor was forced to buy a whole line of films (both popular films and B films) from a studio was also deemed illegal. This marked the beginning of the end of the studio system, and was partially responsible for a major slump in business for all the studios in the late 1940s.

Maverick film producer, aviator, and eccentric industrialist Howard Hughes purchased RKO Studios. He led RKO during a long period of decline until the mid-1950s.  Bela Lugosi (as Count Dracula) and Lon Chaney, Jr. (as The Wolf Man) portrayed their iconic horror characters for the last time in Abbott and Costello Meet Frankenstein.  Hamlet was the first non-American film to win the Best Picture Oscar and the only film adapted from one of William Shakespeare’s plays to receive the award.

In U.S. news, Harry S. Truman defeated Thomas E. Dewey, the Republican nominee, in the biggest presidential election upset in the country’s history.  Earlier in the year Truman ended racial segregation in the U.S. armed forces by executive order.  The Supreme Court outlawed religious instruction in public schools.  Alger Hiss was indicted for treason.  The first monkey astronaut was launched into space.  Tales of the South Pacific by James Michener won the Pulitzer Prize for Literature and Tennessee Williams’ A Streetcar Named Desire won for Drama.  “Buttons and Bows” as sung by Dinah Shore topped the Billboard charts for 10 weeks.  The song would go on to win the Oscar for Best Original Song.

On January 12, 1948, Mahatma Gandhi began a fast in an effort to stop communal violence in the Partition of India.  He would be assassinated on January 30 by a militant Hindu nationalist.  War raged between the State of Israel and a military coalition of Arab states and Palestinian Arab forces.  Daniel François Malan was elected President of South Africa ushering in the era of apartheid.  The Berlin Blockade began.  The Olympics were held in London after an eight year haitus due to World War II.

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I have previously reviewed the following 1948 releases on this site:  ; ; ; ; ; ; ; and .

The list of films that I will select from can be found here and here.  Based on my current ratings of this very strong year, I would guess my top ten favorites to be, in no particular order:  The Red Shoes; Oliver Twist; Hamlet; Red River; The Treasure of the Sierra Madre; Raw Deal; Bicycle Thieves; The Fallen Idol; Drunken Angel; and Force of Evil.  I’m looking forward to seeing how these stand up to re-watches and against the “new” films available for the year.

Montage of stills of 1948 Oscar Winners

Act of Violence (1948)

Act of Violenceact of violence poster
Directed by Fred Zinnemann
Written by Robert L. Richards and Collier Young
1948/USA
Metro-Goldwyn-Mayer
First viewing/Warner Noir Collection Vol. 4

 

[box]Frank R. Enley: You don’t know what made him the way he is – I do![/box]

This is a tense thriller with a social conscience that presages the many good things director Zinnemann (High Noon, From Here to Eternity, The Nun’s Story) was to give us in the future.   It benefits from two fantastic perfomances by its leading men.

Joe Parkson (Robert Ryan) is an embittered war veteran with a limp.  His former buddy Frank Enley (Van Heflin) has graduated to be a man with a beautiful young wife (Janet Leigh) and toddler and a model citizen of Santa Lisa, California.  They are heading for a showdown.

act of violence 8

Over the opening title credit, we see Joe packing his pistol and heading from New York to Santa Lisa.  He arrives in town to find a Memorial Day celebration, with Frank as keynote speaker.  We learn that Joe bears Frank a grudge from some misdeed done while the two were in a German prison camp.  The extent of the wrongdoing is only gradually revealed. Frank’s whole story comes out during an emotional confession to his wife.

act of violence 4

The rest of the film’s 82-minute running time is devoted to Joe’s relentless pursuit and Frank’s increasingly frantic efforts to escape.  Finally, he ends up on the wrong side of the tracks in Los Angeles being aided by a kind barfly (Mary Astor) and her extremely shady associates.  But Joe and Fate are waiting for him back in Santa Lisa.

act of violence 10

This is one terrific movie.  Zinneman saves the credits until the end, highly unusual in 1948, in order to build suspense from the very first second.  It doesn’t stop until those credits roll at the end.  I love the way the palette goes from bright when we first meet Frank and his family to increasingly darker hues as the extent of Frank’s predicament is revealed.  Heflin and Ryan are two of the greatest actors of the 40’s and 50’s and these performances show why. Mary Astor is touching in what may have been her lifetime best performance.  The tension is heightened by Branislau Kaper’s edgy score.  Highly recommended.

Opening credits – credits roll over action (Robert Ryan) – Cinematography by Robert Surtees

He Walked by Night (1948)

He Walked by Nighthe walked by night poster
Directed by Alfred L. Werker (with an uncredited Anthony Mann)
Written by Crane Wilbur, John C. Higgins and Harry Essex
1948/USA
Bryan Foy Productions
Repeat viewing/Amazon Prime Instant Video

Narrator: [Referring to the composite sketch] They showed that picture to the inmates of jails and prisons, to men with a wide acquaintance among the cat burglars and the violence boys, informers, con men, and sharpshooters – those on the fringe of crime and those deep in the rackets. Many wanted to help – nobody could! No one in the Underworld recognized that mysterious face. He was as unknown as if he had lived in the 16th Century.

This police procedural gave Jack Webb the idea for “Dragnet” but transcends the genre with an unforgettable performance by Richard Basehart and dark L.A. streets lit by noir master cinematographer John Alton.

he walked bny night 3

The plot is based on an actual case  A narrator matter-of-factly recounts the methods employed by the police to apprehend cop-killer Roy Martin (Basehart).  The chase is complicated by the fact that sweet-faced Martin has no record and considerable skill with radios that keeps him one step ahead of the police.  With Whit Bissell as a policeman and Jack Webb in the forensics lab.

he walked by night 2

The story might be a 1950’s CSI episode but for the considerable artistry with which it is told.  There are several awesome set pieces as when Martin extracts a bullet from his own chest and a chase through the storm drains of Los Angeles reminiscent of The Third Man but filmed a year earlier.  This is a movie that improved with a re-watch.  Recommended.

https://www.youtube.com/watch?v=wcgLaG9uo58

Clip – making the composite