Category Archives: 1945

Victory! – Time Marches on to 1945

v-j day kiss

The war is over!  How could any movie’s pleasures possibly compare?  They sure gave it the old college try though.  And, at the conclusion of the war, the U.S.  Government ended restrictions on the allocation of raw film stock, midnight curfews, and bans on outdoor lighting displays as well as censorship of the export and import of films.

The Motion Picture Producers and Distributors of America (MPPDA), created by major US film studios in 1922 to police the industry, was renamed as the Motion Picture Association of America (MPAA). It was responsible for implementing the voluntary film rating system and continues in that capacity. The House Un-American Activities Committee (HUAC), an organization created in 1938 with the goal of domestically stopping subversive activities, un-Americanism and communism, was made into a permanent standing committee under Congressman John Rankin (of Mississippi). By 1947, the Hollywood motion picture industry became one of its main targets when the committee initiated an investigation of Communist influence there.  Films such as Children of Paradise, Rome, Open City, and The Men Who Tread on the Tiger’s Tail hinted at the great renaissance in film making outside Hollywood that would take place after the war.

The Ruins of Hiroshima, August 1945

The ruins of Hiroshima

President Franklin D. Roosevelt died suddenly on April 12 after beginning a fourth term in office. Vice President Harry S. Truman took office that same day.   Rocket scientist Werner von Braun and his team of 120 researchers surrendered to U.S. forces, later providing a foundation for the U.S. space program.   World history changed forever when the U.S. dropped an atomic bomb on Hiroshima on August 6.  Benito Mussolini was executed on April 28 and Adolf Hitler committed suicide on April 30. On December 10, the U.S. Senate approved the entry of the U.S. into the United Nations.  John Hersey’s A Bell for Adano won the Pulitzer Prize and the rendition of “Sentimental Journey” by Les Brown and Doris Day topped the charts for 28 weeks.

A list of the films I will choose from can be found here and here.

I reviewed the following 1945 releases during Noir Months 2013 and 2014:  Mildred Pierce; The Spiral Staircase; Detour; Hangover Square; Fallen Angel; and Lady on a Train.  I also reviewed Rome, Open City here for the 1001 Movies You Must See Before You Die Blog Club.

Stills from the 1945 Oscar winners

Stills from all films nominated for an Oscar

Samurai (1945)

Samurai (AKA “Orders from Tokyo”)
Directed by Raymond Cannon
Written by Raymond Cannon
1945/USA
Cavalcade Pictures
First viewing/Amazon Instant Video

Tagline: THE VILE JAP CODE THAT HORRIFIED THE CIVILIZED WORLD!

I’ve stopped reviewing most of the B pictures I watch on the blog but I found one so wrong-headed and laughably awful that I just had to share.

America in its great humanitarianism reached out to the people of Tokyo with massive aid during the 1923 earthquake.  Saintly medical missionaries Mr. and Mrs. Morley find little orphaned Ken lying amid the rubble, adopt him and take him home to America.  They lavish affection upon the boy and when he grows send him to medical school in Germany (or was that England?) followed by a stint at art school in Paris.

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some real samurai

Unfortunately for the welfare of humanity, little Ken had already been spotted by an evil priest of the religion of Bushido while sketching near the sea.  The priest indoctrinates the boys in the mysteries of the cult of the war god Samurai and teaches him to be a good (i.e. treacherous) Japanese.  He is assigned to learn the ways of foreign secret service agents while he is in Europe.  Ken returns an licensed doctor and acclaimed modern artist.

He reports that Germany and Japan are now poised to rule the world and that he has worked out a method for hiding  highly detailed technical specifications for military installations in his paintings.  The priest sends him to Tokyo for further instruction.  The Japanese are highly suspicious of his intentions so he heads off to Shanghai.  There he impresses his handler by photoshopping rising sun logos onto pictures of Chinese relief workers to counter the bad press the Japanese are getting in China.  He is sent onto Peking.  After Ken passes a loyalty test consisting of watching a Japanese mistreating American female prisoners, the leadership is convinced.  Based on his Photo Shop and artistic skills, Ken receives a commission to be Governor of California after the coming invasion of the U.S. West Coast.

I will leave the denoument to your imaginations.

the-last-samurai-movie-picture-31

some movie Samurai – from The Last Samurai (2003)

Of course, this film is absolutely appalling in its total misrepresentation of Japanese culture and its propagation of prejudices that landed thousands of loyal Japanese-Americans in internment camps.  But it is also just so astoundingly bad as to be both hilarious and mesmerizing.  No chance of turning it off before the end because one just has to see what ludicrous incident will happen next.

Some examples of its delights.  All the Japanese are played by Chinese.  The man who plays the grown Ken is at least as old as his adoptive parents.  The acting is uniformly atrocious but it a totally overblown way.  All the exteriors seem to have been shot using rear-screen projection of the most fake kind.  Little Ken is discovered lying on what appears to be a photo of rubble in Tokyo.  The scene with the captive white women could have come from a Duain Esper exploitation flick.  The paintings are unbelievably childish in concept.

In short, this film was made for connoisseurs of bad movies.  You know who you are.

Lady on a Train (1945)

Lady on a TrainLady on a Train poster
Directed by Charles David
Written by Edmund Beloin, Robert O’Brien and Leslie Charteris
1945/USA
Universal Pictures
First viewing/Deanna Durbin Sweetheart Collection DVD

I couldn’t go on forever being Little Miss Fixit who burst into song. — Deanna Durbin

Lady on a Train is a beautifully photographed mystery spoof and one of Deanna Durbin’s better pictures.

Nikki Collins (Durbin) is reading a lurid mystery aboard her train from San Francisco to New York when she sees through the window a man being bludgeoned with a club in a nearby building .  Novel in hand, she goes to the police to report a murder but no one will believe her.  She turns to crime novelist Wayne Morgan but he is in thrall to his jealous girlfriend and is no help either.  Then a newsreel reports the accidental death of a shipping magnate by falling off a ladder.  This is the same man as the murder victim and Nikki is determined to investigate with or without Ward.

lady on a train 2

Nikki manages to enter the magnate’s isolated mansion where the will is being read. Everyone assumes she is Margo Martin, the victim’s night club singer girlfriend, who turns out to be the sole heir of his estate.  At the reading, she meets brothers Jonathan (Ralph Bellamy) and Arnold (Dan Duryea) Waring and Mr. Saunders (George Coulouris), manager of the Circus Club where Margo works.  She also manages to nab a pair of bloodstained slippers.  Nikki now has to avoid her own murder at every turn.  Her further investigations at the Circus Club, with the eventual aid of Wayne, give her an opportunity to sing.

Lady on a Train 1The film was directed by Durbin’s husband and she never looked lovelier.  The entire movie benefits from the beautiful shadows and lighting created by noir cinematographer Elwood Bredell (Phantom Lady, The Killers).  While this is basically a comedy and lacks the angst characteristic of film noir, there are plenty of thrills.  The only downside is that Durbin’s trained soprano does not really suit songs like “Night and Day”. She is downright sexy while singing “Give Me a Little Kiss” though and there is even a little naughty double entendre at the very end.  I enjoyed this one.

Lady on a Train was nominated for an Academy Award for Best Sound, Recording.

Deanna Durbin sings “Night and Day” – cinematography by Elwood Bredell

Hangover Square (1945)

Hangover Squarehangover_square-1945 poster
Directed by John Brahm
1945/USA
Twentieth Century Fox Film Corporation

First viewing

 

 

George Harvey Bone: All my life I’ve had black little moods.

The story is set in London, Laird Cregar plays George Harvey  Bone, a gifted young composer who is subject to strange blackouts when he hears discordant sounds.  He has no memory of what occurs during these episodes but the viewer knows that he becomes a vicious murderer.  When he consults a Scotland Yard psychiatrist (George Sanders) about his problem, the psychiatrist advises him to relax and take a break from his hard work on a piano concerto. Unfortunately, during his first night on the town George meets a beautiful but devious music hall singer (Linda Darnell) who manipulates him to get songs for her act.

Hangover Square 1

This was Laird Cregar’s last performance.  He is fine in the role though he might mug a bit much.  The movie is otherwise chiefly notable for its fantastic high-contrast cinematography, the score by Bernard Hermann, and a couple of impressive set pieces – a Guy Fawkes Day bonfire and the concluding concerto performance.

The DVD I rented was packed with extras.  There were two full-length commentaries and a documentary on Cregar.  Cregar certainly had a sad story.  He was a big and heavy man who went on a drastic weight loss regime in hopes of winning leading man roles.  He lost over 100 pounds for this film and had bariatric surgery shortly after it wrapped.  Five days later he died of a massive heart attack.  He was 31 years old.  One of the interviewees in the documentary speculated that Cregar probably never would have been a leading man no matter what he weighed but that he could have had a career similar to that of Vincent Price.

Trailer

 

 

Mildred Pierce (1945)

Mildred PierceMildred Pierce Poster
Directed by Michael Curtiz
1945/USA
Warner Bros.

First viewing
#176 of 1001 Movies You Must See Before You Die

[box] Ida: Personally, Veda’s convinced me that alligators have the right idea. They eat their young.[/box]

To start off the film noir fest with a bang, here is a studio big-budget effort that garnered Joan Crawford a long-awaited Best Actress Oscar, along with six other Academy Award nominations.  In 1996, the film was deemed “culturally, historically, or aesthetically significant” and selected for preservation in the United States Library of Congress National Film Registry.

The story is based on James M. Cain’s novel of the same name.  There are some key differences from the book.  Mildred Pierce is a middle-class housewife who makes money on the side baking cakes and pies.  She lives for her two daughters Veda and Kay and tries especially hard to placate her difficult, grasping elder daughter Veda.  Mildred and her husband Bert separate amicably after arguing about his visits to a lady friend and Mildred’s child-rearing style.

Mildred Pierce 2

Mildred finds work as a waitress and struggles to satisfy the increasingly spoiled Veda’s demands for the finer things in life by selling pies.  When Veda finds her mother’s waitress uniform and accuses her of being a peasant, Mildred decides she must have more money and opens a restaurant, with the help of perpetual suitor Wally.  Along the way, she meets the equally entitled shiftless socialite Monte and it looks like she will be burdened by two ungrateful whiners for life.  A darker fate perhaps awaits …  With Joan Crawford as Mildred, Ann Blyth as Veda, Jack Carson as Wally, Zachary Scott as Monte and Eve Arden as Mildred’s wise-cracking friend Ida.

 

Mildred Pierce 1

I thought this was pretty terrific.  A little bit of Joan Crawford goes a long way with me but here she was remarkably restrained with the old eyebrows.  It may be her best performance.  Ernest Haller’s cinematography is beautiful, particularly the night scenes.  The script is tight and it moves right along.  I love Eve Arden and was delighted to see her at her best here, in an Oscar-nominated performance.  Of the men, I was most impressed with Jack Carson.

This is not quite what I think of as noir.  There is a lot of high key lighting, glamour, and a lack of grim city streets.  However, it does have that expressionist lighting.  My definition of noir for this exercise is basically any film that is included in Michael F. Keaney’s Film Noir Guide.  Keaney came up with 745 films from the period 1940-1959 made in the “noir style” in any of several different genres, including melodrama.  Keaney sees the “noir themes” in Mildred Pierce as betrayal, obsession, and greed.

Trailer