Category Archives: 1944

Gaslight (1944)

Gaslight
Directed by George Cukor
Written by John Van Druten, Walter Reisch, and John H. Balderston from the play “Angel Street” by Patrick Hamilton
1944/USA
Metro-Goldwyn-Mayer
Repeat viewing/Netflix rental
#179 of 1001 Movies You Must See Before You Die

[box] Gregory Anton: Jewels are wonderful things. They have a life of their own.[/box]

A gorgeously mounted thriller with an Oscar-winning performance by Ingrid Bergman.

A beautiful opera singer is murdered in her London townhouse.  The body is discovered by her devastated young niece Paula.  Paula (Bergman) is sent to Italy to study singing.  Years pass and the murder is not solved.  Paula’s teacher begins to notice that Paula’s heart is not in her music.  That is because it has been given to suave Continental pianist Gregory Anton (Charles Boyer).  They marry soon thereafter.  Paula, the trauma of her aunt’s death having been overcome by love, is persuaded to move with her new husband to her aunt’s house in London.

Gregory wastes no time in isolating Paula from the rest of the world.  He then begins a course of verbal abuse.  This, coupled with mysterious noises coming from overhead and the flickering of the house’s gaslights, begins to convince Paula that she is really going insane.  On one of the couples rare excursions, policeman Brian Cameron (Joseph Cotten) recognizes Paula from her resemblance to her aunt whom he greatly admired as a boy. Brian opens the closed case file on the aunt’s murder and starts working it.  Meanwhile, things go from bad to worse in the Anton household, Gregory having found an ally in the saucy young housemaid Nancy (Angela Lansbury in her film debut).  With Dame May Whitty as a nosy neighbor.

Ingrid Bergman goes from rosy cheeked enthusiasm to pallid distress during the course of the film, demonstrating a range unexplored in her previous work.  Boyer’s interpretation takes few risks with his suave persona but he does look like someone a woman could plausibly both love and fear.  I preferred Anton Walbrook’s more brutal portrayal of the role in the 1940 British version of the story. Angela Lansbury was fantastic right out of the box, taking every nuance of her rather small part and making her character sleazy, cheeky and totally memorable.  The claustrophobic Victorian sets are a thing of beauty as are Bergman’s costumes.

Ingrid Bergman won the Oscar for Best Actress for Gaslight, which also won the award for Best Art Direction-Interior Decoration, Black-and-White.  The film was nominated in the categories of: Best Picture; Best Actor (Boyer); Best Supporting Actress (Lansbury); Best Writing, Screenplay; and Best Cinematography, Black-and-White (Joseph Ruttenberg).

Trailer (spoilers)

The Miracle of Morgan’s Creek (1944)

The Miracle of Morgan’s Creek
Written and Directed by Preston Sturges
1944/USA
Paramount Pictures
Repeat viewing/Amazon Instant Video

 

[box] Norval Jones: Ignatz Ra-ra-ratzkywatzky. That – that fits alright.

Trudy Kockenlocker: Oh, phooey! [/box]

Preston Sturges, how do I love thee?  Let me count the ways …

Dippy teenager Trudy Kockenlocker (Betty Hutton) is the peppiest girl in town with a weakness for servicemen.  She lives with her widower father Edmund (William Demerest), the Town Constable, and younger sister Emmy (Diana Lynn), a practical sort who is handy with the wisecracks.  Norval Jones (Eddie Bracken) has been in love with Trudy since grade school.  His greatest regret is that he has been declared 4-F by every branch of the military for high blood pressure.  When Norval gets excited or nervous he sees “spots.”

When her father refuses to let her go to a dance for servicemen about to go overseas, Trudy cons Norval into “taking her to the movies”.  She asks him to wait and then departs in his car to the dance.  She doesn’t return until 8 a.m.  By then she has had a few too many “lemonades”.  When Norval takes her home, her father assumes the worst.

Trudy has only hazy memories of her evening.  Gradually, she dimly remembers getting married to someone with a funny name, something like “Radzkiwadzki”.  She used a false name at the ceremony and has no proof of anything.  Later, a positive pregnancy test gives her all the proof she needs.

Norval may be the answer to her prayers.  But, after he proposes, she can’t go through with it and develops a true affection for him.  Despite everything, Norman is true blue and the two cook up a ridiculous scheme to get a marriage certificate in the names of Trudy Kockenlocker and Ignatz Radzkiwadzki so they can divorce and remarry under their right names.  Needless to say, the course of true love never did run smooth.  Sturges ties the whole thing up with a happy ending that must be seen to be believed.   With Brian Donlevy and Akim Tamiroff reprising their roles as The Governor and The Boss from The Great McGintey in the framing sequences and a host of Sturges regulars.

This movie is one gag after another.  If you didn’t like the last pratfall, wait 10 seconds and you will get a brilliant one-liner.  The performances are superb.  I especially like Eddie Bracken and I’m not big on comic stutterers.  Diana Lynn is a calm of deadpan humor in the hurricane of hysteria that surrounds her.  Sturges might have made better pictures but he never made a funnier one.  Highly recommended.

Preston Sturges was nominated for an Academy Award for Best Writing, Original Screenplay.

Trailer

 

Moving on to 1944

Hollywood continued to operate under war-time restrictions but movie attendance was never higher.  Film noir became well and truly entrenched in 1944, although nobody thought it was anything special at the time.    The so-called “Havilland decision,” ruled that that Warner Bros. had to release actress Olivia de Havilland after her seven-year contract term expired and could not add time to the term for periods the actress was on suspension.  The ruling proved to be of great benefit to the many actors who took a break from their film work to serve in the Armed Forces.  Barry Fitzgerald became the first – and only – actor to receive two Academy Award nominations, Best Actor and Best Supporting Actor, for the same role in the same year – as St. Dominic’s stubborn, yet loveable old priest Father Fitzgibbon in Going My Way (1944). Swimmer Esther Williams starred in her first Technicolor aqua-musical in the MGM production of Bathing Beauty (1944).

The war dominated U.S. news in 1944 while the home fires burned.  The people decided not to change horses in the middle of the stream and Franklin D. Roosevelt was reelected to a fourth term in November.  On December 18, 1944, the Supreme Court of the United States unanimously declared that loyal citizens of the United States, regardless of cultural descent, could not be detained without cause, paving the way for the release of all internees in January 1945. Tennessee Williams’ play The Glass Menagerie debuted.  Bing Crosby’s “Swinging on a Star” was the number one hit single of the year and went on to win the Academy Award for Best Original Song.  The novel that won the Pulitzer Prize was Journey in the Dark by Martin Flavin.  Smokey the Bear started advising Americans that “Only You Can Prevent Forest Fires.”

Hard fighting lay ahead but the news from the front was mostly good. The Allies invaded France on D-Day, June 6, 1944, in the largest amphibious operation in history, and had liberated Paris by August 25.  General Douglas McArthur made good his promise to return to the Philippines when he waded ashore at Leyte on October 20.

 My working list of films for possible viewing can be found here.  I reviewed several of the 1944 films noir as part of Noir Months 2013 and 2014. They were:  ; ; ; ; and .

Montage of stills from films that won Academy Awards

Montage of stills from all films nominated for Academy Awards

The Mask of Dimitrios (1944)

The Mask of Dimitriosmask of dimitrios poster
Directed by Jean Negulesco
Written by Frank Gruber based on a novel by Eric Ambler
1944/USA
Warner Bros.

First viewing/Warner Archive DVD

 

Mr. Peters: [Repeated with small variations throughout the story] How little kindness there is in the world today!

This solid noir thriller moves Peter Lorre and Sydney Greenstreet into starring roles and features the film debut of Zachary Scott as the mysterious title character.

The story begins in Istanbul in 1938 with the discovery of a body stabbed and thrown in the Bosporus.  The police identify it as the remains of master criminal Dimitrios Makropoulous (Scott) based on an identifying label.  At a reception that evening, Colonel Haki, head of the police, gets into a conversation with mystery writer Cornelius Leyden (Lorre) and begins to tell him Dimitrios’ history as a robber, killer, assassin and spy.  Leyden is curious and is taken to view the body.  He is so fascinated that he takes off on a journey throughout the Balkans to learn more about him.  Each witness he contacts makes the criminal seem ever more clever and despicable.

mask of dimitrios 3

He is soon followed every step of the way by the menacing “Mr. Peters” (Greenstreet), a former associate of Dimitrios.  Later, Peters reveals that, between some undisclosed information Peters has and some also mysterious knowledge that Leyden has, the two can make a fortune.

mask of dimitrios 2

This is an unusual setting for a movie of its period it and the filmmakers make the most of the shadows and sinister exoticism of the locale.  Scott is already outstanding at portraying a devious but charming lout and Greenstreet is at his oily and pontifical best. Lovers of Peter Lorre should check this out since the film gives him the rare chance to play a relatively balanced protagonist.

Trailer – cinematography by Arthur Edeson