Category Archives: 1937

Love Is News (1937)

Love Is News
Directed by Tay Garnett
Written by Harry Tugend and Jack Yellen; story by William R. Lipman and Frederick Stephani
1937/US
Twentieth Century Fox
IMDb page
First viewing/Criterion Channel

Steve Leyton: Mike, ever had a woman make a fool out of you?
Mike Allegretti: Sure!
Steve Leyton: What happened?
Mike Allegretti: Four boys and one girl.

 

When the leading lady’s character gets on your nerves, it’s hard to love a romcom.

In another newspaper movie from the ‘30s, Tyrone Power plays Stephen Leyton an ace reporter that is constantly at odds with his irascible boss Martin J. Cavanan (Don Ameche). Power has plenty of attitude and gives as good as he gets. He is fired and rehired several times throughout the movie.

Loretta Young plays Tony Gateson, a “tin can” heiress who breaks up with phony count Andre de Guyon (George Sanders) and returns to New York. Every newspaper in town wants the story, Steve gets it by pretending he is with Loretta’s police escort. Tony gets back at him by announcing they are engaged. Suddenly Steve is mobbed by hordes of men trying to sell him something as well as the media. Through the course of the movie, Tony plays several dirty tricks on him including a false accusation that lands him in jail. You only get one guess who Tony winds up with. With Dudley Digges as Tony’s uncle, Slim Summerville as a small town Judge, Stepin Fetchit as a luxury car demonstrator, and Elisha Cook Jr. hilarious as a reporter.

Loretta Young’s character got on my nerves. She is downright mean and spiteful for at least 3/4 of the movie. This prevents the film from being a favorite though she certainly looks gorgeous and her acting isn’t bad. Her gowns, as usual, are beautiful and she wears them well.  This was Power’s first major film role and he does well. I love Don Ameche and he is funny here.

Tyrone Power plays a drinking game with rival reporter Walter Catlett

The Hurricane (1937)

The Hurricane
Directed by John Ford
Written by Dudley Nichols and Oliver H.P. Garrett from a novel by Charles Nordoff and James Norman Hall
1937/US
The Samuel Goldwyn Company
IMDb page
First viewing/Amazon Prime rental

DeLaage: My dear doctor, I’m ready to give my wife and my friends anything I own in the world except my sense of honor and duty.
Dr. Kersaint: A sense of honor in the South Seas is about as useful and often as silly as a silk hat in a hurricane.

The best part of this solid John Ford entry is the hurricane. Second best is the stellar cast.

The story takes place in French Polynesia.  Terangi (Jon Hall) is the most well-loved man on his island. He has an idyllic romance with Marama (Dorothy Lamour) which leads to their marriage early in the film.

Jon is first mate on a clipper that sails between the islands. On shore leave in Tahiti, he breaks the jaw of white man who hit him first and was ejecting Polynesians from a saloon. This lands him in jail for a six month term. Due to his many escape attempts he is separated from Dorothy and the daughter he has never seen for eight years. Finally he makes an escape good only to have to fight a killer hurricane. With Raymond Massey as the inflexible governor of the island, Mary Astor as his compassionate wife, John Carradine as a sadistic jailer, Thomas Mitchell as a sympathetic doctor, and C. Aubrey Smith as a saintly priest.

Always good to catch up on my unseen John Ford filmography.  This has a fabulous cast and I enjoyed it greatly.

The film won the Oscar for Best Sound, Recording.  It was nominated for Best Supporting Actor (Mitchell) and Best Music, Score.

Night Must Fall (1937)

Night Must Fall
Directed by Richard Thorpe
Written by John Van Druten from a play by Emlyn Williams
1937/US
Metro-Goldwyn-Mayer
IMDb page
First viewing/Amazon Prime rental

Olivia Grayne: Well, here we all are perfectly ordinary English people. We woke up this morning thinking, hmmm, here’s another day. We got up, looked at the weather, talked… Here we all are still talking and… all the time…all the time there may be something lying in the woods, hidden under a bush… with two feet showing, perhaps a high heel catching the sunlight with a bird perched on the end of it, and the other, the other stockinged foot with blood that’s dried on the stocking… and somewhere, somewhere there’s a man walking about and talking just like us, and he got up in the morning, and he looked at the world… and he killed her.

This well-acted atmospheric thriller goes directly on to my Best New to Me Films of 2022 list.

Olivia Grayne (Rosalind Russell) is sexually repressed and penniless, but smart.  She lives with her wealthy aunt Mrs. Bramson (Dame May Whitty) who treats her the same way she does all her servants – badly.  One of the servants is engaged to Danny (Robert Montgomery), who works at the local inn.  She asks the old lady to speak to him in an effort to speed up the wedding day.

On the same day the quiet of the English countryside is disturbed by the discovery of a decapitated female murder victim on Mrs. Bramson’s property.

Danny arrives and promptly charms the socks off Mrs. Bramson with his Irish charm and good looks.  He becomes her companion and confidante.  Olivia can’t put her finger on it but knows there is something “off” about him.  She says he seems to be acting all the time.  On the other hand, his animal magnetism is drawing her in.  I’ll stop here except to say the suspense just builds and builds.

Robert Montgomery is a favorite of mine and this has got to be one of his finest performances.  Pre-code he always plays the charming young man who doesn’t get the girl but looks swell in a tuxedo.  This, on the other hand, is quite a nuanced performance requiring him to be charming, humble, and very creepy all at the same time.  Russell and Whitty are fantastic.  Highly recommended.

 

Me, Covid, and The Awful Truth

Covid-19 is real.  Soon most people will know someone who has been hurt by the disease.  My sister-in-law Terri, who is also one of my best friends, has been in the hospital with pneumonia for 9 days.  Her son Bo, my nephew, was hospitalized yesterday.  I hope and pray both will be fine with few or no lingering consequences.  Needless to say, if you knew my family, it has been a non-stop drama fest.  Yesterday Terri checked out of hospital against medical advice with no prescriptions, no supplemental oxygen, no aftercare instructions.

I’m just fine.  They are in Las Vegas.  I am in Southern California.  My husband and I have really never left Lockdown.

For comfort viewing yesterday, I rewatched Leo McCarey’s The Awful Truth (1937) for the umpteenth time.  I have reviewed the film previously here.The stars, dialogue, directing, and production continue to sparkle.  It remains supremely enjoyable. For some reason, I focused on Ralph Bellamy this time. He is pretty wonderful.

What Did the Lady Forget? (1937)

What Did the Lady Forget? (“Shukujo wa nani o wasureta ka”)
Directed by Yasujirô Ozu
Written by Yasujirô Ozu and Akira Fushimi
1937/Japan
Shôchiku Eiga

First viewing

 

[box] Watching Fantasia (1940), I understood we could never win the war. “These people seem to like complications”, I thought to myself. — Yasujiro Ozu[/box]

This obscure comedy by master Yasurjiro Ozu had me chortling out loud.

Wealthy medical professor Dr. Komiya is henpecked at home.  His wife forces him out of the house to go golfing on the weekend and asks his niece to stay home to watch the place while she goes to the theater with her lady friends.  Both secretly rebel and end up meeting at a bar.  The thoroughly modern niece gets tipsy and takes her uncle to a geisha house.  She is raked over the coals when she comes home drunk and accompanied by one of the doctor’s students.  The doctor spends the night with the student (apparently golfing is an overnight trip) but his wife easily catches him in his lie.  All is straightened out in a very amusing way.

Very little happens in this film but all the incidents are fresh and funny and the resolution is simultaneously philosophical and amusing.  The characteristic Ozu style is fully in evidence.  Recommended.

Clip

 

Something to Sing About (1937)

Something to Sing About
Directed by Victor Schertzinger
Written by Victor Schertzinger and Austin Parker
1937/USA
Zion Meyers Productions

First viewing

[box] Terrence ‘Terry’; Rooney: I’ll stand up here and let you stick pins in me, but one more tickle, and I’m going to tear off one of your legs and wrap it around your neck for a scarf.[/box]

It’s always fun to watch James Cagney dance, and that’s the highpoint of this otherwise unremarkable musical flop.

Terry Rooney (Cagney) is a Manhattan band-leader/hoofer who has gotten the call from Hollywood to make a picture.  He bids farewell to Rita (Evelyn Daw), the band’s vocalist, to a swing version of Wagner’s Wedding March.  Terry has the usual trials and tribulations in adjusting to Tinsel Town and then gets nothing but discouragement on his work from the producers who secretly think he’s terrific but want to keep his price low.

After Terry finishes the picture, he marries Rita under his real name and they go on a long honeymoon on a tramp steamer to the South Seas.  When Terry returns, the picture has made him a star.  The studio doesn’t want a married star so the couple reluctantly agree to keep the marriage secret.  This leads to a number of misunderstandings and quarrels, of course.  With William Frawley as the studio’s overzealous press agent.

Cagney can do very little wrong in my book and he’s even better when he is dancing.  He’s sensational in a couple of the musical sequences.  Unfortunately, most of the musical sequences feature the singing of Evelyn Daw and her trained operatic soprano voice — not a good match for the swing band she accompanies.

James Cagney made Something to Sing About for Grand National Pictures during one of his many contract disputes with Warner Bros.  Grand National had been better known for its B pictures previously.  This big-budget box-office fiasco caused the studio’s eventual demise in 1940.  According to IMDb, Grand National Pictures head Edward L. Alperson had previously paid $25,000 for the rights to the perfect James Cagney vehicle, Angels with Dirty Faces, and was literally begged by staff producer Edward Finney to film that property first but inexplicably went forward with this instead.  Angels with Dirty Faces, of course, was released by Warners in 1938 with Cagney to great acclaim.

Something to Sing About was Oscar-nominated for its score by versatile writer/director Victor Schertzinger.

Clip

Café Metropole (1937)

Café Metropole
Directed by Edward H. Griffith
Written by Jacques Deval from an original story by Gregory Ratoff
1937/USA
Twentieth Century Fox Film Corporation

First viewing

 

[box] Monsieur Victor Lobard: That’s the trouble with a flawless plan! There’s always a flaw in it![/box]

Russian raconteur Monsieur Victor (Adolphe Menjou) owns a nightclub in Paris and is deeply in debt.  He gambles the last francs he can get his hands on at baccarat and wins big.  Unfortunately, the loser is American Alexander Brown (Tyrone Power) who writes a bad check before declaring himself penniless.  Victor blackmails Alexander into masquerading as a Russian prince and wooing American heiress Laura Ridgeway (Loretta Young).  Despite Alexis’s terrible Russian accent, Laura is immediately smitten. With Charles Winniger as Laura’s father, Helen Westley as her aunt, and Gregory Ratoff as a waiter.

I enjoyed this comedy, chiefly for its script and the performances by Menjou and various character actors.

http://www.youtube.com/watch?v=C_Qz0gnA9rY

Bill “Bojangles” Robinson in a scene deleted from the film (lost for 60 years)

A Damsel in Distress (1937)

A Damsel in Distress
Directed by George Stevens
Written by P.G. Wodehouse, Ernest Pagano and S.K. Lauren from a story by P.G. Wodehouse
1937/USA
RKO Radio Pictures

First viewing

 

[box] A foggy day in London Town/ Had me low and had me down/ I viewed the morning with alarm/ The British Museum had lost its charm/ How long, I wondered, could this thing last?/ But the age of miracles hadn’t passed,/ For, suddenly, I saw you there/ And through foggy London Town/ The sun was shining everywhere. “A Foggy Day”, lyrics by Ira Gershwin[/box]

This was the first film Fred Astaire made without Ginger Rogers since they were first paired in 1933’s Flying Down to Rio.  Joan Fontaine is certainly no Ginger but Burns and Allen make surprisingly good dancing partners for Fred.

Everyone expects Lady Alyce Marshmorton (Fontaine) to marry soon and the servants have laid bets on who the lucky man will be.  The prime contenders are the Bertie-Woosterish twit her aunt favors or the American she is in love with.

Jerry Halliday (Astaire) is an American dancer in London.  His press agent (George Burns) has a media campaign that has made him quite the matinée idol and he is chased everywhere by the ladies.  One day, as he is escaping, Alyce takes refuge in his cab to escape the family butler who is tailing her.

A series of misunderstandings causes a number of people to believe Jerry is the American Alyce is in love with and to either try to bring them together or separate them.  Needless to say, they fall in love.  With Constance Collier as the snooty aunt.

I don’t rank this with the Astaire-Rogers films but it has many pleasures.  The score is by George and Ira Gershwin and includes the standards “A Foggy Day” and “Nice Work If You Can Get It.”

Burns and Allen are quite funny of course.  The amazing thing was watching them match Astaire step for step in the tap dancing department!  Poor Joan Fontaine looks lovely but struggled to do a basic ballroom dance with Astaire.  She later joked that this movie set her career back four years.

 

Hermes Pan won an Academy Award for Best Dance Direction for the “Fun House” sequence featuring Astaire, Burns and Allen.  A Damsel in Distress was also nominated for an Oscar for Best Art Direction.

http://www.youtube.com/watch?v=qLX0cBpvHHY

Clip – Astaire taps with Burns and Allen in “Just Begun to Live”

 

Fire Over England (1937)

Fire Over England
Directed by William K. Howard
Written by Clemence Dane and Sergei Nolbandov based on a novel by A.E.W. Mason
1937/UK
London Film Productions

First viewing

 

[box] Vivien Leigh remembers: “I was making Fire Over England then, and Larry was in it too. Flora Robson was playing Queen Elizabeth. It was in that film that Larry and I met, too. I wonder whether-if the film was shown again-you would see it in our faces, the confrontation with our destiny. I don’t think I have ever lived quite as intensely ever since. I don’t remember sleeping, ever; only every precious moment that we spent together.”[/box]

Flora Robson just might be my favorite Elizabeth I ever.  She, and a chance to see Laurence Olivier and Vivien Leigh at the height of their physical beauty, made this a fairly enjoyable experience.

It is 1588 and relations between Spain and England are at the breaking point.  English pirates regularly plunder Spanish treasure ships and Spain is said to be building an armada for an attack on the island.  The Spanish capture English pirate Sir Richard Ingolby who is sailing with his son Michael (Laurence Olivier).  Michael manages to escape and takes refuge with a Spanish nobleman and his daughter but the father is hauled away and burned by the Inquisition.

Michael is left with a burning hatred for the Spanish.  Despite the protests of his lady love (Vivien Leigh), when he returns to England he takes on a dangerous spy mission to Spain to uncover the names of the traitors that are plotting to assassinate the Queen.  With Raymond Massey as Philip II of Spain,  Leslie Banks as a loyal English courtier, and an almost unrecognizable James Mason in one of his very first roles as a traitor.

This average costume drama comes alive every time Flora Robson is on screen.  Fortunately, this is fairly frequently.  I loved the scene when Elizabeth takes her wig off and looks at her aging face in a mirror.  Otherwise, things proceed just about how one would expect.

Trailer

Moonlight Sonata (1937)

Moonlight Sonata
Directed by Lothar Mendes
Written by E.M. Delafield and Edward Knoblock from a story by Hans Rameau
1937/UK
Pall Mall Productions Ltd.

First viewing

 

[box] There have been a few moments when I have known complete satisfaction, but only a few. I have rarely been free from the disturbing realization that my playing might have been better. — Ignacy Paderewski (1860 – 1941)[/box]

I enjoyed listening to the great Paderewski play the piano.  The story does not detract.

Pianist and statesman Ignacy Paderewski is en route to Paris when his plane breaks down and must make an emergency landing near a mansion in Sweden.  The mansion is occupied by the Baroness Lindenberg, her granddaughter Ingrid, and the overseer Eric (Charles Farrell).  The Baroness and her entourage are all great music lovers, Paderewski’s performance of the Moonlight Sonata having brought Ingrid’s deceased parents together.  It will be Ingrid’s 18th birthday at midnight and Eric tells her that he will ask her to marry him at that time.  Before this can happen, Ingrid becomes enamoured of charming scoundrel Mario de la Costa from Paderewski’s party.  Can Paderewski work his magic again?

There would be no reason to watch this film if it were not for the music.  However, easily the first 20-30 minutes consist purely of Paderewski playing at a concert.  Later, he plays a delightful little dance for some children and, of course, the first movement of the Moonlight Sonata.  Despite the sometimes iffy sound, this was enough for me to enjoy the film thoroughly.

Clip – Paderewski plays Beethoven’s Moonlight Sonata, 1st Movement