Category Archives: 1920

Within Our Gates (1920)

Within Our Gates
Directed by Oscar Micheaux
Written by Oscar Micheaux
1920/US
Micheaux Book and Film Company

IMDb page
First viewing?/YouTube

 

Jasper’s Wife: Justice! Where are you? Answer me! How long? Great God almighty, How Long?

The earliest known surviving film directed by an African-American is kind of a mixed bag.

School teacher Sylvia Landry is a proper, educated lady who is visiting the North to unite with the soldier she is engaged to.  She is duped by her trashy friend who wants Sylvia’s man for herself and coveted by the hussy’s criminal brother.  Her engagement is destroyed by these two and she returns to the South.

Sylvia gets more bad news when she returns.  The school she teaches in is running out of money due to the many children seeking an education and the Government’s failure to provide funding for them.  So Sylvia heads back North again to raise money.  In the process she is robbed by a Black scoundrel and rescued by a kindly Black idealist.  Later, she is hit by a car bearing a wealthy White philanthropist, who decides after much dilly dallying to save the school.  But nothing but sorrow awaits Sylvia when she returns home due to the perfidy of ignorant Blacks and racist Whites.

This is an interesting film that gives us a peek at what people of color were suffering 100 years ago.  It’s not particularly great however.  In fact, it features many stereotypical characters played by people who seem to have attended the Stepin Fetchit School of Acting.  Of course, most of the Whites are just as bad,  The story also suffers from a slow pace and melodramatic tone.  But I’m very glad to have caught up with it.

 

The Cabinet of Dr. Calagari (1920)

The Cabinet of Dr. Caligari (Das Cabinet des Dr. Caligari
Directed by Robert Wiene
Written by Carl Meyer and Hans Janowitz
1920/Germany
Decla-Bioscop AG
IMDb page
Repeat viewing/YouTube

Francis: You fools, this man is plotting our doom! We die at dawn! He is Caligari!

I had forgotten how groundbreaking this film is.

Two young friends are in love with the same woman.  A carnival comes to town.  One of the main attractions is Dr. Caligari and his somnambulant slave Cesare (Conrad Viedt), who can predict the future when wakened by the good doctor. Cesare tells one of the friends he will not live to see the next dawn.

Cesare’s prediction comes true.  The surviving friend spends the rest of the story trying to get the goods on Caligari.  But things are not as they seem …

This has the distinct expressionist style of the German Weimar films and was one of the first horror films.  I really like the theatrical sets and the stylized acting.

Just Pals (1920)

Just Pals
Directed by John Ford
Written by John McDermott and Paul Schofield
1920/US
Fox Film Corporation
IMDb page
First viewing/YouTube

Bill: [to Bim] They ain’t nothin’ the matter with you, is there? You didn’t go to school, did you? Then why in hell send me?

A sentimental story told well by John Ford and company.

The setting is a small Western town.  Buck Jones plays Bim.  He is scorned and ridiculed by all for his laziness and tattered clothes but he has a heart of the purest gold.  He has a crush on local schoolmarm Mary (Helen Ferguson).  She is being courted by bank clerk Harvey Cahill (William Buckley).

One day, Bim rescues Bill (George Stone), a boy of about ten, after he is forcibly ejected from the train he has hooked a ride on.  They become close pals and Bim takes on a fatherly attitude.  This includes trying to bathe his charge and sending him to school.

Bill gets injured and the local doctor takes him in.  When the doctor’s wife learns there is a large reward for recovery of a runaway fitting Bill’s description, the couple set about separating the two pals.  In the meantime, Mary is in terrible trouble after she innocently did a favor for the bank clerk, who is a complete rat.  Things get more exciting as the movie draws to a close.

You wouldn’t suspect that the director of this film was John Ford if you didn’t read the credits.  On the other hand, the story is very well told and the actors are all charming.

Tribute to John Ford

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My next adventure in cinema will be an in-depth exploration of John Ford’s filmography.  I still plan to move into 1978 soon but those films are probably not ones my husband will enjoy.  I will only review the Ford films here if I have not done so before.  If you are curious, you could follow my Instagram account at @flickersintime.

I also watched Ford’s eight-minute documentary on the fate of Torpedo Squad 8 which lost all 15 of its torpedo bombers during the battle of Midway.  This is done by showing smiling young men full of life preparing their bombers for battle and then listing the names and ranks of the dead. Very simple and devastating.