Monthly Archives: October 2022

Dangerous (1935)

Dangerous
Directed by Alfred E. Green
Written by Laird Doyle
1935/US
Warner Bros.

IMDb page
First viewing/Amazon Prime rental

Joyce Heath: You with your fat little soul and your smug face – picking your way so cautiously through a pastel existence.

Don Bellows (Franchot Tone) is a successful young architect and engaged to marry Gail Armitage (Margaret Lindsay). One day, his crowd spots a derelict-looking woman walking through a hotel lobby.  She will not admit she is the formerly famous Broadway actress Joyce Heath (Bette Davis). Don and his friends discuss how wonderful she used to be. Franchot says one performance of hers so moved him that he decided to go into the creative arts.

Shortly thereafter, Dond  spots Bette getting blotto in a dive. He buys her several drinks and after she passes out he takes her home with him. Bette is far from easy to get along with but eventually Franchot dumps Margaret and he and Bette become lovers.  With A Don’s help she is given a second chance at Broadway stardom but secret from Bette’s past stands throws a spanner in the works.

Davis won her first Oscar for her performance here. Bette did not think she deserved the award which she believed was payback for not even being nominated for her star-making turn in Of Human Bondage (1934). Personally, I can’t see any other reason for the win. The script didn’t help her any.

https://www.youtube.com/watch?v=FGKEyUBLrpk;

Love on a Bet (1936)

Love on a Bet
Directed by Leigh Taylor
Written by P.J. Wolfson and Philip G. Epstein; story by Kenneth Earl
1936/US
RKO Radio Pictures
IMDb page
First viewing/Amazon Prime rental

Uncle Carlton MacCreigh: Well the whole idea of the play is ridiculous. You expect anybody to believe that a man can leave New York in his underwear and get to Los Angeles in 10 days? … This boy wonder arrives in Los Angeles in a new suit of clothes, a hundred dollars in his pocket, and engaged to a beautiful girl. Ridiculous! Who’s gonna believe that?
Michael MacCreigh: Remember, this happens in a play, not in a slaughter house. It’s not beef ham and prize-cuts. It’s romance! Adventure! Just what people want to see in a play.

Michael MacCreigh (Gene Raymond) needs money to produce a Broadway show. His uncle wants him to work in the family meat packing business. Michael bets the uncle that he can start out from New York City in his underwear and, without borrowing money or buying anything, arrive in Los Angeles in ten days with a new suit, a fiancee and $100. He will also prove that the plot of his play is not totally ridiculous. With Wendy Barrie as the love interest and Helen Broderick as her no-nonsense aunt.

If you dial up your suspension of disbelief to 11 and like screwball plots, this could be amusing. Gene Raymond, whom I normally find very bland, gives possibly his most animated performance ever.  I thought this was OK but not more.

Ah, Wilderness! (1935)

Ah, Wilderness!
Directed by Clarence Brown
Written by Frances Goodrich and Albert Hackett from the play by Eugene O’Neill
1935/US
Metro-Goldwyn-Mayer
IMDb page
First viewing/Amazon Prime renta

Richard ‘Dick’ Miller: How are you going to punish me, Pa?
Nat: Oh, well, I… thought of telling you you couldn’t go to Yale.
Richard ‘Dick’ Miller: But, gee, that’s great! Well, then I can get a job and marry Muriel. That’s no punishment, Pa!
Nat: Well, then you’ll go to Yale and stay there until you graduate.

I was charmed by this coming-of-age  comedy and the cast really cannot be beat.

It’s an adaptation of Eugene O’Neill’s comedy about coming of age circa 1906. Eric Linden plays O’Neill’s alter ego Richard Miller who is just about to graduate high school and head off to Yale. He’s the kind of know-it-all show-off idealist and romantic that intelligent boys often are. He is also madly in love with Muriel MacComber (Cecilia Parker) who he has not even convinced to kiss him.  He tries to court her with love poems by Swinburne and Omar Kayam and scandalizes her parents.

When Muriel sends Richard a dear John letter, he morosely agrees to a double date with a couple of shady ladies during which he gets quite drunk.  But his large loving family have givend him a grounding that will not let him get too out of hand.

There are some memorable comic scenes – the graduation ceremony, the return of prodigal uncle Sid and his antics at the 4th of July dinner; and a bunch of little boys with big firecrackers.

The rest of the fabulous cast includes: Lionel Barrymore as the newspaper editior father; Spring Byington as the mother; Wallace Beery as Lionel’s ne’er-do-well drunken brother (hilarious), Aline MacMahon as Spring’s sister and Wallace’s long-suffering sweetheart and and Mickey Rooney as the mischievous youngest son.

I thought this was a delight. Recommended.

 

Flight (1929)

Flight
Directed by Frank Capra
Written by Ralph Graves, Howard J. Green and Frank Capra
1929/US
Columbia Pictures
IMDb page
First viewing/YouTube

Steve Roberts: [On the Nicaraguan rebels] You know damn well what’s going to happen if these people come along and catch you alive.

Too much love triangle.  Not enough flying.

Lefty Phelps (Ralph Graves) is infamous for having lost a football game for his college in a “Wrong Way Corrigan” style maneuver. One of the few people sympathetic to Lefty is Panama Williams (Jack Holt). Lefty joins the U.S. Marines. Panama is his flight instructor and befriends him. Lefty washes out as a pilot but becomes a flight mechanic. The two men both fall in love with beautiful nurse Elinor Baring (Lila Lee). Panama is too shy to propose so he sends Lefty to do it for him. But Elinor is actually in love with Lefty. This creates much bitterness on the part of Panama. The two end up in Nicaragua where Panama refuses to fly with Lefty or help rescue him when his plane crashes. Will he relent in time?


This is technically accomplished for its era. The Marines cooperated in the making of the movie and the best parts are the flight scenes. Otherwise, it is kind of dull and clocks in at almost 2 hours – much too long for the story it has to tell.

Colorized clip (full version on YouTube is in the original black and white)

Salute (1929)

Salute
Directed by John Ford
Written by James Kevin McGuinness; story by Tristram Tupper and John Stone
1929/US
Fox Film Corporation
IMDb page
First viewing/YouTube

Blue of the mighty deep, Gold of God’s great sun;
Let these our colors be, Till All of time be done-n-n-ne;
On seven seas we learn, Navy’s stern call:
Faith, courage, service true, With honor over, honor over all. — “Anchors Away”, U.S. Navy Anthem

To me this is more or less a curio.

The two Randall brothers were orphaned then raised by two uncles. John (George O’Brien) becomes a cadet at West Point while Paul (William Jenney) is headed to The Naval Academy. John tries creating a love triangle with Nancy (Helen Chandler) to get timid Paul to declare himself to her. The climax of the movie is the Army-Navy football game in which the brothers compete.

First off, Stepin Fetchin is in this movie. I find him totally unfunny and an insult to his race. Unfortunately, he would go on to appear in several more of Ford’s early films with Will Rogers. So that’s a big mark against it in my book.

The fun part is that this is the first Ford movie to feature O’Brien, Ward Bond, Jack Pennick (uncredited) and John Wayne(uncredited) together. They would form part of Ford’s stock company for years. Wayne organized fellow members of the USC football team to appear in the Army-Navy Game.

It’s an OK movie but certainly not one I really would ever watch again.

Tribute to George O’Brien