Monthly Archives: January 2021

Don’t Look Now (1973)

Don’t Look Now
Directed by Nicolas Roeg
Written by Allan Scott and Chris Bryant from a story by Daphne Du Maurier
1973/US
IMDb page
Repeat viewing/Amazon Prime rental
One of 1001 Movies You Must See Before You Die
One of 1000 Great Horror Movies on theyshootzombies.com

Laura Baxter: This one who’s blind. She’s the one that can see.

Roeg uses his cinematographer’s eye to stun us with variations on the color red and the gritty side of Venice, Italy.  All this beauty accompanies the well-acted, horrifying and tragic story of a couple trying to come to terms with the drowning death of their daughter.

John (Donald Sutherland) and Laura (Julie Christie) Baxter are a happily married couple living in England.  John is a renowned church restorer.  They have two children, Christine and Johnny.  One day, Christine drowns in a pond on their property.  John had a premonition and was running to his daughter before his son called out to him.

After an unspecified period of time, John and Laura put their son in boarding school and move to Venice, Italy where John is friendly with the local bishop and working hard on restoring a church dear to him.  John is deeply immersed in his work so has that outlet but Laura is sad all the time.

One day, they are eating in a restaurant where two ladies are staring at them.  One of the them has something in her eye and Laura offers to help.  It is then that she discovers the two are sisters and the blind one is a psychic.  The blind one tells Laura she saw her little girl sitting beside her and the girl was laughing and happy.  This makes Laura like a new woman.

John believes the psychic is a fraud and discourages Laura from seeing the sisters.  But Laura sneaks off anyway.  The psychic tells Laura John is in great danger and should leave Venice immediately.  John thinks this is hogwash.  Then he starts having some very disturbing visions.  I’ll stop here.  The film has an unforgettable ending.

Everything about this movie is so well done.  Roeg creates some fabulous montage sequences, including a notorious one in which we watch the Baxters make love intercut with their dressing for dinner.  The Venice of this movie is not the tourist Venice but a city that is decaying with age, creating a really creepy mysterious atmosphere.  The acting is perfect and the score is beautiful.  Be prepared to endure some real tragedy along with your scares.  Highly recommended.

High Plains Drifter (1973)

High Plains Drifter
Directed by Clint Eastwood
Written by Ernest Tidyman
1973/US
IMDb page
First viewing/Amazon Prime rental
One of 1001 Movies You Must See Before You Die

 

Sarah Belding: I knew you were cruel, but I didn’t know how far you could go.
The Stranger: Well, you still don’t.

This movie lost me after the violent rape at the beginning.  It proceeds to get more violent, bloody and cruel.

Clint Eastwood known only as “The Stranger” rides into the little Western town of Lago. He first kills the three gunmen who have been protecting the town. Then pretty  young Callie Travers (Marianna Hill) deliberately runs into him.  She complains he tore her dress.  Then she gives him some lip so he takes her to a barn and violently rapes her. Later she voluntarily sleeps with her rapist, though with ill intent.

The Stranger has nightmares about the town’s former Marshall who was horrifically whipped to death in Lago by multiple men (we see this in excruciating detail) because he threatened to reveal the town’s secret.

After the killing of their gunmen, the town’s leaders decide that The Stranger is the man to take care of three outlaws who have been released from prison and have threatened to burn down the town.  The Stranger is initially reluctant but an offer of anything/anything he wants convinces him to take on the job.  What he wants especially is to destroy the town along with the outlaws.  He forces the people to do many incomprehensible things.  The movie builds to an elaborate violent climax in which the the Stranger’s plan comes together.

I really didn’t want to watch this after the rape.  But I persevered and saw the entire thing, which was also too violent and cruel for me.  Obviously this is on The List and seems to have many fans on IMDb.  So I am in the minority here.  Actually, there is nothing really wrong with the movie and those with thicker skin than mine might love it.

 

 

The Wicker Man (1973)

The Wicker Man
Directed by Robin Hardy
Written by Anthony Shaffer from a novel by David Pinner
1973/UK
IMDb page
First viewing/Amazon Prime rental
One of 1001 Movies You Must See Before You Die

 

Lord Summerisle [quoting Walt Whitman): I think I could turn and live with animals. They are so placid and self-contained. They do not lie awake in the dark and weep for their sins. They do not make me sick discussing their duty to God. Not one of them kneels to another or to his own kind that lived thousands of years ago. Not one of them is respectable or unhappy, all over the earth.

What an unusual and fantastic movie!

Police Sergeant Howie (Edward Woodward) visits Summerisle in search of a missing girl. The residents are very reluctant to provide information absent the authorization of Lord Summerisle (Christopher Lee).  In any event, all deny ever knowing such a girl.

Howie, a devout Christian, is appalled to find that the islanders have adopted a pagan religion, which features a fertility cult and celebrates the gods of nature.  Many of the songs they sing strike Howie as obscene.  He will gradually find out more about the religion and more about the fate of the missing girl.

Howie’s investigations will get him deeper and deeper into a place he does not want to be. It would be wrong to reveal any additional details of the plot.  With Diane Cliento and Britt Ekland as islanders.

I knew next to nothing about this movie and  just loved it  Goes straight on the Favorite New-to-Me Movie list.  I cannot think of a single thing that could be improved.  It is powerful, creepy, and scary without being overly gory.  Highly Recommended.

Godspell (1973)

Godspell
Directed by David Greene
Written by David Greene and John-Michael Telebak from Telebak’s book for the Off-Broadway musical
1973/US
IMDb page
Repeat viewing/Amazon Prime rental

When your faith is all but shattered
When your faith is all but killed
You can give up bitter and battered
or you can start to slowly build …

A beautiful city
Yes, we can; yes we can
We can build a beautiful city
Not a city of angels but finally a city of man  – lyrics and music by Stephen Schwartz, updated post 9/11

It’s hard to write a review today as the U.S. Capitol is under siege.  I’m not thrilled with the direction or concept of this movie but the music is so inspirational and uplifting that I might watch it again today.

The film is set on the streets of New York City and you almost get a travelogue along with your musical.  It was filmed when the World Trade Center had almost completed construction so the towers keep showing up everywhere.

The story is based on the Gospel According to Matthew.  It covers Jesus’s life from his baptism by John the Baptist through the Passion and a symbolic resurrection.  The performers are clad to look like a combo of hippies and clowns.  Everything is done fairly simply and broadly.

The message of the Gospel is conveyed through vignettes including several amusing enactments of the Parables.

I’ve been listening to Steven Schwartz’s score since before the movie was made.  I still listen to the Broadway and off-Broadway cast recordings once in awhile when I need to cheer up.

The cast performs “All for the Best” throughout New York ending the song atop the World Trade Center, which was then under construction.

Jesus Christ Superstar (1973)

Jesus Christ Superstar
Directed by Norman Jewison
Written by Melvyn Bragg and Norman Jewison based on the Broadway musical, book by Tim Rice
1973/US
IMDb page
Repeat viewing/Amazon Prime rental

Judas: [singing] Did you mean to die like that, was that a mistake? Or, did you know your messy death would be a record breaker? – “Superstar”, lyrics by Tim Rice, music by Andrew Lloyd Weber

I have a feeling this is a movie you either love or hate.  Don’t expect a positive review from me, despite the my fondness for the music.

This musical version of the last week in Jesus Christ’s life was filmed on location in Israel at the Dead Sea.  It is presented as a story being put on by hippy actors who arrive in a psychedelic bus.  Gradually the presentation morphs into a bizarre world where most of the Christians wear hippy clothes, the Pharisees wear black robes with headgear reminiscent of Pasolini, and King Herod is a fat, half-naked, debauchee.

Jesus (Ted Neeley) has a loyal fan base but it is growing and he becomes perceived by the authorities as a dangerous man.  Mary Magdalene (Yvonne Ellison) is his devoted servant and maybe his lover, this is left unclear.  Judas (Carl Anderson) heartily disapproves of the relationship and the expense of anointing Jesus with expensive ointments.

The Pharisees think Jesus is becoming far too popular.  Soon Judas provides them with a means of getting rid of him.  All the basic incidents of the Passion story ending with the Crucifixion are presented.  After his suicide, Judas reflects on what it all meant.  Then the hippies get back on the bus.

Jesus Christ Superstar was a hit concept album before it was a stage musical.  The album was in regular rotation at my house at the time.  There are a few fantastic songs but Rice and Lloyd Webber would go on to do much better.  I can remember seeing a concert version of the musical but don’t think I have ever seen this movie.

Anyway, I think it is a real mess.  Jewison and his creative team just seemingly threw together all their random ideas for irreverently presenting the piece and it does not work in my opinion.  It is cringingly 70’s.  Also, the key issue of this film is whether Jesus succeeded or failed as a superstar.  We get none of the message of the Gospels.  To top it off, being a “rock opera”, all of the dialogue is sung.    What worked for Jacques Demy seems dreadfully silly in this movie.

I am going to wash the taste out of my mouth by revisiting 1973’s  other hippy Jesus musical Godspell.  It’s lower rated on IMDb, but in my opinion vastly superior and leaves the viewer uplifted rather than kind of disgusted.

Jesus Christ Superstar was Oscar-nominated for Best Music, Scoring Original Song Score and/or Adaptation.

Carl Anderson and company perform “Superstar”

The Long Goodbye (1973)

The Long Goodbye
Directed by Robert Altman
Written by Leigh Brackett from a novel by Raymond Chandler
1973/US
IMDb page
Repeat viewing/Amazon Prime rental
One of 1001 Movies You Must See Before You Die

 

Marty Augustine: It’s a minor crime, to kill your wife. The major crime is that he stole my money. Your friend stole my money, and the penalty for that is capital punishment.

Altman’s reimagination of Philip Marlowe for sunny 70’s California works better than might be expected.

Elliott Gould plays Philip Marlowe as a straight-arrow smart-ass.  He is stuck in the 40’s , wears a suit at all times and maintains a strictly platonic relationship with the dope-smoking topless blondes dancing on the opposing balcony.  As the movie opens, Marlowe’s greatest challenge is to find the correct brand of cat food for his finicky cat in the middle of the night.

But later that night, Marlowe’s friend Terry Lennox drops in.  He says the police are unjustly pursuing him for the murder of his wife.  He asks Marlowe to take him to Mexico.  Marlowe is convinced Terry is innocent and complies.

Upon his return, he finds a group of thugs (including an uncredited Arnold Schwarzenegger) in his house.  They are sure Terry murdered his wife but they are more concerned about the $350,000 Terry owes them.

Marlowe returns to Mexico.  The police tell him Terry has committed suicide.  Marlowe does not believe this either and looks up Terry’s friends Roger (Sterling Hayden) and Eileen (Nina van Pallandt) Wade.  Roger is drying out at a sanitorium run by Dr. Verringer (Henry Gibson).  Marlowe frees Roger, who is a real character.  The plot has numerous twists and turns and I will stop here.

This is neo-noir played out mostly in the bright sunshine of the Pacific Coast.  Altman uses the contrast between the old-timey Marlowe and the thoroughly corrupt rest of the cast to great effect.  It’s more light-hearted than most noirs and Gould is snappy with the one-liners.  John Williams created an evocative score using variations on the first two lines of the theme song.  Recommended.

 

Charley Varrick (1973)

Charley Varrick
Directed by Don Siegal
Written by Howard Rodman and Dean Reisner from a novel by John Reese
1973/US
IMDb page
First viewing/Amazon Prime rental

Harold Young: I can’t start my life over again now.
Maynard Boyle: You don’t have much choice, Harold. They’re gonna try to make you tell where the money is. You know what kind of people they are. They’re gonna strip you naked and go to work on you with a pair of pliers and a blowtorch.

This gritty heist movie is quite OK.  I’m on the fence whether Walter Matthau was a great choice for a brilliant, gutsy, babe magnet.

The story is set in New Mexico.  Charley Varrick (Matthau) was formerly a stunt pilot and now flies crop dusters.  He plans a series of small bank robberies with his wife acting as driver and psycho friend Harman Sullivan (Andy Robinson) in second seat.  The very first try goes spectacularly wrong.  Charley’s wife is killed.  Then, the robbery netted $750,000.00 cash when it should have netted no more than $30,000 at such a small country bank.  Charley correctly guesses that the money is being held by the bank on the way to its laundering.  So he knows he has the cops, the mafia, and the dirty bankers on his trail.

He holes up in his trailer with Harman, who is a loose cannon to say the least.  What Charley would like to do is figure out a way to return the money and leave the country but Harman wants nothing to do with that.  Charley leaves with the money while Harman is sleeping.  The bank hires a sadistic hitman named “Molly” (Joe Don Baker) who is close behind at all times.  I will stop here.  The movie ends with a spectacular stunt that left me gasping.

This is the kind of movie Don Siegel was born to make – taut and with plenty of action.  I felt like I had seen this story before and couldn’t get too invested in it.  If you are in the mood for this kind of thing, though, it could be just the ticket.