Daily Archives: April 5, 2020

They Shoot Horses, Don’t They? (1969)

They Shoot Horses, Don’t They?
Directed by Sydney Pollock
Written by James Poe and Robert E. Thompson from a novel by Horace McCoy
1969/US
IMDb link
First viewing/Netflix rental

 

[box] Gloria Beatty: Maybe it’s just the whole world is like central casting. They got it all rigged before you ever show up.[/box]

A grueling and inhumane dance marathon stands in for all the misery of the Great Depression.  Not ideal for Lockdown viewing but an excellent film with some great performances.

The film takes place at the height of the Great Depression.  The story is told in flashback though I wasn’t really sure of this until the end.  Desperate people crowd a dance hall to be contestants in a dance marathon in order to win the $1,500 prize, awarded to the last couple standing.  There is a 10 minute break every two hours.  The proceedings are orchestrated by heartless capitalist emcee Rocky (Gig Young).

We meet Gloria Beatty (Jane Fonda) a cynical, disillusioned young woman who is about at the end of her rope.  When her own partner is ruled too sick to participate she pairs up with Robert (Michael Sarrazin). Glamorous Alice (Susannah York) and her partner dream of being scouted for Hollywood during the contest.  The aging “Sailor” (Red Buttons) tries for the prize with his partner.  Farmer James (Bruce Dern) struggles along with his young pregnant wife Ruby (Bonnie Bedalia).

The dance goes on for weeks.  It is interrupted by cruel “Derbies” in which the exhausted contestants are forced to engage in a foot race to keep their spot.  As the story goes on partners change several times.  Sleep depravation drives several people mad.

There is not a ray of hope in this depressing film.  Corruption, greed, exploitation, despair, misery, illness, and death combine in a kind of bad luck soup.  Nonetheless, it was possible to admire the film’s several outstanding performances and its superb production values.

Gig Young won the Best Supporting Actor Oscar.  The film was nominated in the categories of Best Director; Best Actress (Fonda); Best Supporting Actress (York); Best Writing, Screenplay Based on Material from Another Medium; Best Art Direction-Set Decoration; Best Costume Design; Best Film Editing; and Best Music, Score of a Musical Picture (Original or Adaptation).

Gold Diggers of 1933 (1933)

Gold Diggers of 1933
Directed by Mervyn LeRoy
Written by Erwin Gelsey, James Seymour et al from a play by Avery Hopwood
1933/US
Warner Bros.
IMDb link
Repeat viewing/Amazon Instant

Trixie Lorraine: Isn’t there going to be any comedy in the show?

Barney Hopkins: Oh, plenty! The gay side, the hard-boiled side, the cynical and funny side of the depression! I’ll make ’em laugh at you starving to death, honey. It’ll be the funniest thing you ever did.

This movie captured my heart the first time I heard Ginger Rogers singing “We’re in the Money” in Pig Latin and I’m still loopy for it decades later. Memo to Hollywood: We need some feel-good escapist fare now as much as we did in the Great Depression. Pitch in!

When a Broadway show runs out of cash during the Great Depression, three chorus-girl roommates are left penniless.  Polly Parker (Ruby Keeler) has fallen in love with songwriter Brad Roberts (Dick Powell) who lives across the way.  Their luck turns when producer Barney Hopkins (Ned Sparks) comes to them with a show about the Depression. Unfortunately he does not have the funds to put it on.  But it turns out that Brad is the heir to a fortune and he becomes Barney’s “angel”, songwriter, and eventually leading man.

Brad’s brother J. Lawrence (Warren William) strongly objects to his involvement in show business and tries to prevent Brad’s marriage to Polly.  Friend Fanuel H. Peabody (Guy Kibbee) believes all show girls are parasites and gold diggers.  The other two roommates, Carol King (Joan Blondell) and Trixie Lorraine (Aline MacMahon), set about proving them wrong about Polly and snagging some wealthy men in the process.  Fay Fortune (Ginger Rogers) tries to attract the men as well.  With Billy Barty as a mischievous baby.

You don’t watch these things for the plot but for the extravagant Busby Berkley numbers and the snappy, naughty banter.  I find this movie to be pure pre-Code bliss.  This was my favorite film of 1933 back at the beginning of this blog.

Gold Diggers of 1933 was nominated for an Academy Award for Best Sound, Recording.