Monthly Archives: December 2018

2018 in Review – Top Ten New-to-Me Films (Fiction)

Real Life was full of many things in 2018.  Fortunately, many of them were good movies  My viewing for the year began about halfway through 1963 and ended by finishing off 1965.  I logged 455 films on Letterboxd.  I took a lengthy break to watch Pre-Code films and another one focused on documentaries.  Some of the best new films I saw this year were documentaries and I am creating a separate list for those.

I saw too many great films to count.  Since I’ve been seeking out classic movies for a long time, many of the best were re-watches.  Still there were many gems that were new to me. Fiction films that I rated 9/10 and did not make the top ten are: Nothing But a Man (1964); Whoopie! (1929); Le Bonheur (1965); I Knew Her Well (1965); The Other Side of Hope (2017); The Collector (1965); and The Moment of Truth (1965).

Here’s 10  favorite films I saw for the first time in 2018.   They are not ranked but in chronological order.

Red Dust (1932) – Directed by Sam Wood

An Actor’s Revenge (1963) – Directed by Kon Ichikawa

The Servant (1963) – Directed by Joseph Losey

The Umbrellas of Cherbourg (1964) – Directed  by Jacques Demy

The Naked Prey (1965) – Directed by Cornel Wilde

YoYo (1965) – Directed by Pierre Etaix

Repulsion (1965) – Directed by Roman Polanski

Darling (1965) – Directed by John Schlesinger

The Shop on Main Street (1965) – Directed by Jan Kadar and Elmar Klos

A Short Film About Love (1988) – Directed  by Krzysztof Kieslowski

***********************

A Happy, Healthy and Prosperous New Year to one and all!

 

The Shop on Main Street (1965)

The Shop on Main Street (Obchod na korze)
Directed by Jan Kadar and Elmar Klos
Written by Ladislav Grosman, Jan Kadar and Elmar Klos
1965/Czechoslovakia
Filmove studio Barrandov
First viewing/Netflix rental
One of 1001 Movies You Must See Before You Die

 

[box] Antonin Brtko: I’m your Aryan and you’re my Jewess . . . understand?[/box]

I didn’t expect so much whimsy in the sad story of the fates of an elderly Jewish shop owner and her hapless Aryan handler.  The whole thing works amazingly well.

Tono Brtko (Josef Kroner) is a humble uneducated carpenter.  Czechoslovakia has been occupied.  He has a greedy wife who is the sister of a member of what looks to be the equivalent of the Slovak Fascist Party SS.  Tono is apolitical but hates his brother-in-law.

Laws have been made that Jews can no longer own businesses.  All Jewish businesses are assigned an “Aryan Controller”.  Through his family connections Josef is given the sewing notions shop owned by an adorable, very hard-of-hearing old lady named Rozalia (Ida Kaminska).  The idea is evidently that when the Jews are deported the controller will take over completely.  Plus, Josef’s wife firmly believes that all Jews have a secret stash of gold buried on the premises.

Problem is the old lady is a charity case.  She thinks that Josef has come to assist her and is very kind to him.  Josef can do nothing to save either of them.

Czechs can’t seem to help telling even the most tragic tale with an off-kilter world view and wit that can only be described as charming.  According to me, this movie is practically perfect.  It is my final film for 1965 and will go immediately on to my Top Ten Favorite New-to-Me Films of 2018 list, coming soon.

The Shop on Main Street won the Academy Award for Best Foreign-Language Picture.  Ida Kaminska was nominated for Best Actress.

 

Filmworker (2017)

Filmworker
Directed by Tony Zierra
2017/US
True Studio Media
First viewing/Netflix Instant

 

[box] If it can be written, or thought, it can be filmed. — Stanley Kubrick[/box]

Fascinating documentary about an actor who gave up fame and fortune to become Stanley Kubrick’s unsung right-hand man.

Leon Vitali was having a promising career on British TV when Stanley Kubrick hired him to act in Barry Lyndon (1975).  Vitali became so fascinated with the technical process that he asked if he could sit in the cutting room, gratis, when Kubrick made his next film.  So began a 40-year relationship with an irascible, amazingly gifted fellow filmworker.  Vitali went on to do just about every job required on the set and more in service of his master’s vision.  His relationship with the director extended after Kubrick’s death to a central role in the preservation of his films.

I love documentaries about niche jobs in the film industry and you can’t get more niche, yet more all-encompassing, than Leon Vitali’s.  He’s a very sweet man, with a continued unsullied idolatry of Kubrick, and a good talker.  There’s also a number of interviews with actors and others that worked with Vitali on Kubrick’s films.  Recommended.  If you are a Kubrick fan, possibly essential.

Scene from Barry Lyndon. Vitali is seated on the grass front and center.

 

Becoming Mike Nichols (2016)

Becoming Mike Nichols
Directed by Douglas McGrath
2016/US
HBO Documentary Films
First viewing/Amazon Instant

 

[box] [Part of 2005 Tony Award acceptance speech] “God, my head is totally empty. I had a thing I was going to say, and I have forgot it, because I had given up so long ago. But the first thing to say is thank you. … I guess you are thinking age before beauty, me too! My congratulations to the winners. My love to those who have not won tonight. I just want to remind you of my motto: Cheer up, life isn’t everything. It always stands me in good stead.” — Mike Nichols[/box]

In the last interview he gave before his death, the multi-talented Mike Nichols talked with theater director Jack O’Brien about his life and work.  The conversation spans  his family’s immigration to the U.S. from Nazi Germany, through his improv work and directing on Broadway, finishing his stunning early career as a film director in Who’s Afraid of Virginia and The Graduate.  Nichols is a very engaging talker and the whole thing is packed with superb clips.  My favorites were from various sketches with Elaine May.  Recommended. Currently available on YouTube.

Christmas Viewing

Home Alone
Directed by Christopher Columbus
Written by John Hughes
1990/USA
Hughes Entertainment/20th Century Fox
First viewing/Amazon Instant

 

[box] Marley: You can be too old for a lot of things, but you’re never too old to be afraid.[/box]

This movie made me feel like an old, grumpy, prude in between some of the good sight gags.  And I don’t like that feeling at all.  When did a child cursing, striking, and smart-mouthing their family members become humorous?  This is part of why modern comedies have kept me out of the theaters for years.  My husband laughed more than I did and I get why it made money.  Don’t care to see it again.

 

The Shop Around the Corner
Directed by Ernst Lubitsch
Written by Samson Raphaelson from a play by Miklos Lazlo
1940/USA
Repeat viewing/Amazon Instant
One of 1001 Movies You Must See Before You Die

 

[box] Klara Novak (Miss Novak): Well I really wouldn’t care to scratch your surface, Mr. Kralik, because I know exactly what I’d find. Instead of a heart, a hand-bag. Instead of a soul, a suitcase. And instead of an intellect, a cigarette lighter… which doesn’t work.[/box]

I try to watch this every Christmas.  Every music cue, every line of dialogue, the arch of every eyebrow —  all of it is part of me.   I unreservedly love this movie.  Find more gushing here.

 

The Nightmare Before Christmas (1993)
Directed by Henry Selick
Written by Caroline Thompson, Michael McDowell, and Tim Burton
1993/USA
Touchstone Pictures/Skellington Productions Inc./Tim Burton Productions
First viewing/Amazon Instant

[box] Jack Skellington: [singing] There’s children throwing snowballs / instead of throwing heads / they’re busy building toys / and absolutely no one’s dead![/box]

 

Cute and funny animated musical that I somehow missed over the years. Not going on my annual list.

Happy Holidays

A little gift from Disney and the warmest of wishes from me.  May those who are cold be cozy and warm and those in the heat be cool.

 

https://www.youtube.com/watch?v=-fIomAY6SYA

78/52, Alfred, and François

78/52: Hitchcock’s Shower Scene
Directed by Alexandre O. Philippe
US/2017
First viewing/Amazon Instant

 

 

[box] Psycho (1960) gave me very wrinkled skin. I was in that shower for seven days – 70 setups. At least, he [Alfred Hitchcock] made sure the water was warm. — Janet Leigh[/box]

The shower scene in Psycho (1960) brought graphic violence in film to a whole new level.  The scene took 78 camera setups and seven days to shoot.  It occupies only a three minutes on screen but provides plenty of material for a 91 minute documentary.  We meet participants such as Leigh’s body double and contemporary directors talking about the influence of the scene on later works.  Really interesting.

 

Hitchcock/Truffaut
Directed by Kent Jones
US/2015
First viewing/Amazon Instant

 

 

[box] It’s only a movie, and, after all, we’re all grossly overpaid. — Alfred Hitchcock[/box]

A host of filmmakers and other talking heads discuss the impact of the 1966 book I have always known as “Hitchcock/Truffaut” but is apparently actually called “Cinema According to Hitchcock”. And what a wonderful book it is!  Over the course of many hours, Hitchcock opens up in great detail about all the films to an adoring Truffaut who must be credited for asking some excellent questions.  It’s a fine documentary but even better would be to pull the book out again for another read.  

Monster a-Go Go (1965)

Monster a-Go Go
Directed by Bill Rebane and Herschell Gordon Lewis
Written by Jeff Smith, Dok Stanford and Bill Rebane
1965/US
B.I. and L Releasing Company
First viewing/YouTube

[box] Narrator: What you are about to see may not even be possible, within the narrow limits of human understanding.[/box]

Well at least the poster colors match Christmas!  Unfortunately, not recommended at Christmas or any other time.

A space capsule lands on earth but its astronaut is missing.  There are no signs of his body but a highly radioactive field in the area.  At the same time, a ten foot mutant monster roams the streets wreaking havoc.  Is he the missing astronaut or is it all just a coincidence?

The monster barely shows up at all and when he does could not outrun a small child.  The rest of the movie tries and fails to be hip.  90-minutes that just drag out interminably.  Watched the MST3K version after the original and the badness is only intensified.

Clips

“George”, Eleanor and Woody

Being George Clooney
Directed by Paul Mariano
US/2016
First viewing/Netflix Instant

 

 

[box] You never really learn much from hearing yourself talk. — George Clooney[/box]

It’s a charming documentary about voice actors all over the world who have made a career out of dubbing George Clooney.  Although few have met the actor, all feel close to him and woe betide the film company that tries to change dubbers fans have gotten used to!  Really interesting look at an unsung niche of the movie industry.  

https://www.youtube.com/watch?v=oDf9yqD6KKo

The Eleanor Roosevelt Story
Directed by Richard Kaplan
US/1965
First viewing/Amazon Instant

 

[box] The future belongs to those who believe in the beauty of their dreams. — Eleanor Roosevelt [/box]

An affectionate biography and tribute to a great lady.  Recommended to those with any interest at all in the subject matter.  This film won the Academy Award for Best Documentary, Feature.

Clip

Woody Allen: A Documentary
Directed by Robert B. Weide
US/2011
First viewing/Amazon Prime

[box] The two biggest myths about me are that I’m an intellectual, because I wear these glasses, and that I’m an artist because my films lose money. Those two myths have been prevalent for many years. — Woody Allen[/box]

The film covers Allen’s entire life and filmography in two parts adding up to about three hours.  A man this prolific deserved the time spent on him.  We get lots of talking heads but more importantly rare quiet moments in which the director reminisces and philosophizes.  This is obviously an authorized biography and thus does not give undue emphasis to painful matters.  Mia Farrow is treated kindly.  I  still love the movies and this may be as close as we get to their maker.  I can still watch them with fondness as by now they are part of me.

 

 

A Couple with Herschell Gordon Lewis

Color Me Blood Red
Written and Directed by Herschell Gordon Lewis
USA/1975
First viewing/Netflix rental

 

[box] Rolf: Listen, pal, you’d be rude, too, if you saw your girl tied up, and a man with an axe in one hand and a bloody mess in the other. And a corpse outside there on the beach.[/box]

Thus is the third in Lewis’s  “Blood Trilogy”, following “Blood Feast” and “Two Thousand Maniacs”. In this one, a painter is criticized for his drab color schemes until he comes up with the idea of smearing his paintings with blood collected from his scantily clad models.  The gore would be disgusting if it weren’t so fake.  I really didn’t need to see all three of these movies and neither, probably, do you.   The complete film is also available on YouTube currently.

 

Herschell Gordon Lewis: The Godfather of Gore
Directed by Frank Hennenlotter and Jimmy Maslin
US/2010
First viewing/Amazon Instant

 

[box] I see filmmaking as a business and pity anyone who regards it as an art form. — Herschell Gordon Lewis[/box]

This documentary and Lewis’s commentaries on his films are by far the most interesting facets of watching the films themselves,  Lewis took nothing seriously except the bottom liine and is quite a story teller.  Recommended for fans.