Daily Archives: May 29, 2018

The Gospel According to Saint Matthew (1964)

The Gospel According to Saint Matthew (Il vangelo secondo Matteo)
Directed by Pier Paolo Pasolini
Written by Pier Paolo Pasolini
1964/Italy/France
Arco Film/Lux Compagnie Cinematographique de France
First viewing/FilmStruck

[box] Christ: Many are called, but few are chosen.[/box]

Pasolini presents a beautiful and bleak vision of the life of a very human Christ.

Though Pasolini is given the writing credit all the spoken dialogue and narration comes directly from the Gospel According to Matthew.  Christ is portrayed as a peasant among the poorest of the poor.  His birth, preaching, miracles, crucifixion and resurrection are all starkly portrayed against the bleakest of landscapes.

The cast is made-up of non-actors.  Jesus is the only one that is really required to do any acting however.  The other characters speak volumes with their haunting faces.  Jesus is a fiery speaker in line with the atheist Pasolini’s contention that he was the world’s greatest revolutionary.  Yet all the supernatural parts of the story, from the virgin birth, through the miracles and resurrection are included as well.  The costuming of the pharisees, etc. took some getting used to for me.  The score is a mix of American Blues and classical music. Recommended.

The Gospel According to St. Matthew was nominated for Academy Awards in the categories of Best Art Direction-Set Decoration, Black-and-White; Best Costume Design, Black-and-White; and Best Music, Scoring of Music, Adaptation or Treatment.

Restoration trailer

 

Blonde Crazy (1931)

Blonde Crazy
Directed by Roy Del Ruth
Written by Kubec Glasmon and John Bright
1931/USA
Warner Bros.
First viewing/Amazon Instant

 

[box] Ann Roberts: He can’t do me any harm. I haven’t any money and I don’t shoot craps.

Peggy: Oh, yeah? Well, maybe you have something else he can use.[/box]

Nobody did snappy dialogue like James Cagney and Joan Blondell.

Bert Harris (Cagney) is a wise-guy bellhop at the leading hotel in a small mid-West town. He sells bootleg hooch on the side.  One day he spots cute blonde Anne Roberts (Blondell) who is applying for a housekeeping job.  He expects to get a tumble from her after he helps her win the position.  But she only slaps his face repeatedly.

They do eventually get to be friendly and she reluctantly agrees to partner with him on some cons.  Initially all goes smoothly but later they get taken by an even bigger crook (Louis Calhern).  They follow him to New York to get revenge.  Meanwhile, Anne is wooed by Joe Reynolds (a very young Ray Milland).  I was not expecting the ending at all!

This has some great pre-Code moments including shots of Blondell in a bathtub and plenty of double entendres.  Cagney and Blondell always perform at 110% and their energy makes for a very enjoyable romp with an abrupt and surprising finale. Recommended.

https://www.youtube.com/watch?v=IK93CE-KIds

Indiscreet (1931)

Indiscreet
Directed by Leo McCarey
Written by Buddy G. DeSylva, Lew Brown, and Ray Henderson
1931/USA
Joseph M. Schenck for Feature Productions
First viewing/Amazon Prime

 

[box] Jim Woodward: Let’s start this New Year’s right.

Geraldine Trent: I am starting it right, with myself.[/box]

As the film begins, Geraldine Trent (Gloria Swanson) is breaking things off with her philandering lover.  Segue to somewhat later and she meets the author of a book called “Obey That Impulse”.  They are kindred spirits and quickly fall in love.  Shortly after they become engaged, Gerry’s kid sister returns from school in Paris with her ex-lover in tow.  How will she warn her sister off the cad without revealing her sordid past?

The usually wonderful McCarey does not achieve the effortless charm of his later comedies in this film.  There is way too much silent style acting, with poses substituting for emotion. The dialogue sometimes also feels stilted and plodding.  Swanson sings a couple of songs in her trilling soprano.  This is highly rated so your mileage may vary.

Montage of clips