Daily Archives: January 7, 2017

Sergeant Rutledge (1960)

Sergeant Rutledge
Directed by John Ford
Written by James Warner Bellah and Willis Goldbeck
1960/USA
John Ford Productions
First viewing/Netflix rental

[box] 1st Sgt. Braxton Rutledge: Soldier can never think by his heart, ma’am. He got to think by the book.[/box]

Two years before To Kill a Mockingbird, John Ford gave us this courtroom drama/Western about a Buffalo solider accused of raping and killing a white woman.

The story is told in a mixture of scenes from the trial of Sgt. Rutledge (Woody Strode) and flashbacks based on witness testimony.  When reshuffled into chronological order, it begins with the discovery of the bodies of a young woman, who had been raped, and her father, the commander of a frontier outpost, who was killed with a service revolver.

Then Lt. Tom Cantrell (Jeffrey Hunter) meets Mary Beecher (Constance Towers) on a train that is taking her home after twelve years in the East and Tom to the fort where he is stationed.  After falling in love, the pair part at the station closest to Mary’s father’s ranch. There, Mary discovers that the station attendant has been killed by an Apache’s arrow.  Her father has not shown up to meet her.  She meets Sgt. Rutledge who is very nervous to be in the company of a white woman but protects her valiently.

It turns out Rutledge has been wounded and Mary tends him.  Tom and some Buffalo soldiers arrive to the station to arrest Rutledge, who had been seen fleeing the scene of the crime.   When the men learn of the Apache threat, the entire group including Rutledge, now handcuffed, and Mary sets off in pursuit.  After Rutledge shows great bravery in the fight with the Indians, Tom brings him in only to defend him in his court martial.  With Billie Burke, in her last screen appearance, as the judge’s flibberty-jibbet wife.

Woody Strode and the Monument Valley scenery are by far the best things about this movie.  Strode has a natural dignity and presence that are mesmerizing.  The other acting isn’t up to much and I wasn’t particularly fond of the screenplay either.   The shouting at the trial is really overdone and seems false.

Lest anyone think John Wayne could not act, this movie is proof of his abilities.  Jeffrey Hunter falls flat on his face when he attempts to deliver lines clearly written for the Duke in his hard-hitting blustery manner.  I can’t think of another actor who could do better, really.

Hell to Eternity (1960)

Hell to Eternity
Directed by Phil Karlson
Written by Ted Sherdeman and Walter Roeber Schmidt; story by Gil Doud
1960/USA
Allied Artists Pictures/Atlantic Pictures Corporation
First viewing/Netflix rental

 

[box] Guy Gabaldon: [after shooting two soldiers] I understood that double-crossing speech! These men died without any reason. I didn’t want to kill them! You want to go to your army? All right, you go, but I’m going with you to keep you honest, and you’re gonna tell those people on this island that the war is over. Now let’s move![/box]

 

I would have rated this a standard biopic/combat movie had it not been derailed by an interminable gratuitous striptease sequence halfway in.

This is based on a true story.   During the depression, youngster Guy Gabaldon is caught stealing potatoes from a grocery store.  He then gets in a fistfight at school and an older Japanese-American boy tries to straighten him out and take him to his parents.  It turns out Guy has been living alone in absolute poverty.  His father is dead and his mother is in the hospital.  The older boy’s family takes Guy in.  After Guy’s mother dies, he is adopted.  Guy blends in perfectly with the family and learns to speak fluent Japanese as his adoptive parents speak no English.

Guy grows up to be Jeffrey Hunter.  After Pearl Harbor, his family is sent to an internment camp where the sons enlist.  Guy is drafted and becomes a specialist interpreter in the Marines.

Guy’s unit has a couple of days leave in Hawaii before they are shipped to the Pacific.  Guy is quite the ladies’ man and takes his buddies (David Janssen and Vic Damone) on a spree.  He manages to score several bottles of good whiskey.  The men then repair to a bar where Guy makes friends with a waitress with his Japanese skills.  A buddy is more interested in a supposedly cold Caucasian reporter.  The men and two women repair to the waitress’s apartment where they meet her stripper roommate.  It is then we are treated to a bunch of drunken leering and two stripteases.  The scene seems to go on for half an hour.

Suddenly the action shift to Saipan.  Guy is initially torn by his feelings about the Japanese.  After a couple of battles, he becomes almost too gung ho.  In the end, his Japanese skills allow him to capture more enemy soldiers than anyone in history including Alvin York.  With Sessue Hayakawa as a general and George Takai as one of Guy’s brothers.

Director Karlson, always lurid, lost me with the striptease and I never really got behind the story again.  The sequence was not so much offensive as really boring and pointless.  It’s an interesting story and might have made a good movie in other hands.

Trailer