Daily Archives: September 15, 2016

Auntie Mame
Directed by Morton DaCosta
Written by Betty Comden and Adolph Green from the novel by Patrick Dennis
1958/USA
Warner Bros.
Repeat viewing/Netflix rental

[box] Auntie Mame: Live! Life’s a banquet and most poor suckers are starving to death![/box]

Rosalind Russell IS Auntie Mame and this is an entertaining film in the 50’s brash Technicolor mode.

Patrick Dennis’s father was writing a will and saw no other option but to leave the boy in the care of his eccentric sister Mame, his only living relative.  He also provides for a banker to supervise his son’s education.  No sooner is the ink dry on the will when the father drops dead.  Patrick is soon welcomed to New York by his larger-than-life aunt, who provides him with an upbringing that is one part bathtub gin, one part bohemian society, and one heaping helping of genuine love.

When the banker gets wind of the nudist school Patrick is attending, the boy is shipped off to a conservative boarding school.  He continues to enjoy weekends with his aunt.  She loses everything in the stock market crash but meets an oil man and proceeds to travel the world with him.  While she is gone, Patrick’s conservative education takes hold and she fears she has lost him for good.  With Peggy Cass as an unwed mother in Mame’s household and Forrest Tucker as the oil man.

The plot summary doesn’t sound as funny as the movie is.  You can’t help but fall in love with Russell’s character.  Her rapid-fire repartee is a bit remiscent of His Girl Friday and she looks wonderful in her Orry-Kelly wardrobe.

Auntie Mame was nominated for Academy Awards in the categories of Best Picture; Best Actress; Best Supporting Actress (Cass); Best Cinematography, Color; Best Art Direction-Set Decoration, Color; and Best Film Editing.  How it missed a nomination for its costumes is beyond me.

Trailer

The Colossus of New York
Directed by Eugene Lourie
Written by Thelma Schnee and William Goldbeck
1958/USA
Paramount Pictures
First viewing/Amazon Instant

“I am a brain, Watson. The rest of me is a mere appendix.” ― Arthur Conan Doyle, “The Adventure of the Mazarin Stone”

The cheese factor complements a story that’s a little different for its time and genre.

The Spensser’s are a talented family.  Father William (Otto Kruger) is a noted brain surgeon.  Son Henry is a pioneer in the field of automation.  The most gifted of all is the youngest boy, Jeremy (Ross Martin).  As the film begins, he has just won the Nobel Peace Prize for his work on food production in the polar regions.

Sadly, just after his family returns from Stockholm, Jeremy is hit by a truck and killed.  William demands that an ambulance be sent for and takes the body back to his laboratory.  William and Henry combine their skills to revive Jeremy’s brain in an automaton body.  Their work backfires spectacularly.

This is cheesy but very entertaining.  The scenes between the colossus and Jeremy’s little son are classic.  The film does suffer from an odd and obtrusive piano score.

Trailer