Monthly Archives: May 2016

A Town Like Alice (1956)

A Town Like Alicetown like alice poster
Directed by Jack Lee
Written by W.P. Lipscomb and Richard Mason from the novel by Nevil Shute
1956/UK
The Rank Organization/Vic Film Productions
Repeat viewing/Amazon Instant

“It was so beautiful’, he said. ‘The Three Pagodas Pass must be one of the loveliest places in the world. You’ve got this broad valley with the river running down it, and the jungle forest, and the mountains….we used to sit by the river and watch the sun setting behind the mountains, sometimes, and say what a marvelous place it would be to come to for a holiday. However terrible a prison camp may be, it makes a difference if it’s beautiful.” ― Nevil Shute, A Town Like Alice

 

I love a good POW story and this is an especially moving one.

The title town is Alice Springs, Australia but most of the story takes place in Malaysia during WWII.  As the film begins, Jean Paget (Virginia McKenna) is talking to the lawyer handling her inheritance in London.  She tells him she has decided what she will do with her money.  She will return to Malaysia and build a well for the village that took her and her friends in when they were POWs.  Jean does this and starts thinking about her experience.

She was working as a secretary when the evacuation order came.  She stopped to answer a phone and missed the bus to the train station. Instead, she goes to the home of her boss and helps his wife tend to their three children while they pack.  He is very delayed picking up the car from a mechanic.  They finally flee but the car breaks down.  They are picked up by a truck carrying many stragglers but are eventually captured by Japanese soldiers who have commandeered the ferry they were counting on to take them to safety.

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The men are sent to a prison camp.  The women and children are told they are to go back to Kuala Lumpur, where they will catch a train to Singapore to be interned there.  KL is 50 miles away.  They will walk in the tropical heat.  They object but there is nothing to be done.

After walking many miles, they are told the train bridges have been blown up.  They must trek another 50 miles to catch a boat.  There is another snafu.  The women and children’s “captivity” devolves into a continuous forced march as one camp after another refuses to take responsibility for them.  They have very little food and no medicine.  They begin to die like flies.  Jean, who is sensible and speaks Malaysian, becomes their spokesperson.

Along the way, Jean strikes up a friendship with Joe (Peter Finch), an Australian POW mechanic who speaks rapturously of his cattle station near Alice Springs.  Despite considerable danger, he tries to help the women.

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I loved this movie even more the second time I saw it.  It seems so real to me.  The women are very human.  Some of them complain non-stop.  Others simply cannot go on. Even the naturally strong Jean cracks at different points.  It is easy to get emotionally invested in their plight. The Japanese are not demonized either.  The screenplay and acting are excellent.  My fellow romantics will likely find themselves crying, as I did, at the sweet ending.

I liked this so much that I decided to re-read the book as well.  The film captures only the first part of the book.  Jean ends up in Alice Springs and has an eventful life there too.  Recommended.

The Mole People (1956)

The Mole Peoplemole people poster
Directed by Virgil W. Vogel
Written by Lásló Görög
1956/USA
Universal International Pictures
First viewing/Netflix rental

 

Dr. Roger Bentley: The light! Their eyes can’t tolerate the light!

This is fun although I could have done with more mole people and less Sumerian rituals.

We begin with a solemn little lesson on different historical interpretations of what goes on the center of the earth.  We move on to the main story where an archeological expedition led by scientist Dr. Roger Bentley (John Agar) discovers a Sumerian inscription.  When will these people learn not to disturb anything before reading the curse that protects it? Anyway, the curse describes the damnation of anyone who maliciously interferes with the site and describes a civilization living atop a snow-capped mountain and worshiping the goddess Ishtar.

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The team goes to investigate in the mountain range nearby.  After summiting, one of their number is abruptly swallowed up in a huge, deep sinkhole.  The others follow to rescue him.  When they get to the bottom they discover an ancient Sumerian culture that has evolved beneath the surface after a natural disaster.  By means of a flashlight – these people are painfully sensitive to light – the three survivors manage to briefly convince their king that they are gods.  The high priest is on to their con, however.

The civilization is supported by a colony of mole people who cultivate the mushrooms they eat.  These are treated as slaves and constantly whipped and killed.  A subset of “marked” non-albino Sumerians is also slated for death.  Bentley falls in love with one of these.  The rest of the movie follows the teams constant peril as the high-priest attempts to steal their flashlight and expose their lie as well as the mole people’s revolt.

photo-le-peuple-de-l-enfer-the-mole-people-1956-9I could have watched the super-cool mole people non-stop.  They make up about 15 minutes of the picture.  The high priest is also pretty good.  The rest is Sumerian rituals featuring comely dancing girls.  This is not as interesting.  Still, the movie makes for 77 minutes of nice mindless entertainment.

Trailer

Death in the Garden (1956)

Death in the Garden (La mort en ce jardin)death in the garden poster
Directed by Luis Buñuel
Written by Luis Alcoriza, Luis Buñuel, and Raymond Queneau from a novel by José-André LaCour
1956/France/Mexico
Dismage/Producciones Tepeyac

“If I can’t dance to it, it’s not my revolution.” ― Emma Goldman

The combination of Luis Buñuel, Simone Signoret, and Charles Vanel sounded irresistible.  I couldn’t get into this though.

The setting is an unnamed South American country bordering on Brazil.  Prospectors have been mining for diamonds near a village.  The provincial government’s men come in and announce that the land belongs to the government and the miners have one day to pull out.  This sparks a revolt that is brutally surpressed.

In the meantime, Shark (Georges Marchal), a handsome crook, comes to town looking for a room with a bed.  Someone points him to a room which he finds unoccupied so he settles in.  It turns out that this is the home of prostitute Djin (Signoret).  When he wakes up he finds her in his bed.  But relations don’t stay cordial for long as she turns him in to the police for a bank robbery in another town.

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The other story in the background is that of Castin (Vanel).  He is an elderly saloon keeper with a crippled daughter.  He has been mining on the side to get money to return to France.  He is innocently in love with Djin and asks her to marry him.  She thinks this is hilarious until she finds out about his money.  The final important character is priest Father Lizzardi (Michel Piccoli) who tries to keep everyone on the straight and narrow without much success.

All these people end up fleeing for their lives down the river to Brazil.  They become trapped in the jungle with no food.  The rest of the film follows their adventures.

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This sounded good to me and still sounds like it should be good.  But I could not get involved in the story, nor did it amuse me in true Buñuelean fashion.  There’s nothing actually wrong with it though.

War and Peace (1956)

War and PeacePoster - War and Peace (1956)_20
Directed by King Vidor
Written by Bridget Boland, Robert Westerby, etc. from the novel by Leo Tolstoy
1956/USA
Ponti-De Laurentis Cinematografica/Paramount Pictures
First viewing/Netflix rental

“It’s not given to people to judge what’s right or wrong. People have eternally been mistaken and will be mistaken, and in nothing more than in what they consider right and wrong.” ― Leo Tolstoy, War and Peace

This adaptation lacks the philosophy and character’s thoughts that make the novel great.  Nevertheless, I liked it a lot, not least for Henry Fonda’s excellent portrayal of Pierre.

The setting is Russia during the Napoleonic War.  We are introduced to a cast of thousands.  First, we focus on Count Rostov’s household.  This is made up of the Count, Countess, and their children Nicholas, Natasha (Audrey Hepburn) and Petya.  Nicholas is an officer about to go off to war.  Natasha is a teenager full of enthusiasm and happiness who is just blossoming into womanhood.  Then we meet Pierre Buzukhov (Fonda) and his friend Andre Bolkonsky (Mel Ferrer).

War and Peace (1956)3

The plot is too long and complicated to summarize fully.  If you know the novel, the movie is relatively faithful to the major plot points.  We get the private lives of these people, including a romance between Natasha and Andre, counterpointed with scenes from the war, here mainly during the Battle of Borodino.  With Herbert Lom as Napoleon, Oskar Homolka as General Kutuzov, Vittorio Gassman as Anatol, and Anita Ekberg as Helene.

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I was not in the mood to see a 3 1/2 hour Hollywood adaptation of one of my very favorite novels.  Imagine my surprise when the time went quickly and I found myself enjoying the film.  The acting is excellent throughout, Jack Cardiff’s color photography is stunning, and the battle scenes are effective.  I’ve read comments that Henry Fonda was miscast but I believed him 100%.  Hepburn is perfect for her part.  Recommended.

War and Peace was nominated for Academy Awards in the categories of Best Director; Best Cinematography, Color and Best Costume Design, Color.

https://www.youtube.com/watch?v=WgC38YZzQ-c

Trailer

Hot Cars (1956)

Hot Carshot cars
Directed by Don MacDougall
Written by Don Martin and Richard H. Landau from a novel by H. Haile Chace
1956/USA
Schenck-Koch Productions/Bel-Air Productions
First viewing/Amazon Prime

Nick Dunn: She is like a hardtop convertible.

This is a late “B” film noir.  It might be worth a watch for the ending.

Nick Dunn (John Bromfield) is in the wrong business.  He is honest to a fault and sells used cars.  He also has a wife and sick child at home who rely on him.  As the movie starts, he is fired for failing to sell a lemon to a customer.  The customer calls on him the next day to offer him a job with his own used car franchise.  It’s a great deal and Nick eagerly goes to work only to find that the lots actually fence stolen cars.  Soon Nick is in a world of hurt, caught between the gang and a state inspector who is investigating a spate of auto thefts.

hot caRS 1

This is short, sweet, and kind of lurid.  It’s mid-range fair but has a boffo fist fight on a roller coaster to close it off.  I don’t know what it is with film noir and amusement parks.  The thrill ride climax is used often but it almost always works well.