Daily Archives: April 13, 2016

High Society (1956)

High Society
Directed by Charles Walters
Written by John Patrick from a play by Phillio Barry
1956/USA
Metro-Goldwyn-Mayer, Sol C. Siegel Productions, Bing Crosby Productions
First viewing/Netflix rental
#327 of 1001 Movies You Must See Before You Die

[box] DEXTER and MIKE: Have you heard? / It’s in the stars/ Next July we collide with Mars/ Well, did you evah?/ What a swell party this is! — Lyrics by Cole Porter[/box]

It would take quite some remake to match up to the delights of The Philadelphia Story. This isn’t it.

The plot follows the original closely.  The story takes place in the run-up to the Newport Jazz Festival and Louis Armstrong provides a kind of musical commentary. Society beauty Tracy Samantha Lord (Grace Kelly) is marrying social climber George Kitteredge (John Lund).  Her ex-husband, composer C.K. Dexter-Haven (Bing Crosby) is still in love with her and has shown up to throw some spanners in the works.

In the background, Tracy’s father has been involved in a scandal with a ballet dancer. Tracy wants nothing more to do with him, though her mother is more forgiving.  A gossip magazine called Spy has gotten wind of the story and threatens to publish the dirt unless its reporter, Mike Connor (Frank Sinatra), and photographer, Liz Imbry (Celeste Holm), are allowed to cover the wedding.  Tracy leads the magazine people on a merry chase until she starts succumbing to Mike’s charms.

Will Tracy make it to the altar?  If you have seen the 1940 film you will know all the answers.

I like the entire cast of this movie.  (It was a kick to see John Lund again after all those Bulldog Drummond movies!).  But there’s just no way they could do anything but fall flat in comparison with Hepburn, Stewart, and Grant.  I thought Grace Kelly was particularly off.  The dialogue and acting just lacks the bite of the earlier movie.  Comparisons are odious but they were invited here.  My enjoyment was moderate.

High Society was nominated for Academy Awards in the categories of Best Music, Original Song (“True Love”) and Best Music, Scoring of a Musical Picture.  It was Grace Kelly’s final feature film before retiring from show business.  It was also Louis Calhern’s last film.

Trailer

Beyond a Reasonable Doubt (1956)

Beyond a Reasonable Doubt
Directed by Fritz Lang
Written by Douglas Morrow
1956/USA
Bert E. Friedlob Productions
First viewing/Amazon Instant

[box] Austin Spencer: [to Garrett] You get engaged to my daughter, and all you can think about is capital punishment?[/box]

It seems 1956 was a year for wrong man movies.  This Fritz Lang thriller is OK but not one of his finest.

Tom Garrett (Dana Andrews) is a reporter and budding novelist.  His first book has been a success and he is preparing to marry Susan Spencer (Joan Fontaine), daughter of his boss, crusading editor Austin Spencer (Sidney Blackmer).  Spencer has long been vocal in his opposition to the death penalty.  He also opposes D.A. Roy Thompson, who he suspects of building a candidacy for governor on the backs of death row inmates.

Spencer claims that an innocent man can easily be convicted by a talented prosecutor on flimsy circumstantial evidence.  Tom, who has a second book deadline looming, is not so sure.  Then men get the idea of framing an innocent man for an unsolved murder.  Tom volunteers to be the guinea pig and puts his engagement on hold.  They decide not to inform Susan of the gambit.

The men select the murder of a stripper whose body is found dumped in a ditch.  No evidence has been gathered from the murder scene and the police have no leads other than the vague description of a man in a tweed overcoat and brown hat.  Tom and Spencer manufacture some elaborate clues leading to Tom.  Spencer is careful to document the placing of the clues with Polaroid photographs.

Tom is arrested and tried.  Can he avoid the death chamber?

This movie has a couple of nice twists that I enjoyed.  I wasn’t crazy about it though.  For one thing, I didn’t see how directly manufacturing evidence proved that an innocent man, who had not planted any evidence, could be convicted.  Other than the corruption of justice theme that fascinated Lang throughout his career, I also did not detect any of the Master’s usual stylistic flourishes.  It is perfectly watchable, however.

Trailer – SPOILER