Daily Archives: August 19, 2015

The Red Badge of Courage (1951)

The Red Badge of Courage
Directed by John Huston
Written by John Huston and adapted by Albert Band from the novel by Stephen Crane
1951/USA
Metro-Goldwyn-Mayer
First viewing/Amazon Instant

[box] He went slowly to his tent and stretched himself on a blanket by the side of the snoring tall soldier. In the darkness he saw visions of a thousand-tongued fear that would babble at his back and cause him to flee, while others were going coolly about their country’s business. He admitted that he would not be able to cope with this monster. He felt that every nerve in his body would be an ear to hear the voices, while other men would remain stolid and deaf. — Stephen Crane, The Red Badge of Courage[/box]

This adaptation of the classic novel is the simple story of a raw young soldier’s coming of age.  We follow the soldier and his comrades as they move from wingeing unsure recruits to fighting men.

Young Henry Fleming (Audie Murphy) sets out with dreams of glory only to find himself paralyzed by fear when he sees real combat.   After his brief desertion, he returns to the regiment and tries to cover up his flight.  Gradually he finds that he was not alone in his fears.  The regiment is once again tested and Henry and his fellows rise to the occasion.

John Huston got some real life experience in combat during World War II.  It shows here in the convincing footage of the chaos of combat.  The cinematography looks like something out of an old Matthew Brady photograph.  The dialogue has an old-timey ring perfect to this story.  Despite its butchering at the hands of studio executives, I thought this was excellent.  Recommended.

According to the IMDb trivia, “John Huston considered this his best film. After a power struggle at the top of MGM management, the film was cut from a 2 hour epic to the 69 minute version released to theaters. It was never released as a A-list movie but was shown as a 2nd feature B-list movie. Both Houston and star Audie Murphy tried unsuccessfully to purchase the film so that it could be re-edited to its original length. The studio claiming that the cut footage was destroyed. Unless there is an undiscovered copy of the uncut version, this movie will never be viewed as John Huston intended.”

Trailer

Joe Dante talks about the film – Trailers from Hell – Dante’s comments  made me order Picture, Lillian Ross’s book about the making of the film

Miss Julie (1951)

Miss Julie (Fröken Julie)
Directed by Alf Shöberg
Adapted by Alf Shöberg from the play by August Strindberg
1951/Sweden
Sandrews
First viewing/Netflix rental

 

[box] “Life is not so idiotically mathematical that only the big eat the small; it is just as common for a bee to kill a lion or at least to drive it mad.” ― August Strindberg, Miss Julie[/box]

I’m still processing this film.  It is undeniably beautiful to look at but I don’t know if I quite got the message.

The story takes place in the midst of Midsummer’s Day festivities while the servants are all frolicking and dancing in the fields and barn.  Miss Julie (Anita Björk) is the haughty daughter of the count who owns the estate.  On this particular day, she has set her sights on Jean (Ulf Palme), one of the house servants.  Jean is half-heartedly engaged to the cook.

After several rounds of wrangling, Jean and Miss Julie make love.  After this, although the gender and class warfare continues unabated, Julie is in the subservient position.  She gradually reveals the story of her life.  Her mother was a commoner and feminist who initially refused her aristocrat father but ended up marrying him.  She spent the remainder of the marriage getting her revenge.  This included dressing young Julie as a boy and demanding that all the women’s work be done by men and vice versa.  By the end of the film, it seems that Miss Julie is just carrying out her mother’s evil plan.  Max von Sydow appeared in his second screen performance as a (mostly silent) stable hand.

This is the adaptation of a classic of world literature and I’m sure the themes deserve deeper study.  Unfortunately, nothing about this movie inspires me to undertake the task.  The cinematography and staging is very beautiful, though.  Sjöberg won the Grand Prize at Cannes.

https://www.youtube.com/watch?v=F1TJ3g0_GnU

Trailer