Daily Archives: April 2, 2015

Unfaithfully Yours (1948)

Unfaithfully Yours
Directed by Preston Sturges
Written by Preston Sturges
1948/USA
Twentieth Century Fox Film Corporation

Repeat viewing/Netflix rental

 

[box] Alfred: Well, August, what happy updraft wafts you hither?[/box]

In this very funny film, Linda Darnell proves her gifts as a comedienne and Rex Harrison is practically perfect as a temperamental conductor.

Sir Arthur de Carter (Harrison) is a world-famous conductor and independently wealthy baronet.  He has a limitless passion for his music and his beautiful young wife Daphne (Darnell).  The couple is so much in love that their behavior in public is embarrassing to their friends and relatives.

De Carter returns from a solo trip to England to the loving arms of his wife.  He made an off-hand remark to his square multi-millionaire brother-in-law August (Rudy Vallee) to “keep an eye on her”.  August is nothing if not literal and employed a private detective to trail Daphne while he was off catching a few rays in Florida.  De Carter furiously tears up the detective’s report. But the pieces come back to him like a bad penny.  Finally, he angrily confronts the detective, planning to have all copies destroyed.  The detective lets slip that he observed Daphne leaving De Carter’s assistant’s bedroom late one night.

This news sends de Carter into such a frenzy that he can think of nothing but revenge.  He envisions three different scenarios as he furiously conducts some of his best performances ever.  The plots work out flawlessly in his mind, but reality doesn’t quite match up.  With Barbara Lawrence as Daphne’s sister, Lionel Stander as de Carter’s manager, and Edgar Kennedy as a music-loving detective.

Alfred’s most ingenious plan

Harrison proves to be as ready with physical comedy as he is with the bon mots.  Darnell is simply delicious.  There is a such a minx behind her adoring wife that one wonders if maybe there was a grain of truth behind deCarter’s suspicions.  Some of the slapstick goes on just a tad too long but there are many laughs to be found here.

This was one of Sturges’s last films.  Just as the movie was about to be released, Harrison’s then girlfriend actress Carole Landis committed suicide and the actor found her body.  The scandal caused the studio to hold back on publicity and the film did not do well at the box office.  It was remade in 1984 with Dudley Nichols.

https://www.youtube.com/watch?v=GSSCLcFfbhs

Trailer

 

The Portrait (1948)

The Portrait (Shozo)
Directed by Keisuke Kinoshita
Written by Akira Kurosawa
1948/Japan
Shôchiku Company
First viewing/Hulu Plus

 

This is one of the best films by Kinoshita that I have seen.  The script by Akira Kurosawa probably helped.

The story takes place just after the end of World War II.  None of the character names, except for the female lead’s, is available to me.

Two middle-aged real estate brokers are able to buy a house very cheap because it is occupied by a family that no one has been able to evict thus far.  One of the men decides to move into the upper room with his much younger mistress, Midori, in hopes that they will crowd the family out.

The family cheerfully accepts anything that is thrown its way.  In fact, everyone in the family seems to get a tremendous kick out of the simplest things.  The father is a painter and offers to paint Midori’s portrait in lieu of paying the rent.  It is clear that no one could have the heart to throw these people out.

So Midori begins sitting for her portrait wearing an old kimono that her mother gave her.  The family has been allowed to believe that she is the boyfriend’s daughter.  As she sits for her portrait and observes the happy family life around her, Midori becomes more and more miserable.  Finally she is so unhappy that the portrait seems to be accusing her of living a lie and she is tempted to destroy it.

I really thought there was a lot of psychological truth behind this film.  The young woman’s struggle with her conscience and her way of life first makes her hard and drunken.  She has a friend that seems to be stuck in this mode.  But there is something in Midori, which the painter has caught, that is fundamentally honest and good.  The film moves right along, unlike many of Kinoshita’s lesser works, and there are many beautiful moments.  Recommended.

There are many films by this director available on Hulu Plus.  I have not bothered to review most of them here.  I keep on plowing through them, though, because about one in three proves to be a gem.

Clip – Dancing in the Moonlight (subtitles unnecessary)