Daily Archives: March 19, 2015

Ride the Pink Horse
Directed by Robert Montgomery
Written by Ben Hecht and Charles Lederer from a novel by Dorothy B. Hughes
1947/USA
Universal International Pictures
First viewing/Criterion DVD

Frank Hugo:  You know, Gagin, I like you.  There are two kinds of people in the world: ones that fiddle around worrying whether a thing’s right or wrong, and guys like us.

I prolonged my 1947 viewing a bit to be able to see this long unavailable film which was just released on DVD March 17.  It was certainly worth the wait!

Tough guy ‘Lucky Gagin’ (Robert Montgomery) arrives in San Pablo, Mexico with two aims.  One is to collect blackmail money from Frank Hugo (Fred Clark) for an incriminating check in his possession and the other is to kill Hugo, who had his friend Shorty bumped off when Shorty tried the same stunt.  Gagin is tougher than he is smart, however, and ‘Lucky’ may be quite the misnomer.  On arrival, he acts like the personification of the Ugly American, disrespecting all the Mexicans he meets while lavishly tipping in compensation.

Despite his ill treatment, naive teenage villager Pila spots Gagin as a sure murder victim and persists in sticking to him like glue.  Gagin also finds an ally in Pancho (Thomas Gomez), who runs the merry-go-round at the fiesta then taking place.  (It is from the wooden horses that the film gets its title.)

 It takes Gagin a while to catch up with Hugo.  In the meantime, he runs into a U.S. government agent who is anxious to get his hands on the check as evidence.  After he does locate his man, Gagin winds up bleeding for most of the rest of the story while being ministered to by Pilar and hidden by Poncho.

The plot does not bear 5 minutes of serious scrutiny but the whole thing is so stylishly done that I didn’t mind a bit.  Russell Metty’s lighting and the caustic dialogue carried me along oblivious to the many lapses in logic.  My one complaint is that the story had a perfect natural ending but continued for another few minutes so we could all go home happier.

Thomas Gomez was nominated for a Best Supporting Actor Oscar for his performance in Ride the Pink Horse.

Trailer – does not reflect the beautiful restoration on the just-released DVD

Lady in the Lake
Directed by Robert Montgomery
Written by Steve Fisher from the novel by Raymond Chandler
1947/USA
Metro-Goldwyn-Mayer
Repeat viewing/Netflix rental

 

[box] Adrienne Fromsett: [to Marlowe] Perhaps you’d better go home and play with your fingerprint collection.[/box]

I went into this knowing that the “I am a camera” gimmick does not work for me.  Still, it’s such a noble experiment that I had to see it again.

Philip Marlow (Robert Montgomery) is not satisfied with the miserable fees he gets as a private detective so he decides to turn author.  He is amazingly successful with his first submission to a pulp magazine and called in for a chat with editor A. Fromsett.  This turns out to be the lovely Adrienne Fromsett (Audrey Totter) and she has more on her mind than the story.  She offers Marlow $300 to locate the missing wife of her publisher (Leon Ames), Chrystal Kingsby.  It is clear Adrienne has some ulterior motive as she clearly lusts after the publisher and, more precisely, his money.

opening credits – set to Christmas carols!

Marlow’s quest leads to multiple beatings, a couple of murders, and assorted run-ins with police and is much too convoluted for me to explain here.  Throughout, one question is “How fatale is Adrienne’s femme?” With Lloyd Nolan as a hostile cop and Jayne Meadows as a survivor.

It is just amazing that MGM, of all studios, indulged Montgomery in this audacious bit of film-making.  Sadly, the gimmick results in a lot of “deer caught in the headlights” style acting (except on the part of Totter who does very well) and does not advance the story or improve the picture.  One thing MGM did hold on to, however, was its glossy production values so we get a very noir story told in high-key lighting.  I doubt that there is another film like it, though, and it’s worth seeing at least once.

Trailer