Daily Archives: November 21, 2014

This Happy Breed (1944)

This Happy Breedthis happy breed poster
Directed by David Lean
Written by Anthony Havlock Allen, David Lean, and Ronald Neame from a play by Noel Coward
1944/UK
Noel Coward-Cineguild/Two Cities Films
First viewing/Amazon Instant Video

 

[box] This happy breed of men, this little world,/
This precious stone set in the silver sea,/
Which serves it in the office of a wall,/
Or as a moat defensive to a house,/
Against the envy of less happier lands,/
This blessed plot, this earth, this realm, this England.  — Shakespeare, Richard II
[/box]

This is the episodic story of two neighboring middle-class London families between the World Wars. The film, which combines a survey of modern British history with some domestic melodrama, is highlighted by outstanding acting and, while long, is quite enjoyable.

The story begins in 1919 as the Gilmore family moves into a London row house.  They are father Frank (Robert Newton), a WWI veteran, and mother Ethel (Celia Johnson).  The children are daughters Violet and Queenie (Kay Walsh).  Vi is quiet and helpful and Queenie is a chronically dissatisfied excitement seeker.  The youngest is a son, the impressionable Reg.  Ethel’s mother, a natural born pessimist with a sharp tongue, and her eccentric, ailing Aunt Sylvia complete the household.  The two ladies bicker constantly.

While the parents are moving in, next door neighbor Bob Mitchell (Stanley Holloway) comes over an offers his assistance.  We never see his wife, who always seems to be confined to bed for one reason or another.  He and his son Billy (John Mills) will have a prominent part in the plot.  Frank and Bob immediately recognize each other from their army days in France and become fast friends.

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The story follows the families through triumph and tragedy.  Billy falls deeply in love with Queenie, who loves him too but cannot see leading her mother’s life, which she considers “common” and boring.  He goes off to join the navy, never losing his love for her.  She eventually runs away with a married man, causing her mother to disown her.  The other two children find love and marry.

The history survey includes strikes, communist agitation, the death of George V and abdication of Edward VIII, the rise of Hitler and the British Nazi Party, and appeasement among other things, all as seen through the eyes of the families.  As the story moves into the thirties, the folly of disarmament becomes a theme.

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matte paintings used in the film

This has quite a few similarities in theme to 1933’s Best Picture winner Cavalcade but deals with a working class family and is a better film.  Newton and Johnson are absolutely fantastic.  Robert Newton is certainly a chameleon. Can this really be the man that played Bill Sykes in Lean’s Oliver Twist?  Celia Johnson is required to act every possible emotion in the course of the story and does so beautifully and with remarkable subtlety.  The film also is further evidence at the British genius at creating realistic settings out of thin air in time of war.  While most of the story is filmed in interiors, the color is good as well.  It’s a long film but it managed to keep my interest throughout.  Recommended.

After assisting Coward in directing In Which We Serve, David Lean took solo directing honors for the first time in This Happy Breed.

Trailer

 

The Uninvited (1944)

The Uninvitedthe-uninvited-822413l
Directed by Lewis Allen
Written by Dodie Smith and Frank Partos from the novel Uneasy Freehold by Dorothy Macardle
1944/USA
Paramount Pictures
First viewing/Netflix rental

Roderick Fitzgerald: [narration] They call them the haunted shores, these stretches of Devonshire and Cornwall and Ireland which rear up against the westward ocean. Mists gather here… and sea fog… and eerie stories…

There are strong echoes of Rebecca in this ghost story.  And real live ghosts!  It falls short of the Hitchcock but still very watchable, especially for its beautiful cinematography.

Brother and sister Roderick (Ray Milland) and Pamela (Ruth Hussey) Fitzgerald are on holiday in Cornwall.  One day they come across an abandoned old mansion and Pamela falls in love with it.  They decide to pool all their money and make an offer to buy it.  They hear it is for sale by Commander Beech (Donald Crisp) and go to his home.  The Commander is not at home and his granddaughter Stella (Gail Russell) tells them the house is not for sale.  Fortunately or not, the Commander returns in the nick of time and is willing to sell for a suspiciously low price …  The siblings jump at it.

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Roderick is of course smitten with the beautiful young Stella and starts to make friends. Then he takes off for London for three weeks.  While he is gone, it becomes clear to Pamela that the house is haunted.  There are moans in the night and the studio is unearthly cold and depressing.  When Roderick returns, Stella defies her grandfather’s strict prohibition against entering the house and accepts an invitation to dinner.  Immediately she feels the presence of her mother, who died under mysterious circumstances when she was just a toddler. Unfortunately some diabolical force also impels Stella to the edge of the cliff where her mother fell to her death.  She would have gone over if Roderick had not been there to stop her.

We hear a lot about the beauty and charm of Stella’s mother, Mary Merideth,  especially from the mother’s live-in nurse Miss Holloway (Cornelia Otis Skinner) who idolized her.  We also learn various versions of the tragic tale of the love triangle between Mary, Stella’s father, and his artist’s model Carmel.  Then Stella falls into a catatonic trance when the Fitzgerald’s decide to try a fake seance to get Stella’s “mother’ to warn her away from the house.  Things take an even creepier turn when the grandfather sends Stella to Miss Holloway’s rest home for a cure …

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Veteran cinematographer Charles Lang certainly pulled out all the stops to achieve the deep shadows which give this film such a wonderful atmosphere.  The restoration on the Criterion Collection DVD is beautiful.  The story is also interesting, although the tone is somehow kept too light to be truly horrifying.  I enjoyed it quite a bit nevertheless.

Charles Lang was nominated for an Academy Award for Best Cinematography, Black-and-White for his work on The Uninvited.  The score by Victor Young has as its main theme the beautiful melody, later put to words as the song “Stella by Starlight”.  I am surprised it was not nominated.

Trailer