Daily Archives: November 19, 2014

Henry V (1944)

Henry V
Directed by Laurence Olivier
Written by William Shakespeare
1944/UK
Two Cities Films
Repeat viewing/Netflix rental
#180 of 1001 Movies You Must See Before You Die

[box] Henry: Once more unto the breach, dear friends, once more;/ Or close the wall up with our English dead!/ In peace there’s nothing so becomes a man/ As modest stillness and humility:/ But when the blast of war blows in our ears,/ Then imitate the action of the tiger;/ Stiffen the sinews, summon up the blood,/ Disguise fair nature with hard-favoured rage;/ Then lend the eye a terrible aspect. [/box]

Laurence Olivier’s debut as a director made Shakespeare as stirring and accessible as it would have been on stage and threw in some very innovative cinema to boot.

The famous play’s plot deals with the efforts of King Henry V, now matured from the dissolute Prince Hal of Henry IV Parts I and II, to reclaim what he believes is his rightful title as King of France.  He inspires an army to join him on his quest.  On arrival, the French are not prepared for him, and offer some leeway after a siege.  Later, they decide to fight and Henry’s vastly outnumbered army emerges victorious at the Battle of Agincourt. Historically, the decisive victory of English longbows over heavily armored French forces spelled the end of hand-to-hand combat as a method of warfare.

The film was intended as a morale-booster ahead of the Allied invasion of Continental Europe.  First-time director Olivier, if constrained by his budget and wartime shortages, knew no limits in cinematic vocabulary.  Each of the parts of the film has a distinct look. The play begins at the Globe theater, with the actors in theatrical costume and make-up and Olivier himself declaiming rather than speaking his lines.  We move on to the court of France where the scenery and costumes were made to resemble illustrations in the medieval Book of Hours.  The stirring battle sequences are realistic but still bathed in bright Technicolor.  The whole is set to a brilliant score by William Walton.

A viewer’s reaction will probably be colored by his appreciation for the Shakespearean language.  All is lifted intact from the play, although Olivier injects comedy where none was intended and also inserts a few bits from previous Shakespearean plays, notably the Henry IV plays.  I love this movie for its visuals and for the battle scenes, which in the hands of actor Olivier are truly stirring.  I especially like the part where an incognito Henry visits the common soldiers in their camp the night before the battle.

There is an excellent commentary on the Criterion DVD by film historian Bruce Eder, who is one of my favorite commentators, having done several of Criterion’s releases of British titles.  My favorite of these is his commentary to The Lady Vanishes.

Laurence Olivier won an Honorary Academy Award for “outstanding achievement as actor, producer and director in bringing ‘Henry V’ to the screen.” The film was nominated for Best Picture; Best Actor; Best Art Direction-Interior Decoration, Color; and Best Music, Scoring of a Dramatic or Comedy Picture (William Walton).

Trailer – is this the longest trailer of all time?

The Woman Who Dared (1944)

The Woman Who Dared (Le ciel est á vou)
Directed by Jean Gremillion
Written by Charles Spaak and Albert Valentin
1944/France
Les Films Raoul Ploquin
First viewing/Hulu Plus

 

[box] Women must try to do things as men have tried. When they fail their failure must be but a challenge to others. — Amelia Earhart [/box]

A certain aspect of this film really got on my nerves but it also has many other saving graces, principally some great acting.

There is a title card informing the audience that this is a true story.  As the movie starts, the Gauthier family is being forced to move its home and garage business because the community is putting up an airfield in its place.  Pierre Gauthier (Charles Vanel – Jo in The Wages of Fear) is a skilled mechanic.  He also has experience in working on planes from WWI.  His wife Therese (Madeleine Renaud) keeps the books and deals with the clients.  Daughter Jacqueline is a talented young piano student, her most prized possession is her piano.  The piano is destroyed during the move but her father promises her a new one if their business succeeds at its new location.  They have a young son also named Pierre. The other member of the household is Therese’s mother, a chronic complainer and naysayer.

The business does indeed thrive.  Very early on, Pierre works all night to repair the car of a gentleman who needs to get to an important meeting in the morning.  The man decides he must have Pierre to run his own chain of garages.  Pierre is not ready to move yet again but Therese leaves the family for a time to sell cars in the man’s showrooms.  While Therese is away, Pierre goes out daily to the airfield and flies.  Therese can never find Pierre at home when she calls and goes there to give him hell.  He promises he will never fly again if she will come home, which she does.  But soon she believes he is cheating on her with a plane and goes out to the airfield to catch him in the act.  It is not Pierre who is in the air but the President of the Air Club who basically dares Therese to go up with him.  After five hours in a plane, Therese is absolutely hooked.

In the meantime, Jacqueline gets a new piano and starts taking lessons again.  Her teacher believes she should study at a music conservatory.  Not only does Therese insist that her daughter study to be a pharmacy assistant but she stops the lessons and locks up the piano so she can’t play.  I start getting very put out with Therese.

Therese and Pierre buy their own small plane and start flying together, winning many trophies at air shows.  Soon this is not enough to satisfy them.  Therese wants to start setting records.  The men’s records are not within reach with their plane but the women’s records are.  So Pierre and Therese deepen their friendship and their love by working together passionately to turn the plane into a record-beater.  This turns into a bottomless money hole.  When they are denied a loan by the town council, they decide to sell Jacqueline’s piano, over their daughter’s pleas, since “she isn’t using it anyway”. (Jacqueline has been sneaking over to the music teacher’s house to play.)  I am now totally disgusted with Therese.

The Gauthier’s dreams are almost dashed when a glamorous aviatrix takes off to beat the current distance record.  But she does so only by a few miles and on the spur of the moment, after they have both decided to sell the plane, Therese takes off for parts unknown without a radio.  Then follows a protracted wait to see what became of her with everybody blaming Pierre for allowing her to fly at all.

To start with the part that bugged me.  I hate injustice more than anything and the girl and her piano about killed me.  She was obviously a gifted pianist with a dream.  Her mother also has a dream but cannot appreciate one in her child.  That would all have been OK if only there had been some resolution to the piano story.  There was not.  It is made a great deal of and then totally dropped in favor of the flying story.

Charles Vanel is a fabulous actor.  No character could be farther from his Jo than Pierre, a good natured, loving, humble mechanic.  You believe him completely and empathize completely.  Renaud is also fantastic.  I think what I liked best about this picture was its portrayal of true married love, something we get precious little of in movies.  As can be seen from my protracted plot summary, I was caught up in the story the whole time.  All in all, I can recommend it.

On set footage showing trompe l’oeil scenery – no subtitles