Monthly Archives: October 2014

Moving on to 1944

Hollywood continued to operate under war-time restrictions but movie attendance was never higher.  Film noir became well and truly entrenched in 1944, although nobody thought it was anything special at the time.    The so-called “Havilland decision,” ruled that that Warner Bros. had to release actress Olivia de Havilland after her seven-year contract term expired and could not add time to the term for periods the actress was on suspension.  The ruling proved to be of great benefit to the many actors who took a break from their film work to serve in the Armed Forces.  Barry Fitzgerald became the first – and only – actor to receive two Academy Award nominations, Best Actor and Best Supporting Actor, for the same role in the same year – as St. Dominic’s stubborn, yet loveable old priest Father Fitzgibbon in Going My Way (1944). Swimmer Esther Williams starred in her first Technicolor aqua-musical in the MGM production of Bathing Beauty (1944).

The war dominated U.S. news in 1944 while the home fires burned.  The people decided not to change horses in the middle of the stream and Franklin D. Roosevelt was reelected to a fourth term in November.  On December 18, 1944, the Supreme Court of the United States unanimously declared that loyal citizens of the United States, regardless of cultural descent, could not be detained without cause, paving the way for the release of all internees in January 1945. Tennessee Williams’ play The Glass Menagerie debuted.  Bing Crosby’s “Swinging on a Star” was the number one hit single of the year and went on to win the Academy Award for Best Original Song.  The novel that won the Pulitzer Prize was Journey in the Dark by Martin Flavin.  Smokey the Bear started advising Americans that “Only You Can Prevent Forest Fires.”

Hard fighting lay ahead but the news from the front was mostly good. The Allies invaded France on D-Day, June 6, 1944, in the largest amphibious operation in history, and had liberated Paris by August 25.  General Douglas McArthur made good his promise to return to the Philippines when he waded ashore at Leyte on October 20.

 My working list of films for possible viewing can be found here.  I reviewed several of the 1944 films noir as part of Noir Months 2013 and 2014. They were:  ; ; ; ; and .

Montage of stills from films that won Academy Awards

Montage of stills from all films nominated for Academy Awards

1943 Recap — Ten Favorite Films

day-of-wrath-movie-poster-1943-1020433862

I watched 84 films that were released in 1943, including some shorts, documentaries, and “B” movies that were not reviewed here.  You can see the full list on IMDb here or at Letterboxd, with some short reviews not published on the blog, here. 1943 was the first year in a long time, maybe ever, that I was able to view all the nominees in the major categories (Picture, Director, four Acting categories, and 3 Writing categories).

After a long hiatus, I thought I’d bring back my Top Ten list.  For purposes of this exercise, I have considered both Casablanca and In Which We Serve to be 1942 films.

Here are my favorite films of 1943 in reverse order.

10.  So Proudly We Hail! (directed by Marc Sandrich)

SoProudlyWeHailStill9.  Ossessione (directed by Lucino Visconte)

ossessione

8.  The More the Merrier (directed by George Stevens)

more-the-merrier-159

7.  Hangmen Also Die! (directed by Fritz Lang)

Hangmen-Also-Die-17015_13

6.  The Song of Bernadette (directed by Henry King)

song of bernadette

5.  Shadow of a Doubt (directed by Alfred Hitchcock)

Shadow of a Doubt

4.  The Life and Death of Colonel Blimp (directed by Michael Powell and Emeric Pressburger)

life and death of colonel blimp

3.  The Ox-Bow Incident (directed by William A. Wellman)

oxbow_incident1

2.  Le Corbeau: The Raven (directed by Henri Georges Clouzot)

le-corbeau_359310_39706

1.  Day of Wrath (Directed by Carl Theodor Dryer)

day of wrath

 

 

 

 

The Man in Grey (1943)

The Man in Grey
Directed by Leslie Arliss
Written by Doreen Montgomery, Margaret Kennedy, and Leslie Arliss
1943/UK
Gainsborough Pictures/The Rank Organization
First viewing/Amazon Instant Video
#172 of 1001 Movies You Must See Before You Die

 

[box] Lord Rohan: [after Hester bites him. Aroused with excitement] I never thought I’d find a woman with a spirit as willful as mine. You take what you want and the devil with the consequences. So do I![/box]

I certainly could have died without having seen this Regency romance bodice-ripper.

The story is told in flashback after two of the character’s descendents meet at an auction of goods from the Rowan estate.

Lovely, sweet Clarissa (Phyllis Calvert) attends a finishing school in Bath.  She alone befriends the charity student who joins their midst, Hester Shaw (Margaret Lockwood). Hester runs away with some sort of scoundrel and leaves Clarissa for several years.  In the mean time, their families arrange a “suitable” match between Clarissa and the haughty, cruel Lord Rowan (James Mason).  They care nothing for each other, Rowan having married to produce an heir, and live as separately as possible.

Clarissa happens to see an advertisement for a play Hester is appearing in in St. Albans. On her way to the performance, the coach is highjacked by a handsome rascal Peter Rokeby (Stewart Granger) who poses as a highwayman to get the vehicle to stop.  He hitches a ride and steals a kiss at goodbye.  Clarissa is surprised to see that he is playing Othello to Hester’s Desdemona in a very poor offering of that work.  She is so delighted with finding her friend that she offers Hester a job as governess to her young son.  Rowan refuses to hire Hester in that capacity but agrees that she can stay on as companion to Clarissa.

As we have previously learned, Hester is a manipulative, deceiving trollop and was made for the surly Rowan.  They begin an affair but Hester has marriage on her mind.  After another chance meeting between Clarissa and Rokeby, she decides that the best way to get Clarissa out of the picture is to bring her and Rokeby together.  Hester succeeds in kindling the fire of love between the two but is forced to resort to more drastic measures to get rid of Clarissa.

Hollywood “women’s” pictures have nothing on this one for intrigue and innuendo. Indeed, it seems specially designed to appeal to the mildly sado-masochistic fantasies of part of its target audience. I found it rather turgid myself.  If you are coming for Mason, he has been much, much better elsewhere and basically has a supporting role, the meaty stuff having been reserved for the ladies.

This film also has the unfortunate distinction of being the most racially-problematic British film I have seen yet.  Clarissa has a small Black page boy who, though somewhat heroic, is the butt of every one of the rare jokes.

Trailer

The Fallen Sparrow (1943)

The Fallen Sparrowthe-fallen-sparrow-1943
Directed by Richard Wallace
Written by Warren Duff from a novel by Dorothy B. Hughes
1943/USA
RKO Radio Pictures
First viewing/Warner Archive DVD

 

 John ‘Kit’ McKittrick: [First Lines] [Thinking, not speaking out loud] All right. Go on. Let’s have it. Can you go through with it? Have you got the guts for it? Or have they knocked it out of you? Have they made you yellow?

This early film noir had potential but never quite clicked.  Maureen O’Hara was not cut out to be a femme fatale.

“Kit” McKittrick (John Garfield) has returned from the Spanish Civil War, having suffered Torture by fascists for two years as a POW.  He still has nightmarish flashbacks from his ordeal (and talks to himself a lot).  When he returns to the city after a rest cure, he discovers that his best friend, who rescued him from captivity, fell from the balcony of a high-rise apartment. The police have ruled the case a suicide but Kit is sure it was murder.  He starts a one-man investigation and vendetta.

fallen sparrow

He traces all the people that were at the party the night his friend fell.  They include Dr. Christian Skaas (Walter Slezak), a wheelchair-bound “Norwegian” who delights in describing modern torture techniques, and his son Otto (a blond Hugh Beaumont).  The lovely lady that was sitting with the friend at the time of his fall is Toni Donne (O’Hara), with whom Kit falls in love of course.  As Kit sensed, it develops that he is the prime target of the people who murdered his friend.  Some attempted plot twists follow but in the end it turns out just as one would have predicted.

fallenspar4

I was paying attention and I still had to stretch to write a plot summary.  The story is all over the place.  There are tons of characters whose reason for existence is never made clear.  The goal of the spies either is so slight as not even to qualify as a McGuffin or is not sufficiently developed.

I now understand why the first-person narrator became a film noir staple.  This film conveys the protagonist’s thoughts through several interior monologues addressed to the character himself (see quote) and it just doesn’t work.  Much better to allow the character to speak to the audience.

The Fallen Sparrow was nominated for an Academy Award for Best Music, Scoring of a Dramatic or Comedy Picture (Roy Webb and C. Bakaleinikoff).

Best Cartoon Nominees of 1943

I like to save some of the best for last..  Here again are the Academy Award Nominees for Best Short Feature, Cartoon, for 1943.  Enjoy!

Yankee Doodle Mouse – The winner!
Director: Joseph Barbera and William Hanna
Metro-Goldwyn Mayer

Tom and Jerry do battle with ordinary household items like lightbulbs, eggs, a cheese grater, … and dynamite!

 

https://www.youtube.com/watch?v=zU5A8-aUFvA

The Dizzy Acrobat 
Walter Lantz Productions

Woody Woodpecker creates havoc at a circus.

 

Can be seen here (dubbed into Portuguese but give it a try, it’s mostly sight gags):

The 500 Hats of Bartholomew Cubbins
Directed by George Pal
Paramount Pictures

The Dr. Seuss story told with Puppetoons.

https://www.youtube.com/watch?v=yvT27WKBhQk

Greetings Bait
Directed by Friz Freleng
Warner Bros.

This looks like it would be pretty good but I can’t find a full-lenghth version.  I don’t get the connection with a draft notice.

 

https://www.youtube.com/watch?v=SJKhSxr3dNk

Clip

Imagination
Directed by Bob Wickersham
Columbia Pictures Corporation/Screen Gems

A little girl’s ragdolls defeat a roly-poly masher in her imagination.

Reason and Emotion
Walt Disney Studios

Disney explains that, in war time, we all need to get our emotions under control.  An example is made of Nazi Germany where Hitler played on the people’s emotions.

https://www.youtube.com/watch?v=nvp3zAPraF4

Cartoon follows introduction by Leonard Maltin

Hud (1963)

Hud
Directed by Martin Ritt
Written by Irving Ravetch and Harriet Frank Jr. from a novel by Larry McMurtry
1963/USA
Paramount Pictures/Salem-Dover Productions
Repeat viewing/Amazon Prime Instant Video
#419 of 1001 Movies You Must See Before You Die

 

[box] Alma Brown: No thanks. I’ve done my time with one cold-blooded bastard, I’m not looking for another.

Hud Bannon: Too late, honey, you already found him.[/box]

From the spare, stunning black-and-white photography to the pitch-perfect performances, it is hard to imagine how Hud could possibly be improved.

Orphan Lonnie Bannon (Brandon De Willde) has been raised by his grandfather Homer (Melvyn Douglas) on a cattle ranch in Texas.  Housekeeper Alma (Patricia Neal) does the family’s cooking and cleaning.  Homer is feuding with his son Hud (Paul Newman), whom he sees as an irresponsible, amoral embarrassment.  Hud continuously proves that Homer is absolutely right.

Despite all his faults, or maybe because of them, Lonnie kind of looks up to the hard-drinking Hud, who is handy at stealing wives and winning fights.  Lonnie starts tagging along with his uncle to town and enjoys his first hard liquor and bar fight.  But Lonnie is a dreamy, introspective teenager to whom riotous living does not come naturally.  Both Lonnie and Hud lust after Alma.  Hud is constantly making lewd remarks and crude propositions to Alma but she is having none of it.

Disaster, in the form of hoof-and-mouth disease hits the ranch.  Hud wants his father to get rid of his cattle before the diagnosis is proved but Homer refuses.  He also refuses to sell oil leases on his land.  Hud starts talking about incompetency proceedings.  Lonnie must decide his future for himself.

Paul Newman is so dynamic (and sexy) as the title character that it would be easy to see Hud as the (anti-) hero of this story.  On this viewing, it seemed clear to me that this film is actually Lonnie’s coming-of-age story.   I had also forgotten how bleak the film is.  It gets even more bleak with age when we ponder the work of a lifetime – here gone in an afternoon.  I like the fact that, while Hud is shown to have reasons for his rebellion, the writers make no excuses for him in the end.  He just doesn’t care about other people.

I had not been so familiar with Melvyn Douglas’s work of the 1930’s when I saw this before and it was extra fun to see the leading man in his old age.  He richly deserved his Academy Award.  Patricia Neal is incredible.  She is so strong and vulnerable at the same time and has such great chemistry with Newman.  Highly recommended.

Hud won Academy Awards in the categories of Best Actress, Best Supporting Actor (Douglas), and Best Cinematography, Black-and-White (James Wong Howe).  It was nominated in four additional categories:  Best Picture; Best Director; Best Writing, Screenplay based on material from another medium; and Best Art Direction-Set Decoration, Black-and-White.

Clip – Paul Newman and Patricia Neal – acting at its finest

 

Holy Matrimony (1943)

Holy Matrimony
Directed by John M. Stahl
Written by Nunnally Johnson from a play by Arnold Bennett
1943/USA
Twentieth Century Fox Film Corporation
First viewing/20th Century Fox Film Archives DVD

[box] Single women have a dreadful propensity for being poor. Which is one very strong argument in favor of matrimony. — Jane Austen [/box]

I enjoyed this oft-made story about a reclusive artist who finds love when he poses as his own valet. I preferred His Double Life (1933), starring Roland Young and Lillian Gish, however.

Priam Farll (Monty Woolley) is a world-renowned artist who, scorning publicity, has lived in the most remote parts of the world with his faithful valet Henry Leek (Eric Blore) for 25 years.  He reluctantly returns to London to receive a knighthood.  Shortly after he arrives, Leek contracts pneumonia and dies.  The doctor assumes the man he treated was the painter and Farll does not disabuse him of that notion.  Farll plays along and even watches “his” funeral followed by a burial in Westminster Abbey from the organ loft.

Leek had been corresponding through a matrimonial bureau with Alice Chalice (Gracie Fields).  She locates the false Leek and they fall in love and marry.  Farll continues to paint for his own pleasure.  The jig could be up when Alice surreptitiously starts selling the paintings for a song.   With Laird Cregar as an art dealer, Una O’Connor as Leek’s estranged wife, and Franklin Pangborn as Farll’s cousin.

This film is amusing, if not laugh out loud funny, with some good performances.  I thought Monty Woolly was miscast.  The part requires someone that is reticent with people. Woolly’s painter likes nothing better than to boss them around.  Roland Young was perfect.  I can also imagine Charles Laughton in the part.

Holy Matrimony was nominated for an Academy Award for Best Writing, Adapted Screenplay

https://www.youtube.com/watch?v=e59FS5eZNDc

Trailer

 

Lady of Burlesque (1943)

Lady of Burlesque
Directed by William A. Wellman
Written by James Gunn from the novel by Gypsy Rose Lee
1943/USA
Hunt Stromberg Productions
First viewing/Netflix rental

 

[box] Biff: What’s the matter with comics?

Dixie: I went into show business when I was seven years old. Two days later the first comic I ever met stole my piggy bank in a railroad station in Portland. When I was 11 the comics were looking at my ankles. When I was 14 they were…just looking. When I was 20 I’d been stuck with enough lunch checks to pay for a three-story house. Naw, they’re shiftless, dame-chasing, ambitionless…[/box]

This is a reasonably entertaining low-budget mystery/comedy with the always excellent Barbara Stanwyck in the title role.

Dixie Daisy (Stanwyck) is the newest headliner in a pretty sedate burlesque show.  She has grander ambitions and a life-long grudge against comics.  Naturally, she is pursued by one, Biff Branigan.  When Dixie is attacked back stage and other burlesque artistes start being strangled with their own G-strings, she and Biff become allies in solving the crimes.

This one has a little bit of everything – snippets of burlesque acts (the camera discretely changes focus during the bumps), plenty of backstage banter and catfights, romance, and of course the mystery.  Stanwyck is good as the hard-nosed Dixie.  She’s an enthusiastic dancer if not the world’s greatest singer.

Lady of Burlesque was nominated for an Academy Award for Best Music, Scoring of a Dramatic or Comedy Picture.

Stanwyck and company sing and dance to “The G-String Song”

Son of Dracula (1943)

Son of Dracula
Directed by Robert Siodmak
Written by Eric Taylor from a story by Curt Siodmak
1943/USA
Universal Pictures
Repeat viewing/Netflix rental

 

[box] Count Dracula: [as his coffin is burning] Put it out! Put it out, I tell ya’![/box]

First we get Bela Lugosi as Frankenstein’s Monster.  Now it’s Lon Chaney, Jr. as Dracula. What were they thinking?

Katherine Caldwell (Louise Albritton) is a “morbid” believer in the occult.  She is eagerly expecting a visit from Count Alucard (Chaney) to her Southern plantation home. Everybody associated with her, including fiance Frank, takes an instant disliking to him.   Katherine marries him any way.  Her family hires vampire expert Prof. Lazlo (J. Edward Bromberg) to help out.  Double crosses and mild horror ensue  With Evelyn Ankers as Katherine’s sister.

The highlight of this film is some excellent low-key shots by future film noir master Siodmak.  Otherwise, it is pretty lame.  Chaney is even more unlikely as Hungarian count that he was a the son of an English lord.

Trailer

Fires Were Started (1943)

Fires Were StartedFires_Were_Started
Directed by Humphrey Jennings
Written by Humphrey Jennings
1943/UK
Crown Film Unit
Repeat viewing/Amazon Prime Instant Video (included in a package called “Britain Is Calling”)
#167 of 1001 Films You Must See Before You Die

 

I can think of no more stirring symbol of man’s humanity to man than a fire engine. ~Kurt Vonnegut

This docu-drama is a touching testimonial to the brave firemen who battled against terrible odds during the Blitz.

The story is a slice of life showing one day at an East Side London fire house during the early days of the Blitzkrieg before a national fire service was organized.  We basically follow   a new man joining this company as he is shown around, participates in off-hour activities, and later goes to help put out a massive riverside fire caused by the bombing of a warehouse holding explosives.

fireswerestarted4900x506The fire was a reconstruction but the roles were played by real fireman and the whole thing is grittily authentic.  For me, the most touching part was when the men were standing around the piano at the firehouse right before the alarm rang singing “Please Don’t Talk About Me When I’m Gone”.  It is amazing to think that these men lived through danger like that and had to do it all over again the next night.  Jennings and his crew also captured some hauntingly beautiful images.  Recommended.

Clip