Monthly Archives: September 2014

Commandos Strike at Dawn (1942)

Commandos Strike at Dawncommandos strike at dawn poster
Directed by John Farrow
Written by Irwin Shaw from a story by C.S. Forester
1942/USA
Columbia Pictures Corporation
First viewing/Amazon Instant Video

 

[box] Erik Toresen: …I’ve lived a quiet life. The Germans have not lived quiet lives. We must learn from them how to become gangsters, thugs, useful with knife, dynamite, poison![/box]

I was not looking forward to watching a combat movie with Paul Muni.  I was pleasantly surprised.

Eric Toreson (Muni) is a quiet, scholarly man who does some kind of fisheries research in his native Norwegian coastal village.  He is a widower who lives with his mother (Lillian Gish) and is raising his small daughter.  Lately, a British admiral (Sir Cedric Hardwicke) and his daughter Judith (Anna Lee) have been holidaying in the village.  Eric has fallen in love with Judith.  We see the peaceful village life and traditions of the people through a wedding that Eric and Judith attend.

commandos strike at dawn 3

The British return home before Erik works up the courage to ask Judith to marry him.  Then the Nazis arrive. They say their only purpose is to free the Norwegians from the “British invador” but soon reveal their utter brutality. All but the local intellectual (Ray Collins) initially try to cooperate.  Eventually, even Eric comes to believe that the only answer is to adopt the Nazi philosophy of “kill or be killed.”

When Eric is rightly suspected of killing the German colonel, he flees to England and tells them that the Germans are building an aerodrome near the village.  He returns to guide British commandos to the spot.

commandos strike at dawn 2

This is so much more than a combat picture.  Most of it is scenes of life under the Nazis in Norway.  The fantastic cast brings the situation to life.  This well made in every respect and reminded me more of the British war pictures of this year than of the American ones I have seen up until now.

Commandos Strike at Dawn was nominated for Best Music, Original Scoring of a Dramatic or Comedy Picture.

Trailer

Rain Man (1988)

Rain Man
Directed by Barry Levinson
Ronald Bass and Barry Morrow
1988/USA
United Artists/The Guber-Peters Company/Star Partners II Ltd./Mirage Enterprises

Repeat viewing/Amazon Instant Video
#820 of 1001 Movies You Must See Before You Die

[box] Charlie: What you have to understand is, four days ago he was only my brother in name. And this morning we had pancakes.[/box]

This movie made me tear up.  I thoroughly enjoyed it.

Charlie Bennett (Tom Cruise) is a self-absorbed young wheeler-dealer.  As the story begins, his car dealership is in deep trouble with some clients and a lender.  The fast-talking Charlie is an expert at putting people off with lies.  He takes a break from his woes with a road trip with his Italian girlfriend Susanna (Valeria Golino).   He’s less good at having an actual conversation.  In the midst of the drive, Charlie learns that his father has died. Susanna accompanies him to the funeral in Cincinnati.

Charlie is a bundle of resentment.  His mother died when he was too young to remember her.  For years, he has held on to anger with his father for a) not letting him drive the father’s prized convertible, b) reporting the car as stolen when Charlie drove it any way, and c) letting the police hold him in jail.  The two had been estranged since Charlie left home at 16 because of that incident.  After the funeral, Charlie learns that all his father has left him is that car and his cherished rose bushes.  The house and dad’s three million dollar estate have been left in trust to an unnamed beneficiary.

Soon enough, Charlie traces the trustee to a home for mentally challenged adults.  By chance, he is brought into contact with his autistic savant brother Raymond (Dustin Hoffman).  He had never before known he had a brother.  He decides to basically kidnap Raymond to finagle half of the inheritance.

Charlie is totally unprepared for the demands of caring for an autistic person.  He has a hard time putting up with Raymond’s repetitive behavior, need for strict routines, and tantrums when confronted with change or overstimulated.  Nevertheless, Charlie is determined to milk the situation for what it is worth.  His behavior so disgusts Susanna that she leaves him to cope with Raymond  on his own.

The rest of the story follows the pair’s long car journey from Cincinnati to Los Angeles and the gradual blossoming of Charlie’s connection with his brother and with his own past and emotions.

Dustin Hoffman won the Oscar but I thought Tom Cruise was his equal.  Cruise is never better than when he plays this kind of hustler.  The script is intelligent and, while the whole project screams Movie of the Week, manages to avoid many of the more cringe-worthy cliches that plague this genre. There’s not enough uplifting movies out there.  This is an excellent one.

Rain Man won Academy Awards for Best Picture, Best Director, Best Actor (Hoffman), and Best Writing, Screenplay Written Directly for the Screen.  It was nominated in the categories of: Best Cinematography (John Seale); Best Art Direction-Set Decoration; Best Film Editing; and Best Music, Original Score (Hans Zimmer).

Trailer

 

 

 

Flying Tigers (1942)

Flying Tigers
Directed by David Miller
Written by Kenneth Garnet and Barry Trivers
1942/USA
Republic Pictures
First viewing/Amazon Instant Video

 

[box]”Since the Flying Tigers first spread their wings in the skies above China, the enemy learned to fear the intrepid spirit they have displayed in face of his superior numbers. They have become the symbol of the invincible strength of the forces now upholding the cause of justice and humanity. The Chinese people will preserve forever the memory of their glorious achievements.” ‘Generalissimo Chiang Kai-Shek’ – opening title card[/box]

This not a bad movie but come prepared for a representative collection of tropes from every other flight combat movie out there, with some from Only Angels Have Wings thrown in for good measure.

The movie is the story of the all-volunteer Flying Tigers squadron that fought missions against the Japanese in China in 1941-42.  It was thus made almost contemporaneously with these activities.

Capt. Jim Gordon (John Wayne) commands the squadron.  He is well respected by his men and loved by nurse Brooke Elliot.  As the movie begins, we see the carnage wreaked on little children in a refugee shelter by Japanese bombers.  The vastly outnumbered fighters of The Flying Tigers wipe out the bombers but not without the loss of a rookie pilot who, however, heroically lands his plane before dying.  Gordon has a whole collection of the personal effects of these heroes in his desk drawer.

He goes to Rangoon to pick up supplies and replacement pilots.  One he brings back is his old buddy ace pilot Woody Jason (John Carroll).  Woody is in it strictly for the money — the men are paid per mission and per “kill”.  His avarice causes him to take a bunch of unjustified risks that make him unpopular with the rest of the pilots.  The final straw comes when he arrives too late for a mission he was supposed to back Gordon on and all because he was out with Gordon’s girl.  Will the Japanese attack on Pearl Harbor show Woody the error of his ways?

The movie moves along at a good clip and there are lots of exciting flight sequences.  Evidently, pilots grounded because of their eyesight, disgraced pilots seeking redemption, and sacrificial lambs had become de rigeur for this kind of movie by this early date.  I especially enjoyed seeing Anna Lee and look forward to more of her.  Wayne is awfully good too.

Flying Tigers was one of the highest grossing movies of 1942 and broke all box office records for a film made by Republic Pictures.

The film was nominated for Academy Awards for Best Sound, Recording; Best Effects, Special Effects and Best Music, Scoring of a Dramatic or Comedy Picture (Victor Young).

Trailer

 

Reap the Wild Wind (1942)

Reap the Wild Wind
Directed by Cecil B. DeMille
Written by Allen LeMay, Thelma Strabel, Charles Bennett, and Jesse Laskey Jr.
1942/USA
Paramount Pictures
First viewing/Netflix rental

[box] Tagline: CECIL B. DEMILLE’S MIGHTY SPECTACLE! Men Against Giant Sea Monster 50 Fathoms Down (1955 Re-release poster)[/box]

Who could pass up the chance to see John Wayne fight with a giant octopus? Unfortunately, the rest of this DeMille epic dragged for me.

The setting is Key West, Florida sometime before the American Civil War.  The main occupation of the town is the rescue and salvage of ships that founder on the coast.  King Cutler (Raymond Massey) is widely suspected of giving the ships a little push toward disaster.

Loxi Claiborne (Paulette Goddard) is a fiery tomboy who relishes dressing in man’s clothes and assisting in salvage operations.  Her cousin Druscilla (Susan Hayward) is secretly in love with King Cutler’s brother Dan (Robert Preston).

Captain Jack Stewart (John Wayne) commands a ship that founders with the assistance of the evil Cutler.  He is blamed by his employer for the wreck.  Loxi falls for Captain Jack and determines to assist him when he meets the boss in South Carolina.

Captain Jack also longs to be put in charge of a new-fangled steam ship.  But the supposedly effete Steven Tolliver (Ray Milland), a relative of the boss, has an inside track on the job.  When Loxi meets Steven, it is love at first sight for him and Loxi starts using her feminine wiles on him to help Captain Jack.

The plot of this thing is too complicated to go on with.  Suffice it to say that the love triangle is resolved dramatically and John Wayne does indeed defeat a giant octopus.

This kind of DeMille epic just isn’t for me.  The performances are OK but the 2+ hour movie could have been trimmed by more than half an hour.  The action sequences, while way too far apart, look good.

Reap the Wild Wind won an Oscar for Best Effects, Special Effects.  It was nominated in the categories of Best Cinematography, Color and Best Art Direction-Interior Decoration, Color.

Clip — The battle with the octopus!

The Big Lebowski (1998)

The Big Lebowski
Directed by Joel Coen
Written by Ethan Coen and Joel Coeh
1998/USA
Polygram Filmed Entertainment/Working Title Films
First viewing/my own DVD
#985 of 1001 Movies You Must See Before You Die

 

[box] The Big Lebowski: Is it being prepared to do the right thing, whatever the cost? Isn’t that what makes a man?

The Dude: Hmmm… Sure, that and a pair of testicles. [/box]

It was movie day with my nephew yesterday and a coin toss happily suggested this one.  I’ve had it in my collection for years but somehow did not get to it until now.

Jeff Lebowski (Jeff Bridges), better known as the Dude, has lived the same laid-back life style since the early seventies.  Unemployed, for recreation the Dude bowls, drives around, and enjoys the occasional acid flashback.   He also rather frequently indulges in a White Russian or a joint.  His bowling buddies are Walter (John Goodman) and Donny (Steve Buscemi), who also live in a previous era.  The unhinged Walter is still reliving his experiences in Vietnam.

The Dude shares a last name with a multimillionaire industrialist, here known as The Big Lebowski.  One night some thugs appear in The Dude’s apartment, rough him up, and pee on his rug in an effort to collect money owed by the other Lebowski’s young nympho wife. Dude seeks reparations for his damaged rug from the industrialist and eventually gets dragged into being the bag man in the wife’s kidnapping. The whole thing turns into a black comedy of errors, thanks largely to the involvement of the volatile but hapless Walter. With Julianne Moore as the Big Lebowski’s daughter, Phillip Seymour Hoffman as his fawning assistant, and John Turturro as a wigged-out bowling rival named Jesus.

Well, this was a whole lot of fun.  The best part about it was Bridges’ characterization of the Dude.  I used to know people a lot like that but not as late as the 90’s.  Everybody else is on the top of his game as well and the dialogue is as sharp as one would expect from a Coen comedy.

Trailer

Oscar-Nominated Cartoons of 1942

Der Fuehrer’s Face
Walt Disney Studio
Available on YouTube

This might just be the rudest cartoon Disney ever put out and very, very funny.  Donald Duck is subjected to short rations and forced labor in Nazi Germany, all the while heiling Hitler like mad.  Very deserving of its Oscar win for Best Short Subject, Cartoon.  You really should give it a try but don’t blame me if you can’t get the music out of your head for days.

der fuerhers face 1

 

All Out for ‘V’
Terrytunes/Twentieth Century Fox Film Corporation
Available on YouTube

When their forest home is bombed and war declared, the animals all do their bit for victory. They produce munitions, food, and wool, donate money, enforce the blackout, and even launch an attack on Japanese Beetles.  Moderately amusing, if a bit heavy-handed.

All Out for V

Blitz Wolf
Directed by Tex Avery
Metro-Goldwyn-Mayer

Available on YouTube but only with non-English dubbing

The Big Bad Wolf (AKA “Der Fewer”) doesn’t stand a chance against the heavily armed and fortified Three Little Pigs.  Almost equal to the Disney cartoon in rudeness and hilarity.

Blitz Wolf

Juke Box Jamboree
Walter Lantz Productions

I’ve been unable to find this cartoon online anywhere that does not require downloading something or other. Would love to hear from those who have seen it!

JUKE BOX JAMBOREE

Pigs in a Polka
Directed by Friz Frelang
Warner Bros.

Pigs_in_a_Polka

Tulips Shall Grow
George Pal

tulips-shall-grow

The following Disney cartoons were nominated in the category of Best Documentary.

The New Spirit
Walt Disney Studios

new spirit 1

This was the best I could do in terms of quality

The Grain That Built a Hemisphere
Walt Disney Studios

grain that built the hemisphere

 

Desperate Journey (1942)

Desperate Journey
Directed by Raoul Walsh
Written by Arthur T. Horman
1942/USA
Warner Bros
First viewing/Errol Flynn Adventures DVD

[box] Flying Officer Johnny Hammond: [has just double-talked, sucker punched and knocked out Baumeister] The iron fist has a glass jaw![/box]

What with the banter among the air crew and some incredibly stupid Nazis, this journey was less desperate than entertaining.

An RAF bomber crew led by Flight Lt. Terry Forbes (Errol Flynn) is sent on a mission over Germany to finish off a sabotage job done by a Polish guerilla on some rail lines.  After completing its run, the plane is shot down and the crew is captured.  American bombarder Johnny Hammond (Ronald Reagan) easily overpowers SS Major Otto Baumeister (Raymond Massey) while he is being politely interrogated for top secret info on the bomber.  The other members of the crew are allowed to stroll into Baumeister’s office and steal German secrets over the bodies of three vanquished Nazis before departing through the window.

The rest of the movie is devoted to the crew’s escape overland from the desperate Baumeister. Fortunately for them, Terry speaks fluent German (with a horrible Australian accent that however is the equal of the American-accented German spoken by the Nazis. Happily for the audience, Baumeister is constantly shouting to his underlings – SPEAK ENGLISH!) and the crew is able to travel disguised in German army uniforms acquired from the many guards they subdue.  Will they make it to safety in England with the plans?  Not before destroying an incendiary bomb factory that’s for sure.  With Alan Hale as an overage veteran of WWI and Arthur Kennedy as a practical former accountant who just wants to quickly elude the Nazis so he can resume winning the war and get back to his bookkeeping.

This movie is a hoot and, if approached in the right spirit, totally enjoyable.

Desperate Journey was Oscar Nominated for Best Effects, Special Effects.

Clip – Raymond Massey tries to “do business” with Ronald Reagan – this is a must see!

Moontide (1942)

Moontide
Directed by Archie Mayo
Written by John O’Hara from the novel by Willard Robertson
1942/USA
Twentieth Century Fox Film Corporation
First viewing/Fox Film Noir DVD

[box] My agent had told me that he was going to make me the Janet Gaynor of England – I was going to play all the sweet roles. Whereupon, at the tender age of thirteen, I set upon the path of playing nothing but hookers. — Ida Lupino[/box]

It was a little hard getting used to Jean Gabin speaking English!  This early film noir is recommendable for its beautiful cinematography.

Bobo (Gabin) is a hard-drinking dockworker with a violent temper and prone to blackouts. His “friend” Tiny (Thomas Mitchell) is Bobo’s self-appointed babysitter.  As the story opens, Tiny is urging Bobo to go to San Diego for work but Bobo drinks on.  Once again Bobo is completely blotto.  When he comes to, he is sleeping in a waterside bait shop owned by some friendly Chinese who offer him work.  He learns that one of his drinking companions from the night before has been strangled.

While walking on the beach with night watchman and homespun philosopher Nutsy (Claude Rains), Bobo spots a girl walking into the sea fully clothed.  This is Anna, a “hash-house dame”.  Bobo rescues her then lies to the police to prevent them taking her in for attempted suicide. Marie’s domestic care begins to ground Bobo’s life and he asks her to marry him.  But Tiny is not about to lose his meal ticket, and takes drastic action.

This movie had real potential and perhaps if Fritz Lang had stayed on the project until completion it would have realized it.  As it was, he was replaced by Mayo with three weeks left due to disagreements with Darryl F. Zanuck.  According to the commentary, Gabin was none too pleased with Zanuck’s approach to the material either.

None of this discord was fatal and Moontide, if not great, is very watchable.  The cinematography is innovative and stunning.

Hollywood wasn’t really for Gabin and by 1943 he had returned to Europe to fight with the Free French.

Charles G. Clarke was nominated for an Academy Award for Best Cinematography, Black-and-White for his work on Moontide.

Clip – Bobo’s bender – Sorry for the Russian overdubbing but you can see the crazy camera work

George Washington Slept Here (1942)

George Washington Slept Here
Directed by William Keighley
Written by Everett Freeman from the play by George S. Kaufman and Moss Hart
1942/USA
Warner Bros.
First viewing/Warner Archive DVD

[box] Moving Man: You know what that dame told me? “George Washington slept here.”

Moving Man: Yeah? I guess that’s what drove them to Valley Forge.[/box]

This is another one of those wacky non-stop stage comedies adapted for the screen. It is over the top, but pretty funny.

Bill Fuller (Jack Benny) and his wife Connie (Ann Sheridan) are evicted for the umpteenth time from their city apartment because of their untrained little dog.  Connie is quite the antiques collector and longs for a home of her own.  Although Bill hates the country, she can’t resist the impulse to buy a dilapidated old house where George Washington once allegedly slept.

Connie’s real estate smarts are not of the best and the couple immediately discovers that the well on the property has gone dry.  The local they put in charge of renovations (Percy Kilbride) is a bottomless pit of supply needs.  Their access road goes through a neighbor’s property and he refuses to let them use it.  Then Connie cannot say no to visits by her bratty nephew and rich uncle (Charles Coburn).  With Hattie McDaniel as the Fuller’s sassy maid.

It’s a stretch to suspend disbelief for this one but once this is accomplished, it’s an enjoyable romp.

The only thing I knew about Ann Sheridan before I started this blog was that she was known as the “Sweater Girl”.  She is really so much more.  She’s very adept at comedy and always lends a down-to-earth presence to her characters.

Though this was not his first film, Jack Benny started Percy Kilbride (“Pa Kettle”) on his Hollywood career by insisting that he reprise his role in the stage play.  His deadpan delivery is priceless.

George Washington Slept Here was nominated for an Academy Award for Best Art Direction-Interior Decoration, Black-and-White.

Trailer

 

 

My Sister Eileen (1942)

My Sister Eileen 
Directed by Alexander Hall
Written by Joseph Fields and Jerome Chodorov from their play based on stories by Ruth McKenny
1942/USA
Columbia Pictures Corporation
First viewing/Netflix rental

[box] [last lines] Subway Builder: Hey Moe, I think we made da wrong toin![/box]

This is a madcap “laugh a minute” comedy filled with kooky characters that chronicles the adventures of two poverty stricken would-be career girls in New York.  It is based on autobiographical pieces published in the New Yorker magazine.

Ruth (Rosalind Russell) and Eileen (Janet Blair) Sherwood are sisters from Columbus, Ohio who arrive in New York City with $100 between them.  Ruth hopes to find work as a writer and Eileen has her sights set on the stage.  They move into the basement apartment from hell as they set out to find their fortune.  Their window puts them in ear and eye range of the sidewalk, blasting for a new subway line rocks the apartment from early morning until midnight, and a faulty door lock has a series of odd balls dropping in day and night.

Both of the women are getting nowhere in their chosen professions but Eileen, a man magnet, at least does not have to subsist on pasta and bread like older sister Ruth.  Ruth starts having success first, however, when she meets a man (Brian Ahern) who is trying to bring the “Manhattaner” magazine up-to-date with some human interest stories.  With George Tobias as the sisters’ Greek painter-landlord, Allyn Joslyn as a womanizing reporter, and June Havoc as the former tenant.

This is funny, if hectic, and Rosalind Russell handles the comedy expertly.  It is all a little too much but does get the flavor of small town girls starting out in the big city with dreams and some talent.

My Sister Eileen was remade in 1955 with Betty Garrett and Janet Leigh. Rosalind Russell reprised her role as Ruth in 1953 in the Leonard Bernstein Broadway musical Wonderful Town; Edie Adams played Eileen.

Rosalind Russell was nominated for an Academy Award for Best Actress for her performance in My Sister Eileen.

Clip – Three Stooges Cameo (the best I could do)