Daily Archives: September 30, 2014

Watch on the Rhine (1943)

Watch on the Rhine
Directed by Herman Shumlin
Written by Dashiell Hammett and Lillian Hellman from the play by Hellman
1943/USA
Warner Bros
Repeat viewing/Netflix rental

[box] Kurt Muller: I do not tell you this story to prove that we are remarkable but to prove that they are not.[/box]

Oscar-winner Paul Lukas is well worth seeing in this tale of German resistance to facism in the years before America entered the war.

Kurt Muller (Lucas) has been a Nazi-fighter since Hitler came to power.  He lives in constant danger so takes his wife Sara (Bette Davis) and three children from Mexico back to her family home near Washington.  Sara’s father was a Supreme Court justice and the house is extremely comfortable compared to what the family has been used to.  Sara’s feisty mother (Lucile Watson) is delighted to see her daughter and meet her grandchildren.

Also staying as houseguests are the Romanian Count de Brancovis (George Colouris) and his much younger wife Marthe (Geraldine Fitzgerald).  The count is a frequent guest at the German Embassy and desperate to get the money and a visa to return to Europe.  He starts spying on Kurt looking for something to sell.  With Beulah Bondi as a French friend of the family.

This is well written anti-facsist propaganda by Lillian Hellman, a noted radical.  There are several political speeches but also a number of really touching scenes.  The speeches tend to be put into the mouth of Bette Davis (in a rare supporting role) while Lukas is more the practical fighter.  He probably won his award for some very moving work near the end of the film.  I thought Lucile  Watson was pretty great as a humorous old liberal.  She lights up the screen whenever she is on it.

Paul Lukas won an Academy Award for Best Actor for his performance in Watch on the Rhine.  The film was also nominated in the categories of Best Picture; Best Supporting Actress  Watson); and Best Writing, Screenplay.

Trailer

The Song of Bernadette (1943)

The Song of Bernadette
Directed by Henry King
Written by George Seaton based on the novel by Franz Werfel
1943/USA
Twentieth Century Fox Film Corporation
Repeat viewing/Netflix rental

[box] Bernadette: The spring is not for me.[/box]

Jennifer Jones won the Academy Award but the tons of great character actors steal the show in this first-rate production.

This is a somewhat fictionalized account of the life of Bernadette Subirous, a poor and uneducated teenager whose visions of a “beautiful lady” near the village of Lourdes shook all of France.  Bernadette’s father (the excellent Roman Bohnen) is a complainer who barely supports his family on odd jobs and the money her mother (Ann Revere) brings in doing laundry.  The mother, in particular, is a God-fearing woman.  The sickly Bernadette is frequently absent from school and she considers herself to be “stupid”, an opinion which Sister Marie Therese (Gladys Cooper), the nun who is teaching her catechism, shares.

One day, she and two other girls go out to collect firewood.  Bernadette is left behind waiting on one side of the river near the city dump due to her asthma.  That is when a beautiful lady dressed in white, with a blue girdle, and golden roses on her feet appears to her.  Reports of this only cause her parents to forbid her to go back to the site.  But Bernadette’s distress finally causes her relatives to join and before long there is a crowd of peasants praying at the site.  The town fathers – Imperial Prosecutor Vital Detour (Vincent Price), the Mayor, the Chief of Police (Charles Dingle) and the local doctor (Lee J. Cobb) – and Father Peyramale (Charles Bickford), the dean of the local parish, all believe Bernadette is a fraud.  Wary of bad publicity, each man wants somebody else to close the site.  When Bernadette visits Father Peyramale to tell him the lady has asked that a chapel be built at the site and pilgrimages organized, he says that if the lady is real she should be able to prove it by making wild roses bloom in February.

The lady does something else.  She tells Bernadette to go and eat plants near a spring. But there is no spring.  Bernadette starts stuffing leaves into her mouth and washing her hands in the dirt.  All present now think she is insane.  But just as the crowd reaches the top of the hill, water springs from the ground.  The first miraculous healing follows immediately.

The authorities try everything in their power to get Bernadette to recant her story including threatening her with jail and commitment to an insane asylum.  Bernadette’s story is unshakeable.  Finally, she gains a champion in Father Peyramale.  Then the authorities decide the village can cash in on the hordes of people visiting the site.  Although Bernadette would like nothing better to marry and have children, she ends up having to go into a convent.  Unluckily, Sister Marie Therese is the supervisor of the novices and she is convinced that Bernadette is nothing more than a publicity hog who cannot possibly have seen the Virgin Mary because she “has not suffered”.  Bernadette had suffered though and would suffer far more before her life was through.  With Linda Darnell (!!) as “the lady”. (We see her only briefly and flooded with light.)

Jennifer Jones plays Bernadette with a simplicity and wide-eyed innocence that suits her character.  The real stars are in the outstanding supporting cast who each do themselves proud.  The film has an almost neo-realist feeling and is beautifully staged.  The filmmakers rather tip their hand on the side of Bernadette’s story but the movie is open enough to the possibility that she could have been deluded that it should be enjoyable even by non-believers.  The one weakness is that the film is 2 1/2 hours long.  It could have been trimmed by 30 minutes with no harm to the story.

The Song of Bernadette won Academy Awards in the categories of: Best Actress; Best Cinematography, Black-and-White (Arthur C. Miller); Best Art Direction-Interior Decoration, Black-and-White; and Best Music, Scoring of a Dramatic or Comedy Picture.  It was nominated for the following awards: Best Picture; Best Actor in a Supporting Role (Bickford); Best Actress in a Supporting Role (Cooper); Best Actress in a Supporting Role (Revere); Best Director; Best Writing, Screenplay; Best Sound, Recording; and Best Film Editing.

https://www.youtube.com/watch?v=DCd3rV6j0ks

Re-release trailer