Daily Archives: March 6, 2014

Foreign Correspondent (1940)

Foreign Correspondent
Directed by Alfred Hitchcock
Written by Charles Bennett, Joan Harrison, et al
1939/USA
Walter Wanger Productions

First viewing/Netflix rental

 

[box] Johnny Jones: All that noise you hear isn’t static – it’s death, coming to London. Yes, they’re coming here now. You can hear the bombs falling on the streets and the homes. Don’t tune me out, hang on a while – this is a big story, and you’re part of it. It’s too late to do anything here now except stand in the dark and let them come… as if the lights were all out everywhere, except in America. Keep those lights burning, cover them with steel, ring them with guns, build a canopy of battleships and bombing planes around them. Hello, America, hang on to your lights: they’re the only lights left in the world![/box]

Hitchcock’s other 1940 Academy Award nominee couldn’t be more different than Rebecca or more Hitchcockian.

A newspaper editor is fed up with the analyses he is getting from his foreign correspondents in Europe on the likelihood of war.  So he decides to send a crime reporter (Joel McCrea) to get some facts.  Johnny Jones doesn’t even know there is a crisis in Europe and seemingly doesn’t care so he seems ideal for the job.  Johnny is rechristened Huntley Haverstock for his mission.

He is told to look up Mr. Van Meer (Albert Basserman), an elder statesman, on arrival.  Van Meer is slated to speak at a conference organized by the Universal Peace Party run by Stephen Fisher (Herbert Marshall).  When he gets to the conference, Van Meer has cancelled but he has the chance to meet and fall for Fisher’s daughter Carol (Laraine Day).  Johnny then sets off for Amsterdam to try to buttonhole Van Meer at another meeting only to witness his apparent assassination.

Johnny takes off, with Carol, on the trail of the assassin and catches up with the gang and the kidnapped real Van Meer hiding out in a windmill.  The remainder of the story follows Johnny’s attempts to escape the gang and rescue Van Meer, with the assistance of Carol and fellow reporter Scott ffolliott (George Sanders).  It also follows Johnny’s arc from cynic to patriot.  With Edmund Gwynn as a murderous “private detective”, Joseph Calleia as a thug, and Robert Benchley as the paper’s actual foreign correspondent.

I am a huge Joel McCrea fan and this is one of my favorite Hitchcock films.  It is the kind of episodic adventure and thriller that presages something like North by Northwest.  As such, it is made up of unforgettable set pieces like the assassination amid the crowd of umbrellas, the strangely behaving windmills, and a spectacular plane crash at sea.  The film was made at the same time that Hitler was marching through Europe and the message was updated constantly, through the time McCrea’s impassioned speech to America was tacked on at the end.  The Criterion Collection Blu-Ray that I rented contained a couple of interesting talks about World War II Hollywood propaganda and how the special effects were achieved.  Recommended.

Foreign Correspondent was nominated for Academy Awards in the following categories: Best Picture; Best Supporting Actor (Basserman); Best Writing (Original Screenplay); Best Black-and-White Cinematography; Best Black-and-White Art Direction; and Best Special Effects.

http://www.youtube.com/watch?v=_tFu0T19NYI

Trailer

 

The Letter (1940)

The Letterletter poster
Directed by William Wyler
Written by Howard Hoch based on a play by W. Somerset Maugham
1940/USA
Warner Bros.

Repeat viewing/Netflix rental

 

Howard Joyce: Be flippant about your own crimes if you want to, but don’t be flippant about mine!

This gripping tale of deception and revenge features one of Bette Davis’s greatest performances and splendid moonlight-drenched cinematography.

The setting is a rubber plantation overseen by Robert Crosbie (Herbert Marshall) and his wife Leslie (Davis) in colonial Malaya. The story begins as Leslie stands over a man’s body in cold rage and pumps several bullets into him.  She later explains to her husband and a couple of officials that she shot the man, whom the couple knew but had not seen in several months, in self-defense after he drunkenly attempted to “make love” to her.  Her explanation is deemed so detailed and believable that arresting her is a mere formality.  Her acquittal is even more assured since the victim had committed the seemingly unpardonable sin of marrying a “Eurasian” woman (Gale Sondergaard).

letter 3

The couple proceed to Singapore where they hire family friend and lawyer Howard Joyce (Robert Stephenson).  Joyce finds Leslie’s story a bit fishy but the jig is up when his law clerk (the appropriately oily Victor Sen Yung) tells him that the widow is in possession of a letter Leslie wrote the day of the murder begging the victim to come to her.  She is willing to sell the document for a sum that conveniently happens to be almost the entire balance of devoted Robert’s savings account.  The other requirement is that Leslie deliver the money in person.

letter 6

Leslie initially denies the letter is genuine and then tries to make it appear innocent but Joyce isn’t buying it.  And Joyce has serious ethical and legal reservations to buying the letter either but reluctantly decides to do so out of friendship to Robert.  Leslie is indeed acquitted. Will justice at last be done?

letter 1

This is a beautiful, beautiful movie with most key scenes taking place on moonlit nights amid shadows worthy of the best films noir.  Bette Davis is convincing as the utterly controlled Leslie, her emotions suppressed by obsessive lace tatting until they aren’t. There are almost no Davis mannerisms in evidence here.  Her tear-stained face after the climax of the film is utterly believable.  The supporting cast is equally fine.  Highly recommended.

The Letter was nominated by the Academy in seven categories: Best Picture; Best Actress; Best Supporting Actor (Stephenson); Best Director; Best Black-and-White Cinematography (Tony Gaudio); Best Film Editing; and Best Original Score (Max Steiner).

Trailer