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Daily Archives: October 27, 2013

Café Metropole (1937)

Posted on October 27, 2013 | 3 comments

Café Metropole
Directed by Edward H. Griffith
Written by Jacques Deval from an original story by Gregory Ratoff
1937/USA
Twentieth Century Fox Film Corporation
First viewing

[box] Monsieur Victor Lobard: That’s the trouble with a flawless plan! There’s always a flaw in it![/box]

Russian raconteur Monsieur Victor (Adolphe Menjou) owns a nightclub in Paris and is deeply in debt. He gambles the last francs he can get his hands on at baccarat and wins big. Unfortunately, the loser is American Alexander Brown (Tyrone Power) who writes a bad check before declaring himself penniless. Victor blackmails Alexander into masquerading as a Russian prince and wooing American heiress Laura Ridgeway (Loretta Young). Despite Alexis’s terrible Russian accent, Laura is immediately smitten. With Charles Winniger as Laura’s father, Helen Westley as her aunt, and Gregory Ratoff as a waiter.

I enjoyed this comedy, chiefly for its script and the performances by Menjou and various character actors.

Bill “Bojangles” Robinson in a scene deleted from the film (lost for 60 years)

3 Comments

Posted in 1937, Movie Reviews

Tagged 1930s, Hollywood

A Damsel in Distress (1937)

Posted on October 27, 2013 | 2 comments

A Damsel in Distress
Directed by George Stevens
Written by P.G. Wodehouse, Ernest Pagano and S.K. Lauren from a story by P.G. Wodehouse
1937/USA
RKO Radio Pictures
First viewing

[box] A foggy day in London Town/ Had me low and had me down/ I viewed the morning with alarm/ The British Museum had lost its charm/ How long, I wondered, could this thing last?/ But the age of miracles hadn’t passed,/ For, suddenly, I saw you there/ And through foggy London Town/ The sun was shining everywhere. “A Foggy Day”, lyrics by Ira Gershwin[/box]

This was the first film Fred Astaire made without Ginger Rogers since they were first paired in 1933’s Flying Down to Rio. Joan Fontaine is certainly no Ginger but Burns and Allen make surprisingly good dancing partners for Fred.

Everyone expects Lady Alyce Marshmorton (Fontaine) to marry soon and the servants have laid bets on who the lucky man will be. The prime contenders are the Bertie-Woosterish twit her aunt favors or the American she is in love with.

Jerry Halliday (Astaire) is an American dancer in London. His press agent (George Burns) has a media campaign that has made him quite the matinée idol and he is chased everywhere by the ladies. One day, as he is escaping, Alyce takes refuge in his cab to escape the family butler who is tailing her.

A series of misunderstandings causes a number of people to believe Jerry is the American Alyce is in love with and to either try to bring them together or separate them. Needless to say, they fall in love. With Constance Collier as the snooty aunt.

I don’t rank this with the Astaire-Rogers films but it has many pleasures. The score is by George and Ira Gershwin and includes the standards “A Foggy Day” and “Nice Work If You Can Get It.”

Burns and Allen are quite funny of course. The amazing thing was watching them match Astaire step for step in the tap dancing department! Poor Joan Fontaine looks lovely but struggled to do a basic ballroom dance with Astaire. She later joked that this movie set her career back four years.

Hermes Pan won an Academy Award for Best Dance Direction for the “Fun House” sequence featuring Astaire, Burns and Allen. A Damsel in Distress was also nominated for an Oscar for Best Art Direction.