Daily Archives: October 18, 2013

Bulldog Drummond at Bay (1937)

Bulldog Drummond at Bay
Directed by Norman Lee
Written by Patrick Kriwan and James Parrish
1937/UK
Associated British Picture Corporation

First viewing

[box] “Demobilised officer, … finding peace incredibly tedious, would welcome diversion. Legitimate, if possible; but crime, if of a comparatively humorous description, no objection. Excitement essential.”  — Advertisement placed in The Times by Drummond in the novel Bulldog Drummond[/box]

This entry comes from the U.K. and features an entirely different cast than the 1937 Paramount pictures.  I thought this might mean a weaker film, but no, it’s the best since the first one with Ray Milland!

This time Bulldog (John Lodge) is on the trail of an evil foreign arms broker who has been bilking a World Peace organization into backing his nefarious deeds.  The broker has kidnapped the inventor of a top-secret weapon and is torturing him to get the plans. Tennie the butler and the long-engaged Phyllis have left the scene but Algie is still along and more twitish than ever.

I think the only other movie I’ve seen John Lodge in was The Scarlet Empress where I was not impressed with his performance.  Here, though, he has just the right mixture of savoir faire and daring to make an excellent Drummond.  I liked the leading lady a lot, too.   Well worth seeing if you are in to this kind of mindless entertainment.

 

Maytime (1937)

MaytimeMaytime poster
Directed  by Robert Z. Leonard
Written by Noel Langley based on an operetta by Rida Johnson Young
1937/USA
Metro-Goldwyn-Mayer
First viewing

Sweetheart, sweetheart, sweetheart
Though our paths may sever
To life’s last faint ember
Will you remember?
Springtime, lovetime, May
Springtime, lovetime, May — Lyric by Rida Johnson Young

I enjoyed 1937’s beautiful and romantic Jeanette Mac Donald/Nelson Eddy entry.

As the story opens elderly reclusive Miss Morrison (Mac Donald) is visiting a May Day celebration.  There she meets a young couple who are quarreling because the girl wants to pursue a career as an opera singer in New York while the boy wants her to stay home and marry.  Comforting the girl, Miss Morrison decides to break her silence about her own story.

Segue to Paris decades earlier, when Miss Morrison, then Marcia Mornay, was a budding prima donna.  Marcia dazzles Emperor Napoleon with her singing at a ball and her manager, Nicolai Nazaroff (John Barrymore), manages to convince an eminent composer to write an opera especially for her.  In gratitude, Marcia accepts Nazaroff’s proposal of marriage.  That same night, unable to sleep, Marcia takes a carriage ride through Paris. The carriage has an accident.  While she is waiting for another ride, she goes into a café where Paul Allison (Nelson Eddy) is singing.  Paul is a struggling voice student.  He falls in love with Marcia at first sight.

Marcia feebly tries to fend Paul off but when they go to a May Day festival they confess their love.  Marcia, however, feels obligated to Nazaroff and marries him.  I will stop my summary here but suffice it to say that this operetta has a rather operatic ending.

Maytime 1

Jeanette MacDonald demonstrates her range as an actress in this film.  She is unrecognizable but very touching in her performance as old Miss Morrison.  I kept looking to see if it was really her.  Impressive.  Her voice is also at its height.  This is also a very beautiful film to look at.  The old-fashioned look of Belle-Epoque Paris is gorgeous.

John Barrymore is a bit of a let-down and I have some problems with the “choose love over career” message but overall I can recommend this film.

Per the IMDb, the producers filmed MacDonald and Eddy in Act II of Puccini’s Tosca.  The footage is apparently lost.  I would give anything to see this.  Obviously, however, the plot line of Tosca stabbing Scarpia wouldn’t have worked well in Maytime!   The fake “Czarita” opera love scene was substituted.

Maytime was nominated for Academy Awards in the categories of Best Sound, Recording and Best Music, Score.