Daily Archives: September 11, 2013

The Milky Way (1936)

The Milky Way
Directed by Leo McCarey
Written by Grover Jones, Frank Butler, and Richard Connell
1936/USA
Paramount Pictures

First viewing

 

[box] [when asked whether the transition from silents to sound made any problems because of his voice, as with so many other stars from the era] I had to work a little on my voice because I hadn’t used it for years. I went to a voice coach for about five days, and then he said, “Good-bye, you just weren’t using it right”. — Harold Lloyd[/box]

Leo McCarey ensures that this is funnier than your average comedy.

Burleigh Sullivan (Harold Lloyd) is a mild-mannered milkman with well-developed skills in ducking to avoid punches.  One day, he confronts a couple of men who are harassing his sister.  During the incident, on of the men, who turns out to be the heavyweight champion of the world, gets knocked out.  The fighter’s manager (Adolphe Menjou) decides the only way to salvage his man’s reputation is to build up Burleigh and then let the fighter knock him out in a championship bout.  With Verree Teasdale as the manager’s wisecracking girlfriend and William Gargan as the champ’s sparring partner.

A lot of this is quite silly but there is enough inspired screwball dialogue for a good time.  Harold Lloyd’s physical antics are also frequently amusing.  I attribute the film’s success to McCarey who always gives a very enjoyable improvisational feel to his work.

Samuel Goldwyn bought the rights,  original negative, and almost all existing prints and destroyed them when he remade the story as The Kid from Brooklyn, starring Danny Kaye.  The film fell into the public domain and the print I watched on Amazon Prime Watch Instant left a lot to be desired.

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Osaka Elegy (1936)

Osaka Elegy (“Naniwa erejî”)
Directed by Kenji Mizoguchi
Written by Kenji Mizoguchi, Yoshikata Yoda and Tadashi Fujiwara
1936/Japan
Daiichi Eiga

First viewing

 

It’s not easy to “like” this thoroughly depressing film.  Nonetheless, it is darkly magnificent.

Mr. Asai is a whiny, complaining old man who gives his servant girls nothing but grief and is picked on by his wealthy wife.  Ayako (Isuzu Yamada) is a telephone operator who works for him.  Mr. Asai constantly propositions Ayako but she is in love with a co-worker.

Ayako’s spineless father has embezzled 300 yen from his company.  The company is threatening to prosecute unless he repays the money.  Although Ayako berates him mercilessly, she also desperately wants to get the money to save him from jail.  Her boyfriend cannot help her so she finally gives Mr. Asai what he wants.  She repays the company and Mr. Asai gives her father a job.  The affair is quickly discovered by Asai’s wife.

Later, Ayako gets money to help her brother with his tuition at university by promising her favors to another executive.  When she refuses to follow through, the executive gets her arrested.  Her boyfriend leaves her.  Her family disowns her and calls her an “ingrate”, not even acknowledging her help.  With Takashi Shimura (Ikuru, Seven Samurai) in a small role as a police inspector.

Mizoguchi was the champion of suffering women throughout his career and Osaka Elegy is an early example of this trend.  The problem for me is that Ayako, though strong, is not particularly sympathetic.  While secretly planning to help, she is always very caustic to her family members.  She is mean to the executive.  So I had a nagging feeling the whole time that she brought a lot of this on herself.   On the other hand, I’m not Japanese and don’t know whether filial piety almost required Ayako to avoid shame on her family at all costs.  If so, her body was all she had to bargain with.  This might make anybody hard to get along with.

Whatever reservations I might have about the plot, the film itself cannot be faulted.  Ayako and her boss watch a wonderful Kabuki puppet performance with thematic ties to her plight that I really, really loved.

Lead actress Isuzu Yamada may be most famous for her chilling performance as Lady Asaji Washizu, the Lady Macbeth role in Akira Kurosawa’s Throne of Blood (1957).

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