Monthly Archives: April 2013

Transatlantic Tunnel (1935)

Transatlantic Tunnel (AKA “The Tunnel”)Transatlantic Tunnel Poster 1
Directed by Maurice Elvey
1935/UK
Gaumont British Picture Corporation

First viewin

 

Richard ‘Mack’ McAllan: There are bigger things than money.
Airways Magnate: We don’t deal in ’em.

It is the near future (as of 1935).  The Channel Tunnel was completed in 1940 and a Bahamas-Miami Tunnel is profitable.  Television is everywhere and people talk by “Televisor” even from their seats in airplanes.  Intrepid American engineer Richard “Mack”  McAllan (Richard Dix)  proposes a tunnel to link England with America an accomplishment that would “unite the English-speaking peoples” and “bring World Peace”, made possible by a new giant radium drill  He convinces a group of greedy industrialists to back his plan and sets to work on the multi-year project.  His obsession with the project leads him to neglect his wife (Madge Evans) and son and leave them in charge of his best friend and fellow engineer (Leslie Banks).  Mack’s publicity duties have him frequently on the arm of a key investor’s lovely daughter (Helen Vinson).  No spoilers here but illnesses, mass deaths, and a volcano cannot deter Mack’s determination to complete his task.  World Peace is more important than the problems of a few little people!  With C. Aubrey Smith as a magnate, George Arliss as the British Prime Minister, and Walter Huston as the U.S. President.

Transatlantic Tunnel 4

I think its a lot of fun to look at the future from the perspective of the past and I came into this movie with high hopes. I have to admit that it delivered in terms of the special effects and art decoration.  The problem is that the story gets bogged down in the same old plot points that are in every second non-science fiction film of this era.  Far too much time is spent on the love rectangle between the engineer, his wife, his best friend and the magnate’s beautiful daughter.  Not only that but this sub-plot is milked for every bit of melodrama that can be wrung out of it.  We also meet a second problem which is that Richard Dix apparently figured he didn’t need to work on his acting any more after he won the Best Actor Oscar for Cimmaron.  He is pretty awful.

Also, I never did figure out how exactly the tunnel was going to lead to World Peace or how the engineers got around their volcano problem.  I could have overlooked my questions, though, if we had more tunnel and less tears.

Clip – opening

The Band Concert (1935)

The Band ConcertThe Band Concert Poster
Directed by Wilfred Jackson
1935/USA
Walt Disney Productions

Repeat viewing

 

Mickey Mouse conducts an old-fashioned band composed of his animal buddies in a rendition of “The William Tell Overture” but Donald Duck keeps distracting the musicians by playing “Turkey in the Straw” on his fife.  The cartoon concludes with the band being sucked up by a tornado and playing valiantly through it all.

The Band Concert 1This is one of the funniest Mickey Mouse cartoons of all time.  I laughed out loud several times. Some full-length comedies don’t get that out of me.  I love Donald Duck! This was the first Mickey Mouse cartoon in Technicolor.

https://www.youtube.com/watch?v=7lz9gxsgAJI

Complete cartoon (10 minutes)

Turn of the Tide (1935)

Turn of the Tide Turn of the Tide VHS
Directed by Norman Walker
1935/UK
British National Films

First viewing

 

Turn of the Tide is a sort of a Romeo and Juliet story told in a fishing village on the coast of Yorkshire.  It was based on a real feud.  The Fosdycks have fished the area for 400 years when the Lunns arrive.  The Lunns have modern ideas (like buying an engine for their boat) and the Fosdycks, particularly the patriarch of the clan, mightily resent their presence.  John Lunn (Niall MacGinness in his film debut) and Ruth Fosdyck (Geraldine Fitzgerald) are in love and both families object.

Turn of the Tide Poster

This film has a semi-documentary feel and is enjoyable for the good acting and glimpse at a vanished way of life.  It took brave men to go out in those rough seas in small boats!  This was the first feature film produced and distributed by J. Arthur Rank.

For your listening pleasure

The Clairvoyant (1935)

The Clairvoyantthe clairvoyant 1935 Poster
Directed by Maurice Elvey
1935/UK
Gaumont British Picture Corporation

First viewing

 

Clairvoyant, n.: A person, commonly a woman, who has the power of seeing that which is invisible to her patron – namely, that he is a blockhead. – Ambrose Bierce

I am moving into 1935 for the moment in order to catch a couple of films that are disappearing from Netflix Instant on May 1.  This is the story of Maximus, a fake music hall mind-reader (Claude Rains) who with the assistance of his wife (Fay Wray) performs such stunts as “guessing” items she collects from the audience.  One night when Christine (Jane Baxter) is present in the crowd, Maximus experiences a true clairvoyant trance.  Later, he begins to prophecy the future when Christine is around.  This eventually gets him into trouble as is blamed for the catastrophes he predicts.

The Clairvoyant still

This movie started out extremely strong.  Claude Rains is, of course, brilliant and Faye Wray is appealing.  The screenplay was written by long-time Hitchcock collaborator Charles Bennett and made at Hitchcock’s British studio and early parts of the piece had a definite Hitchcockian feel.  Unfortunately, the story descends into melodrama and the ending is really weak.  Still, I’m glad I watched this while I could.  I love Rains and he was in top form here.

 

The Marines Are Coming (1934)

The Marines Are ComingThe Marines Are Coming DVD
Directed by David Howard
1934/USA
Mascot Pictures

First viewing

 

Lt. William “Wild Bill” Traylor: Anybody can obey orders. It takes genius to win a war![/box]

Poverty row comedy about wise-cracking Marine Corps Officer Bill Traylor (William Haines) who is always in trouble with the brass.  When Traylor arrives in San Diego, he assigned to duty under his nemesis Captain Benton (Conrad Nagle).  He promptly latches on to Benton’s girlfriend (Esther Walston), while avoiding the advances of Rosita, a stereotypical Latin spitfire who has been following him from post to post insisting he marry her.  When Traylor is forced to resign his commission, he returns as an enlisted man and the shenanigans continue in an unnamed Latin American country where the Marines are fighting bandits.The Marines Are Coming 2

This film is notable mostly for being the last film William Haines ever made.  I didn’t like it much.  All the principals seem to have been instructed to plaster a big grin on their face and give it their all.  Everybody complied but that didn’t make the film amusing to me.

William_Haines_1930

William Haines in 1930

The film, however, did inspire me to look up Haines’s biography.  He was a very popular silent star, regularly named #1 male box-office draw at the end of the silent era.  He was released by MGM in the early thirties, reportedly due to a fight with Louis B. Mayer, who wanted Haines to end his relationship with his lover Jimmie Shields and marry a woman.  Haines and Shields went on to be a couple for over 50 years and Haines had a very successful 40-year career as an interior designer.

Clip: Opening

Broadway Bill (1934)

Broadway Billbroadway-bill-poster
Directed by Frank Capra
1934/USA
Columbia Pictures Corporation

First viewing

 

Dan Brooks: Doesn’t anything ever change in this mausoleum?
Alice Higgins: Yes. Bedspreads and underwear.

Frank Capra made this pleasant comedy between It Happened One Night and Mr. Deeds Goes to Town.  Higginsville is a one-man town; all the business are owned by J.L. Higgins (Walter Connelly) and run by his various sons-in-law.  Dan Brooks (Warner Baxter) is married to eldest daughter Margaret (Helen Vinson) and is reluctantly managing a paper box business but his passion is his race horse Broadway Bill.  The youngest Higgins daughter, Alice (Myrna Loy), is a free spirit like Dan and is secretly in love with him.  Dan, however, treats Alice like a kid.  One fine day, Dan decides he can take no more of Higginsville and sets out with no money to enter Broadway Bill in an important Derby race with the support of faithful groom Whitey (Clarence Muse) and Alice.  The rest of the picture follows their trials and tribulations on the way to the big race.  With Margaret Hamilton in a small role as a landlady and Frankie Darro as a jocky.

Broadway Bill 1

Although the ending is weak and the story is a bit sentimental, I enjoyed this a lot.  Frank Capra seems to get good performances from all his actors. Warner Baxter, who is generally ultra-intense, is as relaxed as I have ever seen him and even funny at times.  Myrna Loy is great as always.  I was also pleased with the treatment of the character of the African-American groom.  Although there is some stereotyping of course, he is portrayed as a real member of the team.  It was so refreshing after a couple of Stepin Fetchin films in a row!

I read that Capra was not a big fan of this film because Warner Baxter was afraid of horses and Capra thought it showed.  I didn’t notice.  Capra remade the story in 1950 as Riding High with Bing Crosby and Colleen Gray.

 

Les Misérables (1934)

Les MisérablesLes Miserables Poster
Directed by Raymond Bernard
1934/France
Pathé-Natan

First viewing

 

Jean Valjean to Inspector Javert: Each man has his own notion of duty.

Jean Valjean

Jean Valjean

 “Love is the foolishness of men, and the wisdom of God.” ― Victor Hugo, Les Misérables

This excellent four-and-a-half hour adaptation of the Victor Hugo novel, noted as being the most complete rendering of the story, was released as three films. I watched one film a day over three days. Part One: “Une tempête sous un crâne” (Tempest in a Skull) covers Jean Valjean’s release from prison and redemption in the encounter with the Bishop through the death of Fantine.  Part Two: “Les Thénardier”(The Thenardiers) covers little Cosette’s treatment at the hands of the Thenardiers and her rescue then flash forwards eight years to Paris to relate Cosette’s romance with Marius and the Thenardiers’ threats against Jean Valjean.  Part Three: Liberté, liberté chérie (Freedom, dear Freedom) covers the Uprising of 1832 and the conflict at the barricades through the end of the novel.  There is certainly enough plot to justify the long running time!

Les Miserables 2

The highlight of the film is Harry Baur’s portrayal of Jean Valjean.  He is a powerful, taciturn, and unassuming man, equally convincing as a convict and as a gentleman.  Baur is one of those actors that can express a world of emotion with a glance and is superb.  Charles Vanel plays Javert as a relentless enforcer of the law, there is no evil posturing here.  The other performances are not quite up to these two but are quite adequate.

The film is filled with beautiful expressionist lighting and interesting camera angels.  Little Cosette’s trek to fetch water in the dark is unforgettable and reminiscent of Snow White’s adventures with its scary faces seen in every tree.  Although the filming was all done on the back lot, the set design and costuming are lavish and evocative of 19th Century France.  Finally, there is a fabulous score by Arthur Honegger.  Very highly recommended.

Jean Valjean and the Bishop

Stand Up and Cheer! (1934)

Stand Up and Cheer!OLYMPUS DIGITAL CAMERA
Directed by Hamilton MacFadden
1934/USA
Fox Film Corporation

First viewing?

 

The President decides to improve morale during the Depression by creating a Department of Amusement headed by Secretary Lawrence Cromwell (Warner Baxter).  Cromwell selects Mary Adams (Madge Evans) to run the Children’s Division, and they promptly fall in love.  Meanwhile, some wicked industrialists are trying to sabotage Cromwell’s efforts to cheer up the nation.

Stand Up and Cheer 1

Dig those hats!

The plot is an excuse for a variety review and, aside from the “Baby Take a Bow” number with Shirley Temple and James Dunn, this movie is a godawful mess. The routines progressively grow worse and worse until we are left with “Broadway’s Gone Hill-Billy”, a truly awful sketch involving Stepin Fetchit and a penguin voiced by a Jimmy Durante impersonator (!!!), and the “We’re Out of the Red” finale.  Yes, these are every bit as bad as they sound.

James Dunn

The ability of James Dunn to overcome this dreadful material led me to look up his biography. I really thought he was wonderful in 1931’s Bad Girl and was wondering what became of him. It turns out that it was the old story of alcholism rendering a talented actor unemployable. Dunn did have a comeback in 1945’s A Tree Grows in Brooklyn which earned him a Best Supporting Actor Oscar but he retreated again into obscurity.

Website dedicated to James Dunn:  http://rememberingjimmy.com/about-james-dunn/biography/

Clip – “Baby, Take a Bow”

Tinker Tailor Soldier Spy (2011)

Tinker Tailor Soldier SpyTinker Tailor Poster
Directed by Tomas Alfredson
France/UK/Germany/2011
Studio Canal/Karla Films/Kinowelt Filmproduktion/Working Title Films
#1096 of 1001 Films You Must See Before You Die (combined list)
First viewing
IMDb users say 7.1; I say 7.0

George Smiley: [on Karla] He’s a fanatic. And the fanatic is always concealing a secret doubt.

This is based on the John le Carré novel. The plot is really complicated so I will just hit the high points.  Control (John Hurt), the Head of British Intelligence, is forced to retire after an operation in Hungary goes badly wrong.  He had sent an agent on a secret mission to uncover a Soviet mole in the top management of the agency. George Smiley (Gary Oldman) retires at the same time.

Tinker-Tailor-Soldier-Spy 3

Control and the “Circus”

New management pursues the highly compartmentalized Witchcraft Project in hopes of luring the U.S. to share intelligence. Later, the Minister also begins to believe there is a mole and hires Smiley as an outsider to ferret him out. Smiley uncovers layer after layer of betrayal, spies of country, lovers of each other, and friend of friend. Also starring Colin Firth, Tom Hardy, Mark Strong and Benedict Cumberbatch.

Tinker-Tailor-Soldier-Spy-image

Spying on the spies

This kept my interest for the whole 2+ hours but I was not invested in any of the characters, with the possible exception of Smiley, so I could not get worked up about the solution of the mystery. It is one of those plots that throws the viewer into a mix of flashbacks and current scenes without any exposition. The story got progressively more engaging but I find this kind of thing also keeps me at a distance.

On further reflection, however, the pieces kept coming together and I’ve come to the conclusion that the film worked better than it first appeared.  I especially liked the use of the scenes between the child Bill and his teacher Jim Prideaux.  These went right over my head while I was watching.  I wound up raising my rating from 7 to 8 out of 10.

I thought the best thing about the movie was the opportunity to enjoy some top-notch acting by all the principals. I have never seen Gary Oldman give a bad performance and this was particularly fine. I also find Colin Firth awfully easy on the eyes and was pleased to find him here.

tinker-tailor-soldier-spy-trailer 7

Oldman’s expressive face

When did the movies start to need to show a bathtub full of intestines to convey the idea that someone has been brutally murdered?  The person would be equally dead with a couple of bullet holes!  There were at least three or four really gruesome deaths in this one.  Yuck.

Trailer

Born to Be Bad (1934)

Born to Be BadBorn to Be Bad Poster
Directed by Lowell Sherman
1934/USA
20th Century Pictures

First viewing

 

Malcolm Trevor: You’re just a beautiful bad girl.

Loretta Young plays Letty Strong, an unwed mother who works as a “model” and “sales promoter” to support herself and her seven-year-old son, Mickey.  Life has made her hard as nails and she is raising her son to be the same.  She sees a way to cash in when a dairy truck driven by Malcolm Trevor (Cary Grant) runs into Mickey.  They sue and Mickey fakes an injury.  When Trevor’s side proves this, the judge takes Mickey away from Lottie and puts him in an institution.  Trevor and his wife volunteer to take care of Mickey.  Lottie seduces Trevor in hopes of blackmailing him into returning her son.

Born to Be Bad 1

Henry Travers zips up Loretta Young’s dress

This movie is Pre-Code and how.  We don’t even have to look up the date of release to know this.  Young is disrobing down to her lacy lingerie within five minutes of the opening and we have a plot featuring illegitimacy, loose living, and adultery.  Unfortunately, the film could be better.  I have never seen Cary Grant act quite so badly as he does here.  To be fair, the script doesn’t do him any favors.  Loretta Young is good but not completely convincing as a “bad girl”.  I can recommend this mostly for the beautiful gowns and a glimpse at a world that will not appear in Hollywood films for the next 30 years.  It is just over an hour long.

https://www.youtube.com/watch?v=3-Qu8aj3toA

Clip