Daily Archives: April 1, 2013

The Phantom of the Opera (1925)

The Phantom of the OperaPhantom Poster
Directed by Rupert Julian
1925/USA
Universal Pictures

#26 of 1001 Movies You Must See Before You Die
First Viewing

 

This is another of the movies from The List that I had never seen before and was available from Netflix streaming.

Erik: Feast your eyes! Glut your soul on my accursed ugliness!

Erik (Lon Chaney), a self-taught musician and disfigured, criminally insane fugitive, has taken refuge in the cavernous cellars of the Paris Opera House. There he has been taken for a phantom that haunts the opera house. He develops a passion for rising opera singer Christine and promotes her career by writing threatening letters to keep the star diva from singing and by killing the audience with a chandelier when that doesn’t work. Eventually, he lures Christine to his realm where she soon learns of the hideous countenance hidden by his mask. He agrees to allow Christine to return to the opera on the condition that she stay away from her lover. Naturally, Christine cannot resist and all hell breaks loose.

Phantom of the Opera Technicolor

The Phantom as the Red Death

I must say that this is much creepier and more gripping than the 1943 Claude Rains version. The print I saw had quite a bit of tinting, two-strip Technicolor sequences, and a specially composed score that heightened the effects. Chaney was spectacular and, while I could have lived without some of Mary Philbin’s posturing, I really enjoyed it.

The unmasking scene

 

It’s a Gift (1934)

It’s a Giftits_a_gift DVD
Directed by Norman Z. McLeod
1934/USA
Paramount Pictures

#81 of 1001 Movies You Must See Before You Die
Second viewing

 

W.C. Fields plays Harold Bisonette (that’s Biso-NAY when his wife’s around). The hen-pecked Bisonette owns a corner grocery but dreams of moving to California and running an orange ranch. His uncle dies and leaves him the money to move his family West, much to their disgust. The orange grove turns out to be a bust but there is always a happy ending in a W.C. Fields movie.

Harry Payne Bosterly: You’re drunk!
Harold: And you’re crazy. But I’ll be sober tomorrow and you’ll be crazy for the rest of your life.

It's a Gift 3

I have been trying to figure out why Fields just isn’t funny to me. I think he lets each of his gags run on too long and telegraphs them too obviously. Also much of the humor relies on destruction, irritating noises, etc., which I find more annoying than comic. Finally this movie has a scene of food humor toward the end. I can’t help it, I just find anything involving making a mess with food more disgusting than anything else.

This is one of the 1001 Movies You Must See Before You Die. The only reason I can find is that W.C. Fields is a name everybody has probably heard of. I now have seen this film twice and that’s more than enough for one lifetime.

The porch scene (Karl L-a-F-o-n-g)