Daily Archives: July 28, 2014

In a Lonely Place (1950)

In a Lonely Place 
Directed by Nicholas Ray
Written by Andrew Solt and Edmund H. North from a story by Dorothy B. Hughes
1950/USA
Columbia Pictures Corporation/Santana Pictures Corporation
Repeat viewing/Amazon Instant Video
#242 of 1001 Movies You Must See Before You Die

[box] Dixon Steele: I was born when she kissed me. I died when she left me. I lived a few weeks while she loved me.[/box]

This is one of the must-see movies in the film noir canon,with one of the all-time great screenplays and a career performance by Humphrey Bogart – a classic of American cinema.

Dixon Steele (Bogart) is a genius screen writer with a bit of a drinking problem and a hair-trigger temper.  His first instinct when he gets angry is to slug someone.  He hasn’t written any hits since returning from the war, which has evidently scarred him in some way.  His agent has gotten him a commission to adapt a pot-boiler novel for the screen.

After displaying his character traits by getting into a brawl with a jerk at his favorite bar/restaurant , Dix asks air-head cigarette girl Mildred, who has read the book, to tell him the story at his apartment.  The star-struck lass agrees, breaking a date with her steady to do so.  They run into Dix’s new neighbor Laurel (Gloria Grahame) when they get to the complex.  Mildred stays for awhile, relating the truly vapid plot, and Dix sends her off with $20 to the nearest taxi stand.

Mildred is found suffocated and dumped in a gully.  Dix’s wartime buddy Brub Nicolay (Frank Lovejoy) just happens to be working as a detective in the homicide bureau and comes to bring Dix, the prime suspect in to Headquarters.  Dix is amazingly flippant about the whole affair.  Laurel, who saw Mildred arrive and depart the apartment, is called in later to establish his alibi.

Dix and Laurel are immediately attracted.  The lonely Dix feels that he has at last met his match and they fall deeply in love.  Laurel inspires him to get back to work on his writing. Dix is thinking marriage.  Sadly, however, love does nothing to change Dix’s volatile nature and the tension surrounding the investigation causes him to lash out more than usual. Various incidents begin to trouble Laurel so much that she begins to think he might be guilty of the murder.  When Dix insists on an early elopement, Laurel has a heartbreaking decison to make.

I feel so much pity for the characters in this movie.  Bogart, with his sad eyes, is absolutely convincing as a witty and sensitive man with a huge character flaw that seems beyond his control.  Gloria Grahame is heartbreaking as Laurel, who I think makes the only sane decision a woman could despite loving all the better parts of Dix.

The screenplay is by turns witty and satiric and incredibly moving.  The movie also looks gorgeous.  The pathos is heightened by the George Antheil score.  Absolutely recommended.

Trailer – cinematography by Burnett Guffey

The Reckless Moment (1949)

The Reckless Moment
Directed by Max Ophüls
Written by Mel Dinelli, Sidney Garson, et al from the Ladies Home Journal story “The Blank Wall”
1949/USA
Columbia Pictures Corporation
First viewing/Korean import DVD
#226 of 1001 Movies You Must See Before You Die

[box] Martin: Hell is other people…[/box]

The List introduced me to this film and for that I am grateful.

Lucia Harper’s (Joan Bennett) husband is in Berlin at Christmas and she is left to head the household of her father, seventeen-year old daughter Bea and younger sons.  They are a respectable, tight-knit middle class family.  Clearly Lucia is not used to making important decisions on her own nor does she want to bother her husband.  Her daughter has taken up with a much older man, Ted Darby  and Joan feels she must break it off.  She confronts the man and he offers to stop seeing Bea in exchange for a pay-off.  Instead, Lucia goes home and tells Bea what Ted said.  Bea meets him, they argue, and Bea pushes him, causing him to hit his head on an anchor and, unbeknownst to her, killing him.

In the morning, Lucia finds the corpse.  In her panic, she takes the body out to sea in a motor boat (they live in Balboa) and sinks it with the anchor.  The body is soon discovered. Then bad guy Nagel, an associate of the deceased, gets his hands on Bea’s love letters to Ted and sends his buddy Martin Donnelly (James Mason) to threaten Lucia that they will go to the police with the letters unless she pays them $5,000 more or less immediately.

But Lucia doesn’t have the money and can’t think of a way to get it without involving her husband, which she still is unwilling to do.  Fortunately for her, Martin develops an affection for her.  Now they are both in great danger from the ruthless Nagel.

So far I have found Ophül’s American films a mixed bag but I really liked this one.  The acting is first rate and the story is interesting and beautifully filmed. This part was totally against type for the usually seductive Bennett and she was excellent in it.  Mason is Mason.  I don’t think I have seen him with a bit of an Irish brogue in his accent before.

I have to admit I was frustrated with the ending, however. I felt like a certain undeserving party got let off the hook too easily.  Maybe I should have worked for the Hayes office! Actually, I don’t know how they got away with this in 1949.

Fan trailer – montage of clips and stills (spoilers)