Daily Archives: July 7, 2014

Phantom Lady (1944)

Phantom Lady
Directed by Robert Siodmak
Written by Bernard C. Schoenfeeld based on the novel by Cornell Woolrich
1944/USA
Universal Pictures
First viewing/TCM Dark Crime Collection DVD

[box] [first lines] Ann Terry: [to bartender] Give me a nickel, please.[/box]

And now for some real film noir complete with Dutch angles and lots of shiny low-key photography!  The film has some problems but none that stop it from being really enjoyable.

After an argument with his wife, engineer Scott Henderson (Alan Curtis) goes out to a bar. He has an extra ticket to a hit Broadway show and invites a lady he meets there to accompany him. This lady is almost catatonic with depression but agrees to go with him on the condition that he ask her no questions including what her name is.  She is wearing a very distinctive hat that happens to be identical to one worn by an entertainer in the show.

Henderson arrives home to find his wife murdered and his apartment occupied by Inspector Burgess (Thomas Gomez) and his men.  But Henderson has an alibi for the time of the crime – he was with the lady.  He doesn’t know her name of course but there were plenty of witnesses that can be located that saw them together – the bartender, the entertainer who kept glaring at the lady, a drummer who was making eyes at her, etc.  But none of these will admit to having seen her.  Henderson is tried and convicted for murder.

Now the story begins in earnest.  Henderson’s secretary Carol (Ella Raines) is convinced her boss is innocent.  She starts visiting the witnesses and questioning them.  They start being murdered one by one and Carol’s life appears to be in great danger.  Then Inspector Burgess,who privately believes Henderson is innocent as well, starts to help her.  Finally Henderson’s best friend Jack Marlow (Franchot Tone) arrives from South America and becomes Carol’s constant companion as she tries to track down the maker of the hat. With Elisha Cook Jr. as the drummer and Faye Helm as the lady.

Curtis displays precious little emotion as the condemned man but Ella Raines makes up for that in spades.  She is wonderful both as Carol and as a kind of trashy alter ego who seduces the drummer in a great scene.  Siodmak was a master at this kind of thing and keeps the suspense high despite a script that reveals a major plot twist far too early.  It looks simply gorgeous.  This is noir at its most alluring.  Recommended.

Clip – the jazz band scene

The Crimson Kimono (1959)

The Crimson Kimono
Directed by Samuel Fuller
Written by Samuel Fuller
1959/USA
Globe Enterprises
First viewing/Amazon Instant Video

 

[box] I hate violence. That has never prevented me from using it in my films. — Samuel Fuller[/box]

This is an entertaining police procedural with a bit of a message from the weird and wonderful Sam Fuller.

A stripper is gunned down in Little Tokyo.  Partners and Korean War buddies Charlie Bancroft (Glenn Corbett) and Joe Kojaku (James Shigeta) of the LAPD are on the case. The stripper was planning a new Japanese-themed act to feature stripping off from a kimono followed by a battle between a samurai and a karate master.  (I am not making this up!)

In connection with this, the stripper had a portrait painted of her in a red kimono.  The investigation takes our detectives to the beautiful young artist who painted it.  Naturally, both of them fall in love with her.  She loves Det. Kojaku.  Loyalty to his partner and doubts about her true feelings about the racial difference tear him apart.

The murder and several fistfights couldn’t look faker and some of the acting is not of the best.  I don’t know why but neither these things nor the incredible plot hampered my enjoyment of the film in the least.  Something about Fuller is just inherently fascinating to me.  This one has lots of great scenes among the Nisei of Little Tokyo plus the courage to address the racial divide and to praise the valor of the Japanese-Americans who fought on the U.S. side in World War II and later.  (The tagline is:  YES, this is a beautiful American girl in the arms of a Japanese boy!).

James Shigeta is quite good as the boy in question.  His manner reminds me of a Japanese Robert Mitchum.

Clip – cinematography by Sam Leavitt

Nightfall (1957)

Nightfall
Directed by Jacques Tourneur
Written by Stirling Silliphant from a novel by David Goodis
1957/USA
Copa Productions
First viewing/Columbia Pictures Film Noir Classics III

[box] Marie Gardner: Yesterday, my biggest problem was how I was going to break a date with a fellow I know for tonight. Of course I could call him up and tell him I can’t make it. I’m on my way to Wyoming in a pair of field boots, with a man that’s wanted for murder.[/box]

This is a suspense drama highlighted by the beautiful young Anne Bancroft and some equally beautiful cinematography by Academy Award winner Burnett Guffey.

Commercial artist Jim Vanning (Aldo Ray) is a man with a mysterious past who is clearly being trailed by that man at the bus stop.  He starts talking to model Marie Gardner (Bancroft) in a bar, buys her dinner, and gets her phone number and address.  Immediately upon exiting the bar, two thugs strong arm him into a car and take him to an isolated spot where they threaten to torture him until he tells him where the $350,000 is.

He gets away and, thinking he has been double-crossed, shows up at her apartment to confront her.  Marie thought the men were police.  Now they have her address, having obtained Jim’s wallet.  So Jim feels he must take her with him on his long trip to Wyoming to search for the cash.  He begins telling her his sad story …  With Brian Keith as one of the thugs, James Gregory as an insurance detective, and Frank Albertson as Jim’s hunting buddy.

The plot doesn’t bear much scrutiny and Aldo Ray is somewhat challenged in the acting department but I enjoyed this anyway.  Jim’s story comes out in dribs and drabs and keeps the viewer guessing.  This is the earliest film I have seen Bancroft in and she is beyond lovely.  Except that our hero has a Past, it’s not too noir.  No “nightfall” is involved. Much of the story plays out among beautiful daytime vistas of the snowy Wyoming Rockies.

Trailer – cinematography by Burnett Guffey