Daily Archives: July 25, 2014

Storm Warning (1951)

Storm Warning
Directed by Stuart Heisler
Written by Daniel Fuchs and Richard Brooks
1951/USA
Warner Bros.
First viewing/Netflix rental

 

[box] Faulkner: Let’s not fool ourselves, Charlie. You know the boys. Without those white hoods to hide in, they’re no heroes. That’s why they need the hoods in the first place. Put them under fire, legal fire, and you’ll see a rat race like you never seen before! They’ll squeal, they’ll cry, they’ll run like rabbits![/box]

There are some excellent performances and plenty of thrills in this movie about how the Klan intimidates an entire town.

Dress model Martha Mitchell (Ginger Rogers) takes a night off from a business trip to visit her recently married sister Lucy (Doris Day).  Minutes after she gets off the bus and heads to the recreation center where Lucy works, she witnesses hooded Klan members dragging a man out of jail and murdering him.  A couple of the men are not hooded.  Martha arrives at Lucy’s house, shaken, and is appalled to recognize Lucy’s husband Hank (Steve Cochran) as one of the killers.  Hank says the group only wanted to scare the man and acts contrite.  Martha promises to keep her mouth shut for Lucy’s sake since her sister is expecting a baby and is madly in love with the oafish, vicious truck driver.  She promises to slip away the next morning.

Her departure is delayed when  local D.A. Burt Rainey (Ronald Reagan) finds evidence that she must have been near the jail at the time of the murder.  She says that she was unable to recognize the murderers because they were all wearing hoods.  Unwittingly she has become Rainey’s star witness at the inquest.  He had been unable to break the code of silence enforced by the Klan for years and sees a chance to name the group in the murder..

But Grand Vizer Charlie Barr fears an examination of the Klan’s books which will reveal that he has been taking a big cut of the proceeds from selling regalia, dues, etc.  He threatens to pin the entire murder on Hank if Martha testifies about the hoods.  Reluctantly, Martha lies at the inquest.  But when the awful Hank harasses an innocent townsman at the rec center and later tries to rape her, she changes her mind.  Things get increasingly scary after that.

Ginger Rogers proved she deserved her acting Oscar for Kitty Foyle in this very dramatic role.  This was Doris Day’s first non-singing screen role and I thought she was convincing as a small town housewife.  But the big draw of the film for me is Steve Cochran’s very believable turn as an ignorant villain.  Heisler keeps the tension high throughout culminating in the truly frightening cross burning scene.

The one flaw in the picture, and for some it may be a deal breaker, is the watered-down portrayal of the Klan.  This Klan is not a white supremacist organization but instead is battling “busybodies and outsiders”.  They kill the reporter for threatening to investigate their books for tax evasion.  I wonder whom the filmmakers were trying not to offend …

https://www.youtube.com/watch?v=wSWg8ibQFh4

Trailer – Cinematography by Charles E. Guthrie

Scandal Sheet (1952)

Scandal Sheet
Directed by Phil Karlson
Written by Ted Sherdeman, Eugene Ling and James Poe based on the novel The Dark Page by Samuel Fuller
1952/USA
Motion Picture Investors/Columbia Pictures
First viewing/Netflix rental

[box] Biddle: You know that wasn’t a bad looking dame. Too bad the guy used an axe on her head. Spoiled some pretty pictures for me.[/box]

It seems that the media was a favorite target of filmmakers in the 1950’s.

After Mark Chapman (Broderick Crawford) took over as editor-in-chief of a big city newspaper, he turned it into a tabloid and circulation skyrocketed.  Feature writer Jullie Allison (Donna Reed) finds her new boss’s methods deplorable but ace crime reporter Steve McCleary (John Derek), who is sweet on her, is modeling himself on Chapman.

One of Chapman’s ploys is hosting a “Lonelyhearts” dance, with prizes, and reporting on the paper’s successful matchmaking.  Unfortunately, the wife (Rosemary DeCamp) he abandoned over 20 years ago when he was known as George Grant is one of the lonely.  She confronts him, threatens to expose him, and winds up dead in a bathtub.

McCleary is on the case and soon discovers it was murder.  Like his boss has taught him, he follows up with dogged determination.  Rummy ex-newsman Charlie Barnes joins in the fun.  More murders follow but they do not dissuade the star reporter.  With Harry Morgan as a photographer.

I really enjoyed the sheer energy of this one.  It moves along at a nice clip and all the performances are very good.  The plot has the flavor of Sam Fuller, who wrote the source material, but some of his excesses have been trimmed to the benefit of realism. Phil Karlson has been hit and miss for me but this was a hit.

https://www.youtube.com/watch?v=6_JLUCIFBGs

Title sequence -cinematography by Burnett Guffey