Daily Archives: July 24, 2014

Edge of the City (1957)

Edge of the City
Directed by Martin Ritt
Written by Robert Alan Arthur
1957/USA
David Susskind Productions/Jonathan Productions/Metro-Goldwyn-Mayer
First viewing/Netflix rental

[box] “There is nothing more frightful than ignorance in action.” ― Johann Wolfgang von Goethe, Collected Works[/box]

This waterfront drama was written specifically for Sidney Portier and shows off his dramatic range.

Axel North (John Cassavettes) arrives in New York with a secret and an introduction to waterfront foreman Charles Malik (Jack Warden).  His secret is such that he is willing to pay Malik part of his hourly wage to get a job.  We learn early on that his actual name is Nordman and he is estranged from his parents.

Malik proves to be a bully.  His needling gets worse when Axel becomes friendly with an easy going black foreman, Tommy Tyler (Portier).  Tyler offers Axel a place on his crew and introduces him to his family, including wife Lucy (Ruby Dee) and her friend Ellen. They all become close friends.

 

It develops that Malik’s animus comes from his racial bigotry.  Things take a tragic turn when he provokes the stoic Tyler beyond endurance.

For some reason, I couldn’t really get into this movie.  Portier’s character is too good to be true and much as I love Cassavettes he is fairly stiff here. Warden is at his explosive best though and the dramatic finale is gripping.

This was director Martin Ritt’s (Hud, The Spy Who Came in From the Cold, Norma Rae) big-screen debut.

Trailer – cinematography by Joseph Brun

The Street with No Name (1948)

The Street with No Name
Directed by William Keighley
Written by Harry Kleiner
1948/USA
Twentieth Century Fox Film Corporation
First viewing/Netflix rental

 

[box] Alec Stiles: What’s the use of having a war if you don’t learn from it?[/box]

This early semi-documentary style police procedural is enlivened by Richard Widmark’s performance as the germo-phobic gang boss and gritty location shooting on L.A.’s mean streets.

When two innocent civilians fall to gangland shootings, the FBI’s Inspector Briggs (Lloyd Nolan in his character carried over from The House on 92nd Street) suspects a Skid Row gang.  He assigns Agent Gene Cordell (Mark Stevens) to infiltrate the gang and Agent Cy Gordon as his backup undercover at a nearby flophouse.  Cordell insinuates himself into the local scene and soon impresses gang leader Alec Stiles (Widmark) with his boxing prowess at the gym.

Stiles wants to build his organization on “scientific lines”.  His operation benefits from a mysterious informant somewhere deep within the police department.  The story follows the FBI’s procedures in finding the evidence necessary to pin the murders on Stiles and Cordell’s dangerous maneuvers within the gang.  With Ed Begley as the Chief of Police.

Cinematographer Joe McDonald brings his noir expertise (Panic in the Streets, Call Northside 777, Pickup on South Street) to bear in lending interest to what might otherwise be a routine crime drama.  This was Widmark’s second film after his debut as the psychotic Tommy Udo in Kiss of Death.  He is fun to watch as the fastidious, neurotic Stiles, who is nonetheless ready to slap his wife down at the slightest provocation or none at all.  This is all balanced out by many scenes detailing FBI forensic procedures under the bright lights of Bureau labs.

Trailer – cinematography by Joseph MacDonald