Daily Archives: July 23, 2014

The Underworld Story (1950)

The Underworld Story
Directed by Cy Endfield
Written by Harry Blankfort and Cy Endfield; story by Craig Rice
1950/USA
FilmCraft Productions
First viewing/Warner Archive DVD

 

[box] Catherine Harris: Did you ever rob graves, Mr. Reese?

Mike Reese: No future in it.[/box]

This indictment of the media is uneven but interesting.

Mike Reese (Dan Duryea) is a reporter who will stop at nothing for a story or a buck.  He is fired from his big city newspaper when an article he wrote (but begged the editor not to publish) resulted in a gangland killing.  The paper’s owner E.J. Stanton (Herbert Marshall) has been battling city boss Carl Durham (Howard da Silva) and believes Reese must have ties to the man. Reese is nothing if not adaptable and goes to Durham to get a loan to start over.  With the money, he buys a half interest in a struggling small town newspaper owned by Cathy Harris (Gale Storm).

E.J. Stanton’s daughter-in-law is promptly murdered.  The audience learns immediately that his son murdered her but is framing the Negro maid Molly (Mary Anderson) for the crime.  The other characters are in the dark.  The tortured Stanton goes along with this to avoid scandal.  Cathy went to school with Molly and believes she could not have committed the crime.  Reese proceeds to cash in by turning Molly over the police for the reward money and then whipping the town up into establishing a defense fund for her, which he intends to split with the defense attorney.

The town big shots, including Stanton, scheme to drive Reese out of town.  Reese fights back against increasingly menacing threats,

First, the good.  By now, readers know how I feel about Duryea and he does not disappoint.  Howard da Silva is perfect as the affable but ruthless Durham.  Stanley Cortez’s cinematography is outstandingly Expressionistic.  On the other hand, most of the other performances are over the top and the story slides into preachy melodrama at points.  And why, oh why, would they cast a white actress as the black maid?  Just because she is sympathetic and educated?

 

The Prowler (1951)

The Prowler Directed by Joseph Losey
Written by Dalton Trumbo (originally credited as “Hugo Butler”); story by Robert Thoeren and Hans Wilhelm
1951/USA Horizon Pictures

First viewing/YouTube

[box] I am frequently told that my films don’t make money. Since I have averaged one film a year for thirty years – some of them expensive ones – I can only conclude that somebody is making money. — Joseph Losey[/box]

Joseph Losey turns film noir on its head with a homme fatale in this subversive chiller.

Susan Gilvray (Evelyn Keyes) has a nervous and lonely life with her apparently much older husband (we never see him) who cannot give her children and leaves her alone every night while he does his radio show.  She hears a prowler and calls the police.  The two cops that answer the call find no prowler but one of them, Webb Garwood (Van Heflin), immediately starts checking out Susan and her lovely home.  Later he returns alone and says department regulations require him to check up on her safety.  They find that they went briefly to the same high school.  Susan was from the right side of the tracks and Webb from the wrong side of Terre Haute, Indiana.  Webb hates his job as a policeman and bears a general grudge toward the world. The next night Webb shows up in his civvies.  He makes aggressive advances and Susan finally caves.  They begin an affair.

When Susan’s husband discovers the affair, Susan tries to break it off.  Webb wants her to go with him to Las Vegas where he has his eye on a motel, which he thinks is a way to make millions without working.  She refuses.  He starts agreeing they should call it quits and she starts pleading with him to take her back.  Finally, while Webb is on patrol, he starts making prowling noises at Susan’s house.  When Susan’s husband comes out to investigate, Webb shoots him.

A coroner’s inquest finds that the death was accidental. Susan and Webb both deny any prior relationship on the stand.  Although Susan is initially very suspicious – even calling out “murderer” at the inquest – Webb soon manages to sweet talk her into a wedding and they depart for Las Vegas.  Then Susan discovers she is four months pregnant.  The increasingly paranoid Webb has some mighty peculiar ideas about this….

I loved this movie though it made me really uncomfortable.  Van Heflin is seriously scary as the deranged Webb.  He is able to convey so much greed, scheming, and paranoia just with his eyes. You can almost read his thoughts and they aren’t pretty.  Evelyn Keyes makes a convincing lovelorn nervous Nellie, who turns out to have a  will of her own.

One of the things I loved most was the way Trumbo and Losey commented on police corruption and the emptiness of the American Dream without making any of this explicit. Some folks find the ending unbelievable, and I suppose it is, but this didn’t bother me. The edgy score adds to the tension.  Highly recommended.

I watched this on YouTube because I thought no U.S. DVD was available, but I now see that a restored version has been released with plenty of extra features.

https://www.youtube.com/watch?v=HR5r47Y6Zw0

Trailer – cinematography by Arthur C. Miller – don’t worry, the “voice of their conscience” is not in the film!