Daily Archives: July 20, 2014

Woman on the Run (1950)

Woman on the Run
Directed by Norman Foster
Written by Alan Campbell and Norman Foster; original story by Sylvia Tate
1950/USA
Fidelity Pictures Corporation
First viewing/Amazon Prime Instant Video

[box] Eleanor Johnson: [In the dark shadows of roller coaster on the deserted beach at night] I don’t like this place.
Danny Leggett: It’s a good spot. I used to come here with my girl when I was a kid. It’s more frightening than romantic. It’s the way love is when you’re young… life is when you’re older.[/box]

This is a fairly routine programmer with a few thrills at the end.  We also get some nice location shots of 1950 San Francisco.

Frank Johnson is walking his dog when he witnesses a gangland shooting.  For some never explained reason, he slips away while being interviewed by the police.  Inspector Ferris (Robert Keith) is irked and goes to fetch Frank’s wife Eleanor (Ann Sheridan).  She acts as if she couldn’t care less that her husband might become the target of the killers and is able to offer very little information about him.  During the night she escapes her well-guarded apartment with the help of reporter Dan Leggett (Dennis O’Keefe).

Dan is Eleanor’s constant companion as she searches San Francisco for her husband who needs his heart medicine.  During the search, she finds out a lot of things about Frank that she didn’t know, including that he might actually love her.  Inspector Ferris is on her trail throughout.  As she gets closer to finding her husband, Eleanor faces trouble from more than the cops.

I watched this one over a couple of days on my iPad, not perhaps adequate for a fair appraisal for this relatively highly rated movie (7.3/10 on IMDb),  This is more of a woman’s picture/thriller than it is a film noir.  Even the final roller coaster scene did not lift it far above average for me.  The performances are all fine.

I couldn’t find a decent clip.  The complete movie is also currently available on YouTube. This is another one that was recently restored but is still awaiting a home video version of the new print.

Too Late for Tears (1949)

Too Late for Tears (AKA “Killer Bait”)
Directed by Byron Haskin
Written by Roy Huggins
1949/USA
Hunt Stromberg Productions/Streamline Pictures
First viewing/Amazon Instant Video

 

[box] Danny Fuller: Don’t ever change, Tiger. I don’t think I’d like you with a heart.[/box]

Lizabeth Scott is cast against type as the deadliest of femme fatales.  She’s even too much for Dan Duryea’s villain.

Jane Palmer (Scott) is tired of being a member of the “poor” middle class.  She wants to outdo the Joneses.  She is married to conventional hardworking Alan (Arthur Kennedy), however.  One day, Jane sees her opportunity when a valise containing $60,000 in old bills is thrown in the back of their convertible.  Howard wants to turn the money in to the police but Jane convinces him to put it in a safe place for a week so they can think about it some more. The couple leave the bag at the stored luggage department of a railway station and Alan takes the claim check.

Soon enough, the blackmailer Danny Fuller (Duryea) shows up and starts threatening all kinds of mayhem if Jane does not return his money.  He gives her until the next day to come through.  She hides the visit from Alan.  Alan plans a romantic evening to compensate for turning the money into the cops.  But Jane has a gun and nothing and nobody is going to come between her and her dream.  Meanwhile, a mysterious visitor (Don DeFore) befriends Alan’s sister and helps her to get to the bottom of Alan’s disappearance.

This is an OK “money isn’t everything” noir.  I think the role of the truly evil Jane did not suit the more girlish charms of Lizabeth Scott in the least.  One can only imagine someone like Barbara Stanwyck in the part.  As usual my beloved Duryea acquits himself well. He has a bit of a conscience, too, for a change.

I watched this on Amazon Instant Video because I feared the print on the Alpha DVD Netflix rental would be really bad and the movie has recently been restored.  I needn’t have bothered.  The print was quite fuzzy.  The 35-mm restoration is showing on the festival circuit so maybe there is a better DVD coming in the future.

https://www.youtube.com/watch?v=6avldLNY5mY

Clip – cinematography by William C. Mellor